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Author Topic:  Equipment advice
Robert Murphy


From:
West Virginia
Post  Posted 11 May 2022 12:57 pm    
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I started playing in a classic country band with female vocals and piano. Sometimes bass and drums. I’m just doing backup and fills on my hot 1954 Rickenbacker A25 frypan and Fender Blues Junior amp. I cut through the mix nicely. Problem is my restored Ric is so valuable I’m not comfortable taking it to. gigs. Poor me huh! What is a good mid price lap steel for this kind of work? I have an 8 string Remington but the George L pickup is way to warm to be heard. It’s not just about volume.

Last edited by Robert Murphy on 11 May 2022 1:21 pm; edited 1 time in total
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Jim Pollard

 

From:
Cedar Park, Texas, USA
Post  Posted 11 May 2022 1:04 pm    
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Melbert makes great steels that are reasonably (actually they're a flat out steal IMO) and you can customize your pickup. Not off the shelf though, can take a bit to get it made.
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Howard Parker


From:
Maryland
Post  Posted 11 May 2022 1:15 pm    
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eq the Rem differently then the Ricky?

h
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Howard Parker

03\' Carter D-10
70\'s Dekley D-10
52\' Fender Custom
Many guitars by Paul Beard
Listowner Resoguit-L
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Jack Hanson


From:
San Luis Valley, USA
Post  Posted 11 May 2022 1:47 pm    
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If time and/or money are not an issue, I would order a new Clinesmith frypan. Alternatively, I would be on the lookout for a stripped-out Gibson carcass (preferably a Century or an Ultratone) to rescue with modern fittings and electronics.
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Bill Hatcher

 

From:
Atlanta Ga. USA
Post  Posted 11 May 2022 7:16 pm    
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joshua bell takes his strad to the gig.....
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Robert Murphy


From:
West Virginia
Post  Posted 12 May 2022 4:08 am    
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With all due respect at last week’s gig, BBQ and Brew, we played in front of a rack of sauce. Sure enough someone knocked a glass jar off the table and it splattered on the concrete floor next to my amp. I don’t think Mr. Bell has those issues.
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Brad Richard


From:
Chisago City, Minnesota
Post  Posted 12 May 2022 6:46 am    
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You might even try a Recording King RG-32 with a P-90. Fairly inexpensive and plays well.

Or my mod'd Rogue LS-1 with a Georgeboards 22-1/2" scale, a Bill Lawrence L45-S humbucker, legs and a gigbag. Plays well and very inexpensive and if stolen or ruined, oh well.
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Glenn Wilde

 

From:
California, USA
Post  Posted 12 May 2022 5:16 pm    
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Robert Murphy wrote:
With all due respect at last week’s gig, BBQ and Brew, we played in front of a rack of sauce. Sure enough someone knocked a glass jar off the table and it splattered on the concrete floor next to my amp. I don’t think Mr. Bell has those issues.
😁
I get what you're saying. Have you tried any pedals with your number 2? You should be able to get it close to the Rick with a active EQ like a Boss GE7 or a good preamp.
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G Strout


From:
Carabelle, Florida
Post  Posted 12 May 2022 6:09 pm    
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I second the motion for a Melbert. Can't go wrong.
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Melbert 8, Remington S8, Silk 6 string, Rick B6, Tremblay 6 lap steel, Marlen S-10 4&4, Prestige Guild M75 and Artist Award, Benedetto Bravo, Epiphone Century Electar (the real one) and a bunch of old lap steels.... mostly Ricks and Magnatones'
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Tony Oresteen


From:
Georgia, USA
Post  Posted 12 May 2022 6:34 pm    
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Try raising the pickup in the Remington.

If that doesn't work talk to Jerry Sentell at

Www.sentellpickups.net

He can make a pickup for what you want.
_________________
Tony
Newnan, GA

Too many guitars, not enough time to play
'72 Sho-Bud 6139, '71 Marlen 210
'78 Fender Stringmaster Quad black
PedalMaster D8
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Robert Murphy


From:
West Virginia
Post  Posted 13 May 2022 2:55 am    
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I adjusted my Nashville 112 to the limit but there’s no way to take the fat out of a George L E-66. Great pickup, maybe swap it out for something with bite. My GFI pedal steel has the sound I need but it’s not a lap guitar.
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