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Post new topic How many Mike Scaggs Restorations are there?
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Author Topic:  How many Mike Scaggs Restorations are there?
Bud Harger


From:
Belton, Texas by way of Baton Rouge, Louisiana
Post  Posted 24 Jul 2020 4:55 pm    
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How many Mike Scaggs restorations are there out there? I’ll show you mine... show us yours.

I am privileged to own the latest restoration of a 1969 Emmons Push-Pull.
Xx
I have played a 1967 Push-Pull for many years. I choked a bit but traded my beloved 1967 Bolt-On for this Scaggs resto. Man, I done good. This is an incredible Push-Pull.
Everything I wanted it to be... a pure, simple, wonderful Push-Pull.

Here are a couple of pictures of it. Thanks, Mike Scaggs. I totally love it.




You will find a complete chronicle of the restoration of my Emmons Push-Pull, serial #1304 here:
https://bb.steelguitarforum.com/viewtopic.php?t=350877&highlight=mike+scaggs
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bUd

1969 Emmons D-10 8f/4k; Evans Amps; Benado Steel Dream.


Last edited by Bud Harger on 27 Jul 2020 7:29 pm; edited 1 time in total
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David Mitchell

 

From:
Tyler, Texas
Post  Posted 25 Jul 2020 1:05 am    
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That's a beautiful guitar! I don't own one of Mike's restorations but I follow him on Facebook and wow! He makes pedal steels and tube amps look better than they did when they were new. Totally incredible!
Mike's work is like those guys that do frame off restorations of old cars and trucks. They disassemble it to the point all the bolts, nuts and washers are in a jar and each of them gets polished too. Something that was never done at the factory. They put 15 or more coats of lacquer on them till the finish looks like deep glass. Something that was never done when new.
Mike is the man for rebuilds. Every single part gets his undivided attention. You sure got a pretty one there! Congratulations!
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Johnie King


From:
Tennessee, USA
Post  Posted 25 Jul 2020 2:11 am    
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Here’s one of Mikes restoration done underneath only I got too take a look at last week at my shop in Nashville.
Your right Mikes restoration on these push pulls is beyond incredible!!






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David Mitchell

 

From:
Tyler, Texas
Post  Posted 25 Jul 2020 5:33 am    
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Another beautiful push pull! Amazing work!
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Mike Scaggs


From:
Nashville, TN
Post  Posted 27 Jul 2020 5:56 pm    
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Folks, I am humbled and honored by your comments, thank you so much for your words and kindness. I truly appreciate you all.

I think my total number of 100% restorations are 7

Blue - Canada
Ruby - Florida
Brownie - Texas
Midnight - Tennessee
James Blonde - Texas
Rosalee - California
Layla - Texas

I have also done a number of guitars for customers that were complete teardowns and re-works. There is a lot of hours and expense that goes into this so I have decided to take a long needed break from steels and just build/repair tube amplifiers for now.

Again, thank you and cheers!!!
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I can explain it to you but I can't understand it for you

Zum double Hybrid 8x9, 64 Twin (JBLs), p2pAmps Bad-Dawg, p2pAmps Tremendous Reverb, Visit my website www.p2pamps.com
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Daymon LaPoint


From:
Jasper, Texas
Post  Posted 7 Aug 2020 11:08 am    
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Here are 3 of The Scaggs Steels I've been blessed to own. Rosalee now resides with Rick Heins California or Arizona. '71 James Blonde resides with Billy Tam in Baton Rouge, and '73 Brownie is still in Texas but with Mark Greenway.



_________________
Steel Learnin'

'66 Emmons Bolt-On, Sho-Bud LDG, Sho-Bud Fingertip, Rus-Ler D-10, '70 Emmons, P2P Bad Dawg, Fender '59 Bassman, Fender Twin Reverb and Rick Johnson Cabinets. Evans 300 Hybrid, Evans SE-100, Evans FET500, Previous and Proud previous owner of James Blonde, Brownie, and Rosalee.


Last edited by Daymon LaPoint on 6 Dec 2022 7:38 am; edited 2 times in total
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Bud Harger


From:
Belton, Texas by way of Baton Rouge, Louisiana
Post  Posted 7 Aug 2020 12:24 pm     Three?
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Wow! I’m impressed beyond words.

I have the Layla restoration and I could not be happier with any other guitar.

It is remarkable in playability and tone. I had a 67 PP for many years and gave it up for the Layla.

Are you playing yours on gigs? Do you dare take it out of the house? I’m lucky. I’m retired and mine resides in my music room.

Best regards and stay safe.

Bud
_________________
bUd

1969 Emmons D-10 8f/4k; Evans Amps; Benado Steel Dream.
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Bud Harger


From:
Belton, Texas by way of Baton Rouge, Louisiana
Post  Posted 7 Aug 2020 12:41 pm     Where are the other three?
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Maybe we can get pictures of the others!

Ruby, Midnight and Blue.

How about it?
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bUd

1969 Emmons D-10 8f/4k; Evans Amps; Benado Steel Dream.
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Ray DeVoe

 

From:
Hudson, FL
Post  Posted 7 Aug 2020 2:02 pm     Ruby
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Here is a picture of "Ruby" before I picked the guitar up at Mike's shop. I believe this is the first guitar that he removed the original "mica" from and reworked the body with veneer and a lacquer finish. This is a terrific guitar and Mikes work is outstanding.





Mike chose "red" flocking for this restoration.





In it's new home in Florida.


_________________
Zum SD 10 Hybrid, Zum D 10 Hybrid, Emmons SD 10 P.P.
SMS: Revelation & Classic Preamps: Furlong 12" Splits.
Webb 15" Splits: Telonics 500 C: Head and 12" cabinet:
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Jack Stanton


From:
Somewhere in the swamps of Jersey
Post  Posted 7 Aug 2020 3:04 pm    
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Beauties, one and all!
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Bud Harger


From:
Belton, Texas by way of Baton Rouge, Louisiana
Post  Posted 8 Aug 2020 4:48 am     Blue and Midnight ?
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Still out there.

If you’re willing, we’d love to see them.

This is a very special family of steels!

Bud
_________________
bUd

1969 Emmons D-10 8f/4k; Evans Amps; Benado Steel Dream.
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John Brabant

 

From:
Calais, VT, USA
Post  Posted 12 Aug 2020 5:32 am    
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On a regular basis, I read on the Forum about how the "playability" on PP guitars is enhanced after rebuilds by the likes of Mike Cass, Mike Scaggs, etc. While the guitars' beauty is enhanced after craftsman such as these guys do their magic are done working on them, I am wondering what the tricks are that these fellas use to enhance the playability of these great guitars, which for me, is the most important outcome in the end. Maybe Mike Scaggs can fill us in on what he does to render the Emmons PPs better performers from a playing standpoint? Is it simply a matter of setting them up correctly, getting the timing as perfect as possible, changing springs to those with less tension on the pedal returns or are there other measures the we can all employ to allow our PPs to perform at their very best?
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John Brabant
1978 Emmons D-10 P-P
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Rick Heins


From:
Phoenix, AZ
Post  Posted 12 Aug 2020 1:42 pm     I've got Rosalee!
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I bought Rosalee from Daymon earlier this year and I couldn't be happier with it. It sounds great and looks amazing. The only downside is that I have to keep it clean more often, due to finish. I had Lynn Stafford set it up to my specs and it now plays better than any P/P I've played before. It's a keeper!







Here's the steel in action: https://www.facebook.com/1181143668/videos/10222261932315492/
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Daymon LaPoint


From:
Jasper, Texas
Post  Posted 12 Aug 2020 1:47 pm    
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Crying or Very sad Crying or Very sad Oh Rick, my heart is breaking. I REGRET selling that one!! Beautiful guitar you have there.
_________________
Steel Learnin'

'66 Emmons Bolt-On, Sho-Bud LDG, Sho-Bud Fingertip, Rus-Ler D-10, '70 Emmons, P2P Bad Dawg, Fender '59 Bassman, Fender Twin Reverb and Rick Johnson Cabinets. Evans 300 Hybrid, Evans SE-100, Evans FET500, Previous and Proud previous owner of James Blonde, Brownie, and Rosalee.
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