| Visit Our Catalog at SteelGuitarShopper.com |

Post new topic question re tricky harmonic in Dewitt Scott's lapsteel book
Reply to topic
Author Topic:  question re tricky harmonic in Dewitt Scott's lapsteel book
John Clay

 

From:
Texas, USA
Post  Posted 23 Dec 2023 8:36 am    
Reply with quote

I have a technique question regarding a tricky harmonic in Dewitt Scott's version of The Great Speckled Bird from his Mel Bay book, Basic C6th Nonpedal Lap Steel Method.

In a couple of places in his arrangement, there are two successive palm harmonics. Both are played with the tone bar at the 7th fret.

The first palm harmonic (12va) is played with the tone bar is at 7th fret and the palm is at the 19th fret. I can play that.

My problem is with playing the second palm harmonic. The second palm harmonic (16va) is played with the tone bar at the 7th fret and the palm is at the 12th fret.



There is so little space between the ridge of my right palm and the tone bar that I can't seem to get enough clearance to sweep my thumb pick across the strings. I am wondering if it's because I am using a somewhat shorter scale (22.5 inch fretboard instead of the fretboard scale for a full-sized guitar - e.g., 24.5 inches or longer).

Does anyone have some advice for how to tackle the 2d harmonic in this song?
View user's profile Send private message Send e-mail
Nathan Laudenbach

 

From:
Montana
Post  Posted 23 Dec 2023 1:14 pm    
Reply with quote

That doesn’t sound right to me. I don’t think you can play a harmonic that way.
View user's profile Send private message Send e-mail
Duane Becker

 

From:
Elk,Wa 99009 USA
Post  Posted 23 Dec 2023 4:59 pm    
Reply with quote

John, I use my right hand ring finger, laid flat, or at least almost flat across the strings at the 12 fret while strumming across the strings with thumb pick, to get that second harmonic. Might take a while to get used to doing this if you haven't done it before. I bend my ring finger at the joint closest to where youd wear a normal ring.
View user's profile Send private message Send e-mail
Roger Fletcher

 

From:
United Kingdom
Post  Posted 23 Dec 2023 11:51 pm    
Reply with quote

This is very interesting. I saw a video in which Bobby Ingano said that they didn't use this third finger method in Hawaii but instead picked with the middle finger instead of the thumb. However, JB said that the third finger method was how to play Whispering Lullaby. He ought to have known, because I believe he was in thu studio when David Keli'i recorded his magical version.
View user's profile Send private message Send e-mail
John Clay

 

From:
Texas, USA
Post  Posted 25 Dec 2023 11:49 am     Thanks!
Reply with quote

Duane, thanks - that makes sense. I'll work on this.

-John Clay
View user's profile Send private message Send e-mail
Roland Sturm

 

From:
Santa Monica, CA
Post  Posted 13 Jan 2024 3:23 pm    
Reply with quote

I puzzled over that same spot in the book, for the same reason, and started to think that maybe it is an error. There are quite a few blunders in the book, several in the notation of the next song, St. Louis Blues. But the ring finger suggestion worked immediately here, thanks!
View user's profile Send private message Send e-mail

All times are GMT - 8 Hours
Jump to:  
Please review our Forum Rules and Policies
Our Online Catalog
Strings, CDs, instruction, and steel guitar accessories
www.SteelGuitarShopper.com

The Steel Guitar Forum
148 S. Cloverdale Blvd.
Cloverdale, CA 95425 USA

Click Here to Send a Donation

Email SteelGuitarForum@gmail.com for technical support.


BIAB Styles
Ray Price Shuffles for Band-in-a-Box
by Jim Baron