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Author Topic:  Favorite Lap Steel
Scott Burns

 

From:
Haiku, Maui, Hawaii
Post  Posted 10 Oct 2000 10:41 pm    
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I'm a newbie to this world of lap steels, can you tell me your favorites. Vintage or current models. Alohas from Maui, Hawaii. SB
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Andy Alford

 

Post  Posted 11 Oct 2000 2:47 am    
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I love all of them because the designs and pickups are grand.Go check out the bible on lap steels BRAD'S PAGE OF STEEL.You will find that this site is grand.
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George Keoki Lake


From:
Edmonton, AB., Canada
Post  Posted 11 Oct 2000 8:18 pm    
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Each of my steel guitars seem to have their own "personality". I really have no favorites as each has a distinct sound of their own...Gibson, Fender, Rickenbacker, Sho-Bud, Tradewind. When I become weary of one, I go to the other for a "fresh" sound. I guess that is one of the joys of our instrument, no two sound exactly alike.
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Ricky Davis


From:
Bertram, Texas USA
Post  Posted 11 Oct 2000 8:58 pm    
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Out of all my Hawaiian steels; this one is my favorite for any style.



My Homepage
Rebelâ„¢ and Ricky's Audio Clips
www.mightyfinemusic.com
Email Ricky: sshawaiian@aol.com
Ricky Davis

[This message was edited by Ricky Davis on 04 November 2000 at 10:36 PM.]

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Bob Kagy

 

From:
Lafayette, CO USA
Post  Posted 12 Oct 2000 9:51 am    
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Currently the Sierra 8 string. It has a lot going for it - tone, sustain, looks, ruggedness and feel.

There are lots of lap steels I never had the pleasure of trying, so this preference is from the limited list of National & Fender.

Ones I'd like to try are the Rick, Boen, Ricky Davis' new one, and some from the Melobar line.
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Ray Montee


From:
Portland, Oregon (deceased)
Post  Posted 13 Oct 2000 8:07 am    
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The first time I had the occasion to play a Ric was when my great new friend Wayne Tanner visited me a couple of years back. He was kind enough to allow me to play two different models he'd brought with him. Within just a year, I had one, then two, then only one again....but I must profess, the Ric to me, is like the finest musical instrument ever made, in spite of any short comings others have mentioned in other threads. A solid and beautiful sounding instrument. But,such opinions are like those on sex. What is good, bad and/or fantastic? The sound defines it and is indisputable.
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Scott Burns

 

From:
Haiku, Maui, Hawaii
Post  Posted 13 Oct 2000 8:37 am    
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WOW! Hey Ray I was half way out the door to purchase a Ricky, however a quick cold shower really help. Thanks for the tip.
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George Keoki Lake


From:
Edmonton, AB., Canada
Post  Posted 13 Oct 2000 11:27 am    
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Hey Ray...("Skip") This is supposed to be a 'clean' Forum ! You know, everytime I pickup my Rick frypan or my Rick bakelite, I notice a "stiffness" in my technic. Now, thanks to you, I know the reason!!!!
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Bobby Lee


From:
Cloverdale, California, USA
Post  Posted 13 Oct 2000 1:14 pm    
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My favorite is my Sierra Laptop. I've never played a lap steel I liked better.
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Earnest Bovine


From:
Los Angeles CA USA
Post  Posted 13 Oct 2000 2:37 pm    
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Do they call it a Laptop? I thought that means computer.
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Bobby Lee


From:
Cloverdale, California, USA
Post  Posted 13 Oct 2000 5:52 pm    
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Yeah, that's what it's called.
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oj hicks


From:
Springville, AL
Post  Posted 13 Oct 2000 6:28 pm    
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I vote with bOb. I have a post war Rick Bakelite, which I dearly love. Like Carl Dixon says, they have that special "moan." I also have an Excel Frypan which is a great guitar. But my newest toy is the Sierra 8 string lap steel. Like I saw somewhere on a website. . . it sounds like the Rick Bakelite on steriods! Tone and sustain are unbelievable. Just my opinion.

oj hicks
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Scott Burns

 

From:
Haiku, Maui, Hawaii
Post  Posted 14 Oct 2000 8:34 am    
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You've peaked my interest. Does Sierra have a website?
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Bob Kagy

 

From:
Lafayette, CO USA
Post  Posted 14 Oct 2000 11:56 am    
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Here you go Scott -
www.sierrasteelguitar.com
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Lefty


From:
Grayson, Ga.
Post  Posted 15 Oct 2000 4:27 pm    
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My favorites are my Gibsons. I have a 1954 and a 1959. They are the same shape, the 59 is a salmon color with a white fretboard and has a P90 pickup. The 54 is green (was blue) from yellowing with a blue fretboard and a p90 pickup covered by a cover with a gold leaf on it. I don't remember the model of these but they work well for my style. I like the scale length and the sound. The 59 is a little brighter due to the pickup being closer to the bridge. I have a Rickenbacker that sounds good, but I like the longer scale of the gibsons for sliding and emphasis. All of mine were originally right handed, but were converted pretty eaisily.
Lefty.
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Sur Singh

 

From:
Mass
Post  Posted 16 Oct 2000 3:30 pm    
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Lefty,
The gibson that you refer to, is it an Ultratone?
-SS

[This message was edited by Surinder Singh on 16 October 2000 at 04:30 PM.]

[This message was edited by Surinder Singh on 16 October 2000 at 04:48 PM.]

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Lefty


From:
Grayson, Ga.
Post  Posted 17 Oct 2000 1:52 am    
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Surinder,
I'm not sure. I know it is not the BR-9. These have a lucite fret board and bridge cover, tne 59 has a cover for the tuners. They both have a p-90. The 54 bridge cover covers the pickup as well. I will try and come up with a picture.
Lefty
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B. Greg Jones

 

From:
Middleport, Ohio USA
Post  Posted 18 Oct 2000 8:26 pm    
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I have a 1935 Ricky Bakelite and a late 40's early 50's Ricky Silver Deluxe w/gold hardware. Both of them really sound different but great in their own way. The one lap steel that really has knocked my socks off is one that my father built in the shape of a fiddle. He made all the parts (except pickup and tuners) from scratch. I used it a couple of times on Renfro Valley Shows when my family was down for a visit. It is by far the best souding lap steel I have played. Great tone & sustain!!
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Lew Collins

 

From:
Boulder, Colorado, USA
Post  Posted 22 Oct 2000 6:42 am    
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My favorite is my '38 bakelite Rick. The only thing I don't like about it is adjusting the polepieces on the pickup...really scarey! But I'm about to disassemble it and try again...
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Billy Jones

 

From:
Medicine Hat, Alberta, Canada
Post  Posted 22 Oct 2000 9:09 am    
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My favorite at this time is my Inovator S10. Other than that I might have chosen the Rickenacker.
I built the Inovator for myself, because I could, and installed an L705 pickup with switchable impedence. I can get a big fat sound and a surprising sound that is equivalent to the Fender custom that I once owned. Of course the tweed bassman and twin that I use does help.
I have to compliment Ricky Davis on his guitar. Beautiful Ricky, just beautiful.
... Billy
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Mike Black

 

From:
New Mexico, USA
Post  Posted 22 Oct 2000 10:14 am    
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xxzzz

Last edited by Mike Black on 12 May 2011 1:10 pm; edited 1 time in total
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Marc Weller

 

From:
Upland, Ca. 91784
Post  Posted 28 Oct 2000 10:14 pm    
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Mike,

How does the string spacing on the Deluxe 8 compare with a late fifties Stringmaster ?

MW
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basilh


From:
United Kingdom
Post  Posted 29 Oct 2000 2:09 am    
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Aloha Scott,from the "Emerald Isle"

My favourite lap steel is the "Rick" although I find that the relatively cheap Dickerson/Leilani/ etc. type of late 40's early 50's six string guitars are quite authentic sounding.




------------------

Basil Henriques
Emmons D-10 1970
and
Emmons D-10 1970 "Anniversary"
1949 "Leilani"
1949 Dickerson
RICKENBACKER "Olde Uglie" Twin 8
"Fender 1000"

Quote:
Steel players do it without fretting




http://homepage.tinet.ie/~basilhenriques/

http://www.stax-a-trax.com/


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Marc Weller

 

From:
Upland, Ca. 91784
Post  Posted 29 Oct 2000 7:35 am    
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Basil,

I had the impression that Dickerson had been sold to Magna Electronics after WW2 and that there were no post war instruments sold as "Dickersons".

MW
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Andy Volk


From:
Boston, MA
Post  Posted 30 Oct 2000 6:01 am    
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It's a tie: my favorite sounding steels are my '39 Rickenbacher Bakelite for it's lush, warm tone and overtones and early 50's Fenders with Direct Contact pickups for that classic shimmer that has never been duplicated.

In terms of pure design/aesthetics, I feel that the steel guitar universe in general, lags far behind the exceptional strides made in standard guitar design over the last 15 years. Can you imagine a lap steel with the visionary visual panache' of a late-period D'Aquisto archtop or one of the Chinerey Collection "Blue Guitars"?

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