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Topic: I'm Going With Hal Rugg... |
Joe Goldmark
From:
San Francisco, CA 94131
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Steve Hinson
From:
Hendersonville Tn USA
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Posted 2 Jul 2023 3:34 pm |
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Joe Krumel
From:
Hermitage, Tn.
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Posted 2 Jul 2023 3:56 pm
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| Yep |
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Craig Stock
From:
Westfield, NJ USA
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Posted 2 Jul 2023 3:56 pm
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Not to one up you Steve but...
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Regards, Craig
I cried because I had no shoes, then I met a man who had no feet.
Today is tomorrow's Good ol' days |
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Paul King
From:
Gainesville, Texas, USA
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Posted 2 Jul 2023 5:43 pm
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| I agree with you |
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Marco Schouten
From:
Amsterdam, The Netherlands
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Posted 3 Jul 2023 4:53 am
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When Country still was Country.
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JCH SD-10 with BL XR-16 pickup, Sho-Bud Volume Pedal, Evidence Audio Lyric HG cables, Quilter Steelaire combo |
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Donny Hinson
From:
Glen Burnie, Md. U.S.A.
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Posted 3 Jul 2023 10:23 am
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Yep, sounds just like all the stuff he did behind Loretta, doesn't it?
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John Palumbo
From:
Lansdale, PA.
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Posted 3 Jul 2023 3:46 pm
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Incredible stuff, loved it!
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Mullen G2, Hilton VP, Roland Blues Cube Hot, Keeley Caverns V2 Delay & Reverb |
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Joe Goldmark
From:
San Francisco, CA 94131
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Posted 3 Jul 2023 9:03 pm
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On careful listening, it also sounds like a tenor banjo playing rhythm, or if not, a muted guitar doing a "Mrs. Brown You've Got a Lovely Daughter" part.
I'm unaware of that ever being a thing in Nashville.??
Joe |
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Pete Finney
From:
Nashville Tn.
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Posted 4 Jul 2023 6:07 am
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| Quote: |
On careful listening, it also sounds like a tenor banjo playing rhythm, or if not, a muted guitar doing a "Mrs. Brown You've Got a Lovely Daughter" part.
I'm unaware of that ever being a thing in Nashville.??
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Hi Joe,
Harold Bradley played what I believe was a tenor (4-string) banjo with a flat-pick on sessions quite a bit, so that would be my guess. More of an arpeggiated style on this one (not that same rhythm banjo style) but check out Loretta Lynn's "Blue Kentucky Girl" as an example of Harold on a session.
https://www.youtube.com/watch?v=HWNP-kNEcts&list=RDHWNP-kNEcts&start_radio=1&rv=HWNP-kNEcts&t=6&t=0 |
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Joe Goldmark
From:
San Francisco, CA 94131
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Posted 4 Jul 2023 9:14 am
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Hi Pete,
Thanks for chiming in. Hope you're doing well. Yup that's the sound. He even has an arpeggiated solo!
Joe |
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Bruce Bouton
From:
Nash. Tn USA
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Posted 4 Jul 2023 11:50 am
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Steel guitar with backing vocal:)
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www.brucebouton.com |
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Jerry Horch
From:
Alva, Florida, USA
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Posted 4 Jul 2023 3:38 pm Hal
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Wow, what kind of blocking was Hal doin back then….
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Franklin D10 /Walker Sterio Steel JBL's /DigiTech Quad4/ Korg Toneworks/ Dobro DM 1000 / Santa Cruz Guitar VA |
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Mike Neer
From:
NJ
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Posted 5 Jul 2023 10:43 am
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I love that. Thanks for posting.
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Links to streaming music, websites, YouTube: Links |
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scott murray
From:
Asheville, NC
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Posted 5 Jul 2023 1:16 pm
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this just came back up in another thread...
Hal plays a similar intro lick and Jerry Reed drops the ball 
https://youtu.be/lhxSWj4fyAs
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1965 Emmons S-10, 3x5 • Emmons LLIII D-10, 10x12 • JCH D-10, 10x12 • Beard MA-8 • Oahu Tonemaster |
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Terry Wood
From:
Lebanon, MO
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Posted 5 Jul 2023 3:47 pm
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| Cool like Lemon Pie Baby! Ruggsy could pick with the best of them! He was a very nice guy too. Thanks for sharing! |
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Johnny Cox
From:
Williamsom WVA, raised in Nashville TN, Lives in Hallettsville Texas
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Posted 7 Jul 2023 2:08 pm
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Yes that would be classic Ruggsy on a Sho-Bud. My hero, mentor and friend.
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Johnny "Dumplin" Cox
"YANKIN' STRINGS & STOMPIN' PEDALS" since 1967. |
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Tommy White
From:
Nashville
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Posted 7 Jul 2023 7:11 pm
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Yes, what my life long childhood friend Johnny Cox said!
Hal left an indelible impression on us. I will add, Johnny Cox and Paul Franklin showed this then 10 year old kid so much about pedal steel guitar. They and so many of the greats of the era (too many to mention) helped me immensely . So grateful !  |
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Tommy White
From:
Nashville
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Posted 7 Jul 2023 7:18 pm
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By the way, I still haven’t been able to play what Hal Rugg played!
So creative and innovative! |
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Dale Rottacker
From:
Walla Walla Washington, USA
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Roger Rettig
From:
Naples, FL
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Posted 8 Jul 2023 8:45 am
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What great memories you have, Tommy, and you've fully absorbed everything they shared with you. Then you became your own player and one of the very best ever. Now you're indirectly teaching all of us.
When I used to do that Summer season (15 weeks in Medora, ND) for more years than I care to remember, the MD would make selections from, not only the country music of the day but also some classics. My heart would sink if I saw one of Hal Rugg's unplayable intros all scored out for me in notation. The best I could achieve was a 'semblance'.
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Roger Rettig: Emmons D10, B-bender Teles and Martins - and, at last, a Gibson Super 400!
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Ron Hogan
From:
Nashville, TN, usa
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Dennis Lee
From:
Forest Grove, Oregon, USA
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Posted 8 Jul 2023 10:14 am The End Of Quality Country Music
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| I don't know if I'm off base with the topic, but, I cannot stand to listen to the likes of Morgan Wallen, spelling not considered important. The songs basically suck, lyrics and melodies. Nothing melodic or worthy of any attention. Has the best already been composed, sung and played? It would appear so. |
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Joe Goldmark
From:
San Francisco, CA 94131
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Posted 8 Jul 2023 5:56 pm
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Hey Ron Hogan,
Is it really the same licks? The one you posted sounds like octave pull-offs, but without slowing it down, I'm pretty clueless on the one I posted. Seems more difficult.
Joe |
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John Brabant
From:
Calais, VT, USA
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Posted 9 Jul 2023 3:16 am
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Steel guitar acrobatics. Can't imagine we will ever hear a modern day song with a steel guitar as much upfront in the mix or with an intro as that one. So great.
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John Brabant
1978 Emmons D-10 P-P |
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