| Visit Our Catalog at SteelGuitarShopper.com |

Post new topic steel guitar in 1920's
Reply to topic
Author Topic:  steel guitar in 1920's
ryome

 

Post  Posted 27 Jun 2000 8:43 pm    
Reply with quote

I have a question concerning the use of the steel guitar in non-Hawaiian genres in the 1920's and 30's- genres like hillbilly and Race recordings. Do any of you have any information as to how players like Cliff Carlisle and Bob Dunn obtained their steels and how they learned to play. It is likely that they heard recordings, but what about live performances? Thanks for your help.
Ryan
View user's profile Send private message Send e-mail
mikey


From:
New Jersey
Post  Posted 27 Jun 2000 8:50 pm    
Reply with quote

it is of my understanding that the 1st generation country, and gospel players, played primarily dobro and learned from either lessons or watching Hawaiian players, who were by that time common in the USA... at least that's what Pete Kirby told me,
mike
View user's profile Send private message Send e-mail
Bob Stone


From:
Gainesville, FL, USA
Post  Posted 28 Jun 2000 3:51 am    
Reply with quote

Here is my condensed version of how non-Hawaiians began to use the steel guitar to play Hawaiian and other genres of music.

Hawaiian steel guitarists began to play in the US mainland early in the 20th century. Performances by Keoki Awaii (steel) and the Royal Hawaiian Quartet and other Hawaiian musicians and dancers at the Panama-Pacific Exposition (a sort of world's fair), held in San Francisco in 1915, helped launch a major interest in Hawaiian music here. Soon there were traveling Hawaiian music acts, recordings, radio broadcasts, Hollywood movies, teaching networks, etc. It's hard to imagine today, but in the 20s and 30s Hawaiian music was everywhere. Many of the Hawaiian steelers of that period also played some jazz or pop music of the day. So most country musicians of that time had direct exposure to Hawaiian steel guitar music. In fact, Jimmie Rogers, considered by many to be the first country music star, used Hawaiian artists (I'd have to look up the names) to play steel on some of his recordings.

The circumstances by which African American musicians were exposed to the instrument were similar. For instance, Troman Eason, older brother of Willie Eason, who started the House of God's "sacred steel" tradition, took tablature lessons from a Hawaiian in Philadelphia, PA in the mid-1930s.

Instruments of every grade and price were readily available as were kits containing picks, a bar and an extension nut for converting a Spanish neck guitar.

There are many older steelers playing today who took lessons through the Oahu company, which has been described as "the Amway of Hawaiian music," as the company established a pyramid system of teachers, studios, lessons and instruments throughout the US mainland.

[This message was edited by Bob Stone on 28 June 2000 at 05:00 AM.]

View user's profile Send private message Send e-mail
C. Brattain


From:
Balch Springs, Texas, usa
Post  Posted 28 Jun 2000 5:40 am    
Reply with quote

The Oahu Publishing Company had hundreds of salesman that would go door to door and enroll students. They were taught in classes of 10 to 20 and after about 6 weeks they were sold new steel guitars. I Think that Oahu helped to start entrest in the steel guitar and helped to get it where it is today. I was enrolled by Oahu and made it my profession.
Have a great day, Chuck
View user's profile Send private message Send e-mail Visit poster's website

All times are GMT - 8 Hours
Jump to:  
Please review our Forum Rules and Policies
Our Online Catalog
Strings, CDs, instruction, and steel guitar accessories
www.SteelGuitarShopper.com

The Steel Guitar Forum
148 S. Cloverdale Blvd.
Cloverdale, CA 95425 USA

Click Here to Send a Donation

Email SteelGuitarForum@gmail.com for technical support.


BIAB Styles
Ray Price Shuffles for Band-in-a-Box
by Jim Baron