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Topic: .012 on a Push-Pull? |
Marty Broussard
From: Broussard, Louisiana, USA
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Posted 8 May 2021 3:24 pm
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Anyone using that gauge for the 3rd string on E9th? I did some searching and can’t find the answer. Thx _________________ RETIRED
"Technique is really the elimination of the unnecessary..it is a constant effort to avoid any personal impediment or obstacle to achieve the smooth flow of energy and intent" Yehudi Menuhin |
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Jon Light
From: Saugerties, NY
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Posted 8 May 2021 3:28 pm
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I do. It's a new-to-me guitar and I don't have a lot of hours on it yet but I use .012 on all my steels and there are no problems on this one. |
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Marty Broussard
From: Broussard, Louisiana, USA
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Posted 8 May 2021 3:54 pm
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Thank you, Jon. Been seriously thinking of going to that gauge on all of my guitars. _________________ RETIRED
"Technique is really the elimination of the unnecessary..it is a constant effort to avoid any personal impediment or obstacle to achieve the smooth flow of energy and intent" Yehudi Menuhin |
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Jon Light
From: Saugerties, NY
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Posted 8 May 2021 4:03 pm
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In some 20 years since I went over to 12's I have yet to encounter a down-side. I guess the only negative is that it is a little bit more punishing when it does let go (and in my experience there is absolutely no difference in longevity between 11's & 12's).
And in theory the heavier string takes a tiny bit less changer movement to get to pitch which is a plus, balancing 3 & 6 on a PP. |
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Erv Niehaus
From: Litchfield, MN, USA
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Posted 9 May 2021 5:40 am
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You get a richer, fuller tone with a .012
Erv |
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Larry Bell
From: Englewood, Florida
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Posted 9 May 2021 5:47 am
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I completely agree with Jon and Erv. A bit more tension and string mass can make for slightly shorter throw and richer tone. I haven’t used 11s on any of my guitars for more than 20 years. _________________ Larry Bell - email: larry@larrybell.org - gigs - Home Page
My CD's: 'I've Got Friends in COLD Places' - 'Pedal Steel Guitar'
2021 Rittenberry S/D-12 8x7, 1976 Emmons S/D-12 7x6, 1969 Emmons S/D-12 6x6, 1971 Dobro, Quilter ToneBlock 202 TT-12 |
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Pat Chong
From: New Mexico, USA
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Posted 9 May 2021 7:34 pm
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There are string sets with .012 as the third string. NYXLs have that, with Paul Franklin himself, prefering the heavyer set of strings (.012 vs .011), so I've heard. ...Pat |
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Dave Campbell
From: Nova Scotia, Canada
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Posted 10 May 2021 6:59 am
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12 all day here. i'm using the nyxl set and i've yet to break one. |
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Tony Glassman
From: The Great Northwest
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Posted 10 May 2021 7:58 am
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I’ve used .012 ga 3rd strings since 1975 with less breakage and better tone than .011 or .0115s. |
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Bud Harger
From: Belton, Texas by way of Baton Rouge, Louisiana
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Posted 10 May 2021 2:10 pm I use a .11
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I’ve played push-pull forever. And I’ve used .11 forever. Maybe there’s a bit of extra body in a .12, but I like the bite of the smaller gauge. I’ve played a 67 PP since ‘73... now a ‘69 and have no issues with broken strings.
I have used Emmons Extra Lively until I couldn’t get them anymore... now Live Steel or D’Addario.
Best regards. _________________ bUd
1969 Emmons D-10 8f/4k; Evans Amps. |
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Ben Waligoske
From: Denver, CO
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Posted 10 May 2021 3:32 pm
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.12 on 3 here, and a .13 on 1 sometimes too... |
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George Kimery
From: Limestone, TN, USA
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Posted 10 May 2021 3:37 pm .012 on a push pull
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Been using .012's on my previous Zum and now on my 74 Emmons pp. I use Live Steel strings and have never had one to break. Jeff Newman recommended .012's when I was in one of his classes. |
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Craig A Davidson
From: Wisconsin Rapids, Wisconsin USA
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Posted 10 May 2021 8:30 pm
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Danny at Jagwire used to sell a push pull set with a 12 for the third. |
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Ron Funk
From: Ballwin, Missouri
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Posted 10 May 2021 8:46 pm
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Hi Marty -
I've been using .011 gauge on 3rd string of my PP's since 1979.
I get my sets of George L's from Bill Ferguson.
Take care -
Ron |
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Marty Broussard
From: Broussard, Louisiana, USA
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Posted 11 May 2021 3:43 am
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Thank you for everyone’s feedback/insights. I really appreciate it. _________________ RETIRED
"Technique is really the elimination of the unnecessary..it is a constant effort to avoid any personal impediment or obstacle to achieve the smooth flow of energy and intent" Yehudi Menuhin |
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Bud Harger
From: Belton, Texas by way of Baton Rouge, Louisiana
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Posted 30 Jun 2021 3:31 pm I use a .11
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I’ve played push-pull forever. And I’ve used .11 forever. Maybe there’s a bit of extra body in a .12, but I like the bite of the smaller gauge. I’ve played a 67 PP since ‘73... now a ‘69 and have no issues with broken strings.
I have used Emmons Extra Lively until I couldn’t get them anymore... now Live Steel or D’Addario.
Best regards. _________________ bUd
1969 Emmons D-10 8f/4k; Evans Amps. |
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Larry Behm
From: Mt Angel, Or 97362
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Posted 2 Jul 2021 9:24 pm
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After years of playing PP’s I went to a .012. My concern was about breakage, so I adjusted the raise finger back towards the end plate and left just a few threads into the finger for fine tuning. The finger does not bottom out against the body but I do not care, E-F does not either, nor does sting 3 and or 4 on the C neck if your raise them a half and a whole. _________________ '70 D10 Black fatback Emmons PP, Hilton VP, BJS bars, Boss GE-7 for Dobro effect, Zoom MS50G, Stereo Steel amp, Telonics 15” speaker.
Phone: 971-219-8533
Last edited by Larry Behm on 3 Jul 2021 8:04 am; edited 1 time in total |
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Franklin
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Posted 3 Jul 2021 4:32 am
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Marty,
In 1970 I started using 012's in Detroit due to focusing in on picking and phrasing dynamics. This caused popping those 010's and 011's more frequently which prompted the switch...In 72 I switched guitars, first to a MSA, then 2 Bud's, then a PP until the Franklin arrived...The 012 is all I ever used since Detroit...The heavier 3rd gives more resistance allowing you to dig in harder with the side of the pick which as you well know is how most get bite out of any string...Check it out, I don't believe you will lose anything.
Paul |
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Marty Broussard
From: Broussard, Louisiana, USA
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Posted 3 Jul 2021 6:44 am
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Thank you all for your insights!!! _________________ RETIRED
"Technique is really the elimination of the unnecessary..it is a constant effort to avoid any personal impediment or obstacle to achieve the smooth flow of energy and intent" Yehudi Menuhin |
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