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Author Topic:  Show us your Marlen steel
Johnie King


From:
Tennessee, USA
Post  Posted 2 Jul 2020 1:28 pm    
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I sold this one today they are really good steels!!!
This is my first Marlen too own.
I changed her from day set up too Emmons today what a pleasant surprise Marlen all pull is very easy too change over.
I believe Marlen steel were ahead of there time the 3 over 2 changer works extremely well. Playability an tone are very good also.



Last edited by Johnie King on 15 Jul 2020 12:33 pm; edited 3 times in total
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Johnie King


From:
Tennessee, USA
Post  Posted 2 Jul 2020 1:32 pm    
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Last edited by Johnie King on 2 Jul 2020 1:44 pm; edited 1 time in total
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Johnie King


From:
Tennessee, USA
Post  Posted 2 Jul 2020 1:43 pm    
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Here’s a Keyless Marlen
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Dick Sexton


From:
Greenville, Ohio
Post  Posted 2 Jul 2020 5:37 pm     Marlen S10 3X4
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Johnie King


From:
Tennessee, USA
Post  Posted 6 Jul 2020 8:15 pm    
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Dick I guess I’m the only owner of a Marlen or the other owners are too ashamed too post a picture.🤔
I’m enjoying mine!!
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Johnie King


From:
Tennessee, USA
Post  Posted 6 Jul 2020 8:19 pm    
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Here’s a looker.

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K Maul


From:
Hadley, NY/Hobe Sound, FL
Post  Posted 6 Jul 2020 10:04 pm    
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Here’s my pull-release 12 string. 3+4.

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KEVIN MAUL: Airline, Beard, Clinesmith, Donner, Evans, Excel, Fender, Fluger, GFI, Gibson, Hilton, Ibanez, Justice, K+K, Live Strings, MOYO, National, Oahu, Peterson, Quilter, Rickenbacher, Sho~Bud, Supro, TC, Ultimate, VHT, Williams, X-otic, Yamaha, ZKing.
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Steven Hudson


From:
North Carolina, USA
Post  Posted 10 Jul 2020 12:02 pm    
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Here's a 1978 all pull.

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Johnie King


From:
Tennessee, USA
Post  Posted 10 Jul 2020 2:59 pm    
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Wow Steven she’s a looker!!
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Jonathan Reynolds


From:
Nashville, Tennessee
Post  Posted 10 Jul 2020 4:03 pm    
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My 2003 all-pull Marlen. Having it rebuilt as we speak.
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Jonathan Reynolds

Steel Guitar at Sammy Kershaw
Parterned with Evans Amplifiers
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Johnie King


From:
Tennessee, USA
Post  Posted 10 Jul 2020 7:21 pm    
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Another gorgeous Marlen congratulations!
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richard burton


From:
Britain
Post  Posted 11 Jul 2020 12:10 am    
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Mine ain't a looker, been rode hard and put away wet a few too many times Shocked









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Ricky Davis


From:
Bertram, Texas USA
Post  Posted 11 Jul 2020 11:23 am    
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Here's one of my first students and restoring a Marlen for him and then Sho~bud's and he became a wonderful machinist and Steel guitar restorer himself; then he passed away. But here is the Late James Morehead sitting behind that first Marlen> Bless his Heart and RIP....

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Ricky Davis
Email Ricky: sshawaiian2362@gmail.com
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Gary Sill


From:
Mt. Zion, IL, USA
Post  Posted 14 Jul 2020 2:24 pm    
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Johnie King wrote:
Here’s a looker.



Yes, that is a guitar I finished and liked it so much I asked Mullen to make my current G2 with the same color design. I shipped that guitar to Australia several years ago.
Gary
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A beautiful Laquer Mullen G2, 2 Nashville 112's, Evans 10" R150 Amp,1982 Emmons Push Pull D-10, Hilton Pedals, 12/8 MSA Superslide, Green LDG, S-6 Fender 1956 Lap. , Gretsch Country Gentleman, red Gibson 2019, ES 335, Quilter, Gretsch Resonator, Eastman Mandol
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Johnie King


From:
Tennessee, USA
Post  Posted 14 Jul 2020 3:22 pm    
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That’s cool story Gary!!

Last edited by Johnie King on 14 Jul 2020 6:32 pm; edited 2 times in total
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Ricky Davis


From:
Bertram, Texas USA
Post  Posted 14 Jul 2020 3:27 pm    
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Here's another one I restored>


Ricky
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Ricky Davis
Email Ricky: sshawaiian2362@gmail.com
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Freddy Rakes

 

From:
Virginia, USA
Post  Posted 14 Jul 2020 3:38 pm     Marlen
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I have a candy apple red 1972 S10 3x2 Dad bought new from Leonard at his store in Reidsville when I was about 15 or 16. It's been in the case a long time.Man did I ever practice. We lived about 45 minutes from the store. I have quite a few stories of sneaking into the VFW building in Martinsville with a cassette tape recorder and taping Marvin Hudson going home and trying to figure it out. Wished I still had some of those tapes but I literally played them till they broke. Man could he play.I was too young to get in. I've talked to Billy Knowles about refurbishing it. After the covid thing lightens up a bit hope to get that done. Played a GFI the last few years and currently playing a D10 Zum. Looking forward to adding photos after work is done.
Freddy in VA.
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Zumsteel D10 8x8
SD10 GFI ULTRA
1972 push pull S10 3x2 candy apple red Marlen
Quilter STEELAIR
Nashville 400 black corner 1984
Session 1000
Hilton VP
1938 000-18 Martin
1934-35 TB 3 converted to 5 -string
2002 Martin GE-D18
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Johnie King


From:
Tennessee, USA
Post  Posted 14 Jul 2020 6:31 pm    
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I believe the all pull Marlen is a really well made steel I’m guessing they were quite a few sold new.
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Ricky Davis


From:
Bertram, Texas USA
Post  Posted 14 Jul 2020 7:00 pm    
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Yes Johnie; and actually the Changer that Leonard and Marvin designed for the "All Pull" started around 1980 and they actually had the very first Patent on that exact Changer.
I worked on a few; but I always preferred the "Pull-Release" and Speedy West Marlen.
Ricky
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Ricky Davis
Email Ricky: sshawaiian2362@gmail.com
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Chris Brooks

 

From:
Providence, Rhode Island
Post  Posted 15 Jul 2020 6:59 am    
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Ricky, briefly, why do you prefer the pull-release? More stable once tweaked? Sound? Pedal action?

I have MSAs and a Carter but these Marlens intrigue me!

Of course I used to drive a Hudson, too . . . .

Chris
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Ricky Davis


From:
Bertram, Texas USA
Post  Posted 15 Jul 2020 6:47 pm    
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Yes Chris; mainly the sound; same as why I like the sound of Sho~bud Permanent better than most all others; that single finger (No rivets and scissoring like all pulls); and yes the tuning stability as long as you don't raise AND lower a string..ha....nevertheless....it is mainly the TONE.
Ricky
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Ricky Davis
Email Ricky: sshawaiian2362@gmail.com
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Bob Watson


From:
Champaign, Illinois, U.S.
Post  Posted 15 Jul 2020 10:29 pm    
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Ricky, thanks for posting the picture of James Morehead. I got to meet James at a very cool jam session at an American Legion in East Moline IL. He had relatives there and was visiting. He mentioned that he'd be there on the forum and I brought my first pedal steel, a Sho Bud Professional, up there for the Jam. He had one just like it, but his looked brand new. I hadn't played mine in a long time and it sounded great through my old Peavey LTD. I had played that rig for around 20 years and I had forgotten how wonderful it sounded. James was playing his through a Fender Twin and it sounded great too. He was really a cool guy and I felt lucky to have crossed paths with him. It was about a year later that he got sick and started his fight with prostate cancer. It was nice to see a picture of him. It was so sad that he left us at such a young age.
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Ricky Davis


From:
Bertram, Texas USA
Post  Posted 16 Jul 2020 5:50 am    
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Thanks Bob for your memory share of James. So was this the Professional you saw James having??

If so; he was so cool as he let me take it for a while and record with it at Tommy Detamore(me and tommy pic) studio back in the day......it was an amazing Sho~bud that James totally restored and he made every part that was put on underneath; I was sooooo proud of him as he came a long long way since that Marlen.
Ricky
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Ricky Davis
Email Ricky: sshawaiian2362@gmail.com
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Steven Hudson


From:
North Carolina, USA
Post  Posted 16 Jul 2020 6:43 am    
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Ricky

That's a really sweet looking Speedy West Marlen. The 1978 all pull I posted a picture of is the earliest all pull I have seen. It was owned by a very close friend of my dad's.

Freddy

What a memory jolt you gave me. I remember going to the VFW in Martinsville with my dad, Marvin, in the early 70's. I would sit with my mom and take money at the front desk. Guy Meyers, the drummer, would let me sit in on a couple of songs at the end of the night. There was also a banjo player, Bobby Atkins, who used to play with Bill Monroe. My hot dog chili recipe is from that VFW. And they had great pickled eggs. Thanks for the trip down memory lane.
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Chris Brooks

 

From:
Providence, Rhode Island
Post  Posted 16 Jul 2020 7:32 am    
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OK, thanks, Ricky!

Chris
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