| Visit Our Catalog at SteelGuitarShopper.com |

Post new topic Excel Superb model Scale lengths
Reply to topic
Author Topic:  Excel Superb model Scale lengths
Leo Grassl


From:
Madison TN
Post  Posted 19 Feb 2019 4:09 pm    
Reply with quote

Does anyone know when Excel stopped making their "Superb" model guitars with a
25 1/2 " scale? They come standard with 24 1/8" scale now but can be ordered with the 25 1/2 upon request.

Thanks,

Leo G
View user's profile Send private message Send e-mail
John Sluszny

 

From:
Brussels, Belgium
Post  Posted 19 Feb 2019 4:22 pm    
Reply with quote

Just curious ! What difference does it make ? Thanks !
View user's profile Send private message Send e-mail
Chris Reesor

 

From:
British Columbia, Canada
Post  Posted 19 Feb 2019 4:54 pm    
Reply with quote

The 25 1/2 scale is now a $150 option according to Mitsuo three days ago.
i know that doesn't exactly answer your question Leo, but it is the best I can do ATM.

John, with standard gauge strings, you get higher tension, most noticeable on the low B string. Better note definition and twang on those lowest notes, as well as somewhat less sensitivity to variations in bar pressure.

In my opinion, 24 1/8 is too short a scale for a low B, never mind with the boohwah pedal. Not a problem for E9 or ext E9.

The higher tension could cause string breakage issues with a conventional changer, but not with Mitsuo's design. Mine has yet to break a string in the seven years I've had it. I don't play it as much as many people, but on the other hand, I don't change strings very often, either.
_________________
Excel Superb U12, MIJ Squier tele, modified Deluxe Reverb RI, Cube 80XL, self built acoustics & mandolins
View user's profile Send private message Send e-mail
Leo Grassl


From:
Madison TN
Post  Posted 19 Feb 2019 5:06 pm    
Reply with quote

John,

Some people say there is more sustain with a longer scale. That has not been my personal experience with my non Excel brand guitars. Bill Stafford posted on this forum about the sound being brighter because of the higher tension on the strings with a 25 1/2 " scale. As I understand it there were excessive string breakage issues with the G# .11 gauge string on the 25 1/2 " guitars.
Apparently a .12 gauge string was the solution to this problem. ( I must add however that this has not been my personal experience given that I have never owned an Excel. This is just information I gathered)


Last edited by Leo Grassl on 19 Feb 2019 5:16 pm; edited 1 time in total
View user's profile Send private message Send e-mail
Leo Grassl


From:
Madison TN
Post  Posted 19 Feb 2019 5:10 pm    
Reply with quote

Thanks Chris,

That is good info anyway. Do you have to use .12 gauge strings for your high G# on your E9 tuning in order to avoid string breakage?

Thanks,

L G
View user's profile Send private message Send e-mail
Chris Reesor

 

From:
British Columbia, Canada
Post  Posted 19 Feb 2019 5:43 pm    
Reply with quote

Leo, my Excel is 12 string E9/B6, and I've been using Jagwire 11.5 on the third since day one. Haven't tried a 12 or any other brands.

As for Bill Stafford's comment, I'd say you gain on the lowest notes but give away a little sweetness on the highest. Every change is a tradeoff, right?

For sustain, I believe other factors than scale length have much more effect.

Scale length is a major parameter in stringed instrument design, as any luthier will tell you.
_________________
Excel Superb U12, MIJ Squier tele, modified Deluxe Reverb RI, Cube 80XL, self built acoustics & mandolins
View user's profile Send private message Send e-mail
Ian Rae


From:
Redditch, England
Post  Posted 20 Feb 2019 3:08 am    
Reply with quote

When I ordered my 12-string uni from Mitsuo in Dec 2017 he said it would be 24½" which seemed reasonable and I didn't query it. When it arrived it was 25½" which feels absolutely right as it turns out so I never raised the issue.

Looking again at the Fuzzy website I see that 24⅛" is standard and 25½" is an option. I now think that because it was going to have a boowah pedal he determined that 25½" was the only choice, and his 24½" must have been a typo. Any extra charge would have been included in the quote as it was not deemed an option.
_________________
Make sleeping dogs tell the truth!
Homebuilt keyless U12 7x5, Excel keyless U12 8x8, Williams keyless U12 7x8, Telonics rack and 15" cabs
View user's profile Send private message Send e-mail Visit poster's website
Mike Vallandigham

 

From:
Martinez, CA
Post  Posted 20 Feb 2019 8:48 am    
Reply with quote

My 2008 Superb S-12 (e9/c6) is long scale.
My 2018 Superb S-12 (e9/c6) is short scale.

I bought the '08 from Scotty's, and I ordered the short scale on my new 2018 model.

They sound different, but I don't think it's the scale length. The '08 has a TrueTone, and the '18 an Excel single coil.

I wouldn't say the bass notes are better on the long scale, if they are, it's very minor, and probably will suit different tastes.

I can feel the tension difference when playing, but it's not a problem.

If I had to pick again, I'd go short scale. The compactness, the feel of the strings, and the familiar fret spacing.

Of course you can get used to anything.
View user's profile Send private message Send e-mail
John Sluszny

 

From:
Brussels, Belgium
Post  Posted 20 Feb 2019 10:35 am    
Reply with quote

John Sluszny wrote:
Just curious ! What difference does it make ? Thanks !

Thank you all for your replies !
View user's profile Send private message Send e-mail
Erv Niehaus


From:
Litchfield, MN, USA
Post  Posted 20 Feb 2019 12:38 pm    
Reply with quote

Is the 25 1/2" scale a keyless model?
Erv
View user's profile Send private message Send e-mail
Chris Reesor

 

From:
British Columbia, Canada
Post  Posted 20 Feb 2019 12:48 pm    
Reply with quote

Yes, Erv. The Superb is his keyless model.

I just checked the Excel website, and it no longer lists keyed models. This is a fairly recent change.
_________________
Excel Superb U12, MIJ Squier tele, modified Deluxe Reverb RI, Cube 80XL, self built acoustics & mandolins
View user's profile Send private message Send e-mail
Erv Niehaus


From:
Litchfield, MN, USA
Post  Posted 20 Feb 2019 1:13 pm    
Reply with quote

Chris,
Yes, that's kind of what I figured.
A a keyed 25 1/2" scale would be a real string breaker. Very Happy
Erv
View user's profile Send private message Send e-mail
Ian Rae


From:
Redditch, England
Post  Posted 20 Feb 2019 1:18 pm    
Reply with quote

Except this one isn't.
_________________
Make sleeping dogs tell the truth!
Homebuilt keyless U12 7x5, Excel keyless U12 8x8, Williams keyless U12 7x8, Telonics rack and 15" cabs
View user's profile Send private message Send e-mail Visit poster's website
Erv Niehaus


From:
Litchfield, MN, USA
Post  Posted 20 Feb 2019 1:27 pm    
Reply with quote

When Buddy Emmons was going to come out with the Emmons guitar, he experimented with different scale lengths and settled on the 24 1/4" scale. On a keyed guitar, he determined that any longer scale length would lead to excessive string breakage.
On a keyless guitar, it's a different matter.
Erv
View user's profile Send private message Send e-mail
Larry Allen


From:
Kapaa, Kauai,Hawaii
Post  Posted 23 Feb 2019 1:50 pm    
Reply with quote

Leo...2000 Superb. 251/2”...2010 Superb 251/2”.....2015 Superb 241/8”...all keyless, all consistently the same, strings NEVER break, all have Telonics PUs...all Ext E9...all S10...Larry
_________________
Excel steels & Peavey amps,Old Chevys & Motorcycles & Women on the Trashy Side
View user's profile Send private message Send e-mail
John Goux

 

From:
California, USA
Post  Posted 23 Feb 2019 11:17 pm    
Reply with quote

I don’t think you can compare scale lengths between a keyless and a keyed guitar.

On a keyless, scale length and string tension ends at the nut.

A keyed guitar, the nut acts as a virtual fret, but the string continues as much as 3 or 4 inches beyond to the tuner. That is is the scale length, not the roller nut.

I believe a G# on a keyless, and the same note on a keyed guitar will have different tensions, and therefore different tone and string breakage.
The keyed guitar would have higher tension on that G#, because of the added scale length to the keyed tuner.
Hopefully someone has done the math on the different string tensions.

If this is indeed the case, I’d pick the longer scale length on a keyless guitar.
John
View user's profile Send private message Send e-mail
Ian Rae


From:
Redditch, England
Post  Posted 24 Feb 2019 12:23 am    
Reply with quote

The pitch of a string depends on the tension and the vibrating length. Counter-intuitive though it may be for some, the tension in a given string is the same regardless of how much of it lies beyond the nut.

There is generally less movement over the nut in a keyless design, but it's actually the changer that's kinder to the strings by bending them less. This is true of the Williams also.
_________________
Make sleeping dogs tell the truth!
Homebuilt keyless U12 7x5, Excel keyless U12 8x8, Williams keyless U12 7x8, Telonics rack and 15" cabs
View user's profile Send private message Send e-mail Visit poster's website
James Quackenbush

 

From:
Pomona, New York, USA
Post  Posted 27 Feb 2019 1:55 am    
Reply with quote

I can’t comment on string tension being more or less with a keyed guitar as opposed to a keyless, but will comment on scale length.....My Excel was 25 1/2 inch scale length.....The tighter tension was surely noticeable to me ....The feel was different for one....It was everything mentioned, most notably the lower strings having a “punch” to them rather than a muddy “thud” to them....The sustain seemed better also.....I do remember that pesky 3rd string however....It was the only drawback on that steel....Certain brand strings would work fine....I was told from the fine folks at Scotty’s to also use newer strings.....They even sent me a few that did the trick.....I miss that steel....At the time I was trying out various pedal steels....I know now that I should have kept it ! Live and learn !!......Jim
View user's profile Send private message Send e-mail
Donny Hinson

 

From:
Glen Burnie, Md. U.S.A.
Post  Posted 27 Feb 2019 5:49 am    
Reply with quote

John Goux wrote:


A keyed guitar, the nut acts as a virtual fret, but the string continues as much as 3 or 4 inches beyond to the tuner. That is is the scale length, not the roller nut.



You're confusing total string length and scale length. The scale length is always measured from the nut, not from the tuning peg, or where the string is affixed. Put simply, it's the length of the vibrating part of the string. Extending or reducing the length of the string beyond the nut affects it's tendency to break, but it does not affect the scale.
View user's profile Send private message Send e-mail
Chris Reesor

 

From:
British Columbia, Canada
Post  Posted 27 Feb 2019 9:30 am    
Reply with quote

Ian is correct about the scale length/string tension relationship for a given pitch. Extra lengths of string beyond the bridge or nut do not affect this.

However, when you raise a string's pitch by increasing the tension, that string stretches, of course. The lengths beyond the vibrating length must stretch too. The reverse is true when tension is reduced for a lower.

So, it stands to reason that the changer must actually move farther to achieve a given pitch change on a keyed guitar, accelerating the metal fatigue that causes breakage at the changer.

I believe that it is the more linear rather than rotary motion of the Excel changer that is a more important factor in the apparent freedom from string breakage reported.

Anecdotal evidence, I know, but until someone designs and executes proper experimental tests, that is all we have.
_________________
Excel Superb U12, MIJ Squier tele, modified Deluxe Reverb RI, Cube 80XL, self built acoustics & mandolins
View user's profile Send private message Send e-mail

All times are GMT - 8 Hours
Jump to:  
Please review our Forum Rules and Policies
Our Online Catalog
Strings, CDs, instruction, and steel guitar accessories
www.SteelGuitarShopper.com

The Steel Guitar Forum
148 S. Cloverdale Blvd.
Cloverdale, CA 95425 USA

Click Here to Send a Donation

Email SteelGuitarForum@gmail.com for technical support.


BIAB Styles
Ray Price Shuffles for Band-in-a-Box
by Jim Baron