| Visit Our Catalog at SteelGuitarShopper.com |

Post new topic The Hank Williams Sound
Reply to topic
Author Topic:  The Hank Williams Sound
Andy Alford

 

Post  Posted 20 Nov 2001 5:57 am    
Reply with quote

What was the Hank Williams sound?If you removed ----- from his songs it would no longer sound like a Hank Williams song.Please tell us what you think.
View user's profile Send private message Send e-mail
Bill Sharpe

 

From:
Hermitage, TN 37076, USA
Post  Posted 20 Nov 2001 6:25 am    
Reply with quote

Don Helms. without question

------------------
B#


View user's profile Send private message Send e-mail
Larry Miller

 

From:
Dothan AL,USA
Post  Posted 20 Nov 2001 7:22 am    
Reply with quote

HANK!
View user's profile Send private message Send e-mail
Red Kilby

 

From:
Pueblo, CO, USA * R.I.P.
Post  Posted 20 Nov 2001 10:12 am    
Reply with quote

DON HELMS<<<<<<<<<. Without a Doubt<<<<. You can tell its a Hank tune just by the intro which was generaly Don<<<<<<.
View user's profile Send private message Send e-mail Visit poster's website
John Steele

 

From:
Renfrew, Ontario, Canada
Post  Posted 20 Nov 2001 10:57 am    
Reply with quote

....except when it was Jerry Byrd....

I thinik the crisp, choppy, honky-tonk backbeat is a very distinctive component of Hank's music.
I've noticed in some old pictures that the upright bass players had this little pad fixed to the upper bout of their bass, and they held a drummer's brush between the fingers of their right hand to accentuate this... Not that Hank's bass player necessarily did that, but it's an interesting component of the music of the time.
-John
View user's profile Send private message Send e-mail
Tele

 

From:
Andy W. - Wolfenbuettel, Germany
Post  Posted 20 Nov 2001 2:31 pm    
Reply with quote

I think the guy that did those click-clacks or honky tonk back beat is Sammy Pruitt who is/was a great jazz guitarist.
I heard Hank advised him to play no "vanilla"

Andy

------------------

1962 Sho~Bud D-10 : 1969 Emmons D-10 : Bigsby T-8: 1959 Gibson Super 400CES :1957 Standel 25L15
about me
My steels



View user's profile Send private message Send e-mail Visit poster's website
Jason Odd


From:
Stawell, Victoria, Australia
Post  Posted 20 Nov 2001 5:28 pm    
Reply with quote

The Blues, Hank was one honky tonkin' blues singer.
View user's profile Send private message Send e-mail
Janice Brooks


From:
Pleasant Gap Pa
Post  Posted 20 Nov 2001 5:51 pm    
Reply with quote

I think it was the twang factor. Don, Sammy and Jerry did not have the polish of Bob Wills and Hank Thompson on their recordings.



------------------
Janice "Busgal" Brooks
ICQ 44729047
View user's profile Send private message Send e-mail Visit poster's website
Donny Hinson

 

From:
Glen Burnie, Md. U.S.A.
Post  Posted 20 Nov 2001 6:30 pm    
Reply with quote

I think it was a combination of Don, and the "slap" rhythm that gave him that sound.
View user's profile Send private message Send e-mail
Martin Abend


From:
Berlin, Germany
Post  Posted 21 Nov 2001 2:56 am    
Reply with quote

Jason,

funny, that you mention it. I started this morning with Robert Johnson on my CD player, then switched to Hank and it amazed me how much their music has in common. Never noticed it before. I feel o.k, though

------------------
martin abend Pedal-Steel in Germany
s-10 sierra crown gearless 3 x4 - Regal RD45 - fender hotrod deluxe


View user's profile Send private message Send e-mail Visit poster's website
Jason Odd


From:
Stawell, Victoria, Australia
Post  Posted 21 Nov 2001 5:31 am    
Reply with quote

Martin, I'd just been listening to singer Gene O'Quin (1950s Capitol recording artist) and I realised how influential that tight little clicking bluesy ensemble sound was, how Hank and the hillbilly boogie sound of others had shaped modern country in the early 1950s and late 1940s.
It's like listeing to 1950s sides by Lefty and sides by Hank... Hank was more ofa bluesy artist, while Lefty's honky tonk was a stripped down Western Swing Southwestern approach.
View user's profile Send private message Send e-mail
Bill C. Buntin

 

Post  Posted 21 Nov 2001 4:06 pm    
Reply with quote

I, IV, V changes in 2/4 time. Upright Bass, Straight steel and that RAW fiddle. Not to mention just "Being Country Boys" has a lot to do with it.
View user's profile Send private message
Andy Alford

 

Post  Posted 22 Nov 2001 5:45 am    
Reply with quote

Stand up and honor Hanks music.We need to know what you think.
View user's profile Send private message Send e-mail
Gary Harris

 

From:
Hendersonville, TN, USA
Post  Posted 22 Nov 2001 3:14 pm    
Reply with quote

John Steele mentioned the "little pad" on the upright bass. This was done by Ernie Newton and perhaps others. Ernie left the music business and worked for a pro golf course some place.
When you compare Hank Williams to Bob Wills it is like comparing apples to oranges. It is a matter of your personal taste. Personally I think Jerry Byrd was light years ahead of any Bob Wills steel player although I enjoyed Wills too. Being the best does not mean that the public will clammor for one of your recordings, a case in point is "Sleep Walk". Lloyd Green's version of that song is superior to the original, however the record sales or the air play, again, no comparison.
View user's profile Send private message Send e-mail

All times are GMT - 8 Hours
Jump to:  
Please review our Forum Rules and Policies
Our Online Catalog
Strings, CDs, instruction, and steel guitar accessories
www.SteelGuitarShopper.com

The Steel Guitar Forum
148 S. Cloverdale Blvd.
Cloverdale, CA 95425 USA

Click Here to Send a Donation

Email SteelGuitarForum@gmail.com for technical support.


BIAB Styles
Ray Price Shuffles for Band-in-a-Box
by Jim Baron