I tabbed out that famous Hawaiian vamp (II7-V7-I6) that you can play twice for an intro and ending and also once at the end of each verse to make a song sound Hawaiian. This vamp helps to see why C6/A7 tuning works so well. The C7 is called a secondary Dom because it is built off the 5th of the F7, but is not diatonic to the key of Bb. The F7 is the 5th of the one chord Bb6. Jerry Byrd is da Man!
C7 F7 Bb6 Bb6
E|-----|-----|-10---|-10---| |
C|-7---|-----|-10---|-10---| |
A|-7---|-8---|-10---|-10---| |
G|-----|-8---|-10---|-10---| |
E|-6---|-8---|------|------| |
C#|-----|-8---|------|------| |
C7 F7 Bb6 Bb6
E|-------|----8-|------|-----| |
C|-------|---9--|-10---|-----| |
A|-------|--8---|------|-----| |
G|-------|-8----|------|-----| |
E|-------|------|------|-----| |
C#|-------|------|------|-----| |
[This message was edited by Jesse Pearson on 01 February 2004 at 03:56 PM.]
