William Gallagher
From:
California, USA
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Posted 21 Nov 2022 3:59 pm |
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Mint with custom Tuki covers. Custom built by Phil Bradbury. Purchased in 2021 and used maybe 10 times. My band went silent stage and it sits in my home. Lacquered Tweed 22w amp features: 6SC7 Preamp; 6SC7 Phase Inverter; 6V6 Power Tubes; 5Y3 Rectifier. Lacquered Tweed/Cane 112L cabinet features Eminence George Alesandro SC-64 speaker.
See also www[dot]littlewaltertubeamps[dot]com
Bright channel normal channel with their own seperate volume controls and a single tone control for both channels. This amp is being used by slide, lap steel, and guitar players. Unlike the really clean 50 series amps, this amp is capable of great breakup tone but still boasts great volume and character.
The 22 watt amp was created for players to have the ability to achieve a desirable breakup tone whilst having enough head room to play a larger room. Based on the original 15 watt chassis but with a larger power and output transformer this amp has quickly proven itself in the blues arena with players such as Vince Gill, who uses it for small clubs and big arenas, as well as for recording.
The remarkable thing about this amp is the way you set it up on stage. You would set the volume for the most breakup tone you would be using in the venue. Then you would roll
 your instrument volume back a bit to achieve as clean a sound as you wish with no loss of tonality. A slight roll of the volume pot on your instrument will give you the overdriven breakup you want on demand.
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'75 Emmons p/p, Duesenberg Alamo, Dobro with Hipshot, Nashville 112, Little Walter 22/50, Fender Blues Deluxe, and enough effects gear to fill a dump truck.
Last edited by William Gallagher on 22 Nov 2022 9:40 am; edited 1 time in total |
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