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Topic: "Take me as I am" |
Nic du Toit
From: Milnerton, Cape, South Africa
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Posted 22 May 2009 10:26 am
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Hi Everyone,
My version of this song is now on Tilley's site;
http://www.etsga.org/steelguitarplayers.htm
Hope you enjoy it! _________________ 1970 P/P Emmons D10 flatback 8x5, BJS Bar, J F picks, Peavey Session 500, Telonics pedal. Boss GX700 effects.
Skype : nidutoit |
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Bill Ford
From: Graniteville SC Aiken
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Posted 23 May 2009 1:45 pm
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Good job Nic !!!!!BF _________________ Bill Ford S12 CLR, S12 Lamar keyless, Misc amps&toys Sharp Covers
Steeling for Jesus now!!! |
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Charles Curtis
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Posted 23 May 2009 4:04 pm
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Great Nic; keep up the good work!! |
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Fred Justice
From: Mesa, Arizona
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Posted 23 May 2009 7:51 pm
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I enjoyed it Nic, thanks for posting it. _________________ Email: azpedalman@gmail.com
Phone: 480-235-8797 |
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Carl Kilmer
From: East Central, Illinois
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Posted 26 May 2009 2:34 am
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That is beautiful Nic, and as pretty as it gets.
I love to hear you play, and your style is super.
Carl "Lucky" Kilmer _________________ aka "Lucky Kay"--Custom built Rittenberry SD10 3X5, Walker S/S, NV-112, and Hilton Pedal |
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Nic du Toit
From: Milnerton, Cape, South Africa
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Posted 26 May 2009 8:12 am
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Thanks, guys. I really enjoy doing the slow ones! _________________ 1970 P/P Emmons D10 flatback 8x5, BJS Bar, J F picks, Peavey Session 500, Telonics pedal. Boss GX700 effects.
Skype : nidutoit |
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stevepo
From: Clarion, PA. USA
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Posted 27 May 2009 7:04 am
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Nic,
Can you provide tabs for your styling of this song?
I enjoy your playing and voicings.
Steve Porter _________________ Steve Porter
Kline, McVay, & Emmons
Webb, LTD, N112
Steelman.Porter@yahoo.com |
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Richard Damron
From: Gallatin, Tennessee, USA (deceased)
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Posted 27 May 2009 7:20 am
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Nic -
You've included a couple of my long-time favorite but seldom used chord changes in the turnarounds. Very, very nice, indeed!!!!!! |
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Nic du Toit
From: Milnerton, Cape, South Africa
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Posted 27 May 2009 12:10 pm
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Steve...
Sorry, no tab.
I'm so used to working without tab, that it is the last thing on my mind to tab a song after recording it.
If there is a specific section you need some clarification on, send me a detailed email (click on 'email' at the bottom of this post), and I'll see what I can do.
Richard,
The thought often comes up whether I should do a key-change in a particular song, but if the song is interesting enough I just stick with it.
Do you reckon I should change key more often?
Thanks to both of you for the nice comments; appreciated.
Regards, _________________ 1970 P/P Emmons D10 flatback 8x5, BJS Bar, J F picks, Peavey Session 500, Telonics pedal. Boss GX700 effects.
Skype : nidutoit |
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Richard Damron
From: Gallatin, Tennessee, USA (deceased)
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Posted 27 May 2009 6:02 pm
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Nic -
You obviously know when a tune doesn't need tinkering with and another which requires tweaking in order to maintain interest. A key change often relieves one of the sameness or monotony in a tune and is required. A gorgeous tune like "All The Things You Are" will stand gloriously on its' own. Stay the course, my friend, and let your sensibilities dictate what you do.
I've developed somewhat of a bad habit in that I try to use favorite turnarounds such as yours in all that I do. I think I'm tinkering too much.
When do we get another post of your playing? There's at least another dozen Ray Price tunes of the same genre as "Take Me....". Hint. Hint.
Respectfully,
Richard
Last edited by Richard Damron on 27 May 2009 6:06 pm; edited 1 time in total |
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Donny Hinson
From: Glen Burnie, Md. U.S.A.
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Posted 27 May 2009 6:02 pm
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Reminds me a lot of John Hughey's version. Very nice, Nic! |
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Nic du Toit
From: Milnerton, Cape, South Africa
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Posted 28 May 2009 9:10 am
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Donny,
John Hughey is, of course, one of my favorite steel players.
I have several versions of that song amongst my collection of steel albums, but John's version came the closest to the way I heard the song in my mind. Especially the first few notes. I took the liberty of playing the song the way I felt it.... Glad you enjoyed it.
Richard,
As you've said, a good song just needs to be played well.
Working on turnarounds isn't a bad thing at all! Only one, or two will stick in your mind when doing a gig, and those are the ones you will play at that time. The others will surface at another time. So, keep on tinkering!
I do have several Ray Price type solos; they are all on my albums. But, with the help of Tilley, I will continue posting some of them.
Regards, _________________ 1970 P/P Emmons D10 flatback 8x5, BJS Bar, J F picks, Peavey Session 500, Telonics pedal. Boss GX700 effects.
Skype : nidutoit |
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Buddy Elkin
From: Henderson, KY, USA
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