| Visit Our Catalog at SteelGuitarShopper.com |

Post new topic Vince Gill’s “sad one comin’ on” - who?
Reply to topic
Author Topic:  Vince Gill’s “sad one comin’ on” - who?
Derek Blalock

 

From:
Birmingham, Alabama, USA
Post  Posted 7 Dec 2020 6:19 pm    
Reply with quote

I can’t seem to find much about this song for some reason. I might just be missing it and I can’t find any live videos or anything. Anyone know who’s playing pedal steel on this song? I love the break.

Also while I’m at it - anyone know how to play it?!?

Sincerely,
Amateur
View user's profile Send private message Send e-mail
Ricky Davis


From:
Bertram, Texas USA
Post  Posted 7 Dec 2020 6:27 pm    
Reply with quote

That's Paul Franklin on Pedal Steel. Vince wrote and recorded that song for George Jones and it's on his "Down to my last Bad Habit" CD.
Here's that Cut on youtube>

https://youtu.be/6KzK0aY9n4s

Ricky
_________________
Ricky Davis
Email Ricky: sshawaiian2362@gmail.com
View user's profile Send private message Send e-mail Visit poster's website
John Spaulding


From:
Wisconsin, USA
Post  Posted 8 Dec 2020 4:41 pm    
Reply with quote

Video from the actual session as Paul records a pass of the solo: Sad One Comin' On.

Paul shared this on the FB Group a few days ago:
Quote:
The back-story: After George Jones passed, VG wrote this heartfelt tribute to convey the loss, both musically and brotherly. George hired Vince to open many shows back when Vince only had a single hit record. He gave an upstart kid the chance he needed to get in front of larger audiences. They were close!

We had the final track, so everyone started tweaking their parts. One by one, everyone with fixes "took a number". So, considering the content, I knew this song was an important piece of music which expresses VG's love for George Jones. I also wanted the song to convey my feelings as well. George told me "Choices" was his favorite CD of all time. To be a small part in his career meant so much to me. We were all sad and felt the emptiness.

They loved the tracking solo, so as others fixed their parts, I began learning the melody of the tracking solo so I could ask for another shot. This video shows me trying to beat the original solo "emotionally". Not sure if I beat the original's emotion, but, thanks to them for letting me try... I knew I had given it my all.

The reason I stopped myself was because I started playing from my memory and not the heart. In that instance there was no need to go farther. I wanted to make sure I had given my very best to capture that solo's emotion, so I asked for another shot.

The original solo was improvised during the tracking part. I learned it by singing along to it. That's why I encourage everyone to do the same when learning anything. While others were fixing, I was singing it. In this overdub, I was trying to get back to playing it from the heart.


Last edited by John Spaulding on 8 Dec 2020 6:00 pm; edited 1 time in total
View user's profile Send private message Send e-mail
Derek Blalock

 

From:
Birmingham, Alabama, USA
Post  Posted 8 Dec 2020 5:39 pm    
Reply with quote

John Spaulding wrote:
Video from the actual session as Paul records a pass of the solo: Sad One Comin' On.

Paul shared this on the FB Group a few days ago:
Quote:
The back-story: After George Jones passed, VG wrote this heartfelt tribute to convey the loss, both musically and brotherly. George hired Vince to open many shows back Vince only had a single hit record. He gave an upstart kid the chance he needed to get in front of larger audiences. They were close!

We had the final track, so everyone started tweaking their parts. One by one, everyone with fixes "took a number". So, considering the content, I knew this song was an important piece of music which expresses VG's love for George Jones. I also wanted the song to convey my feelings as well. George told me "Choices" was his favorite CD of all time. To be a small part in his career meant so much to me. We were all sad and felt the emptiness.

They loved the tracking solo, so as others fixed their parts, I began learning the melody of the tracking solo so I could ask for another shot. This video shows me trying to beat the original solo "emotionally". Not sure if I beat the original's emotion, but, thanks to them for letting me try... I knew I had given it my all.

The reason I stopped myself was because I started playing from my memory and not the heart. In that instance there was no need to go farther. I wanted to make sure I had given my very best to capture that solo's emotion, so I asked for another shot.

The original solo was improvised during the tracking part. I learned it by singing along to it. That's why I encourage everyone to do the same when learning anything. While others were fixing, I was singing it. In this overdub, I was trying to get back to playing it from the heart.


Yes! Thanks so much for that link. So short and so beautiful. Oh man you can tell he’s feeling it too!
View user's profile Send private message Send e-mail
J R Rose

 

From:
Keota, Oklahoma, USA
Post  Posted 12 Dec 2020 9:57 am    
Reply with quote

Thanks John for sharing that clip. Man, You can feel Paul's hearth in that. Beautiful. J.R. Rose
_________________
NOTHING..Sold it all. J.R. Rose
View user's profile Send private message Send e-mail

All times are GMT - 8 Hours
Jump to:  
Please review our Forum Rules and Policies
Our Online Catalog
Strings, CDs, instruction, and steel guitar accessories
www.SteelGuitarShopper.com

The Steel Guitar Forum
148 S. Cloverdale Blvd.
Cloverdale, CA 95425 USA

Click Here to Send a Donation

Email SteelGuitarForum@gmail.com for technical support.


BIAB Styles
Ray Price Shuffles for Band-in-a-Box
by Jim Baron