I'd spend another 50 bucks for the spun Quaterman cone. It makes a BIG differnence. When you hold a stamped cone by two fingers and flick it with the fingers on your other hand you hear a kind of sustained "THUNK". When you do the same operation to a spun cone you hear a sustained "PING". What does this have to do with anything? In my experience, changing the stamped cone of my Flinthill for a Quaterman gave me a dramatic increase in tone, sustain, and harmonics.[This message was edited by Andy Volk on 14 May 2001 at 10:10 AM.]