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Post new topic Lap steel and volume pedal?
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Author Topic:  Lap steel and volume pedal?
Mark Evans


From:
Colorado, USA
Post  Posted 18 Jan 2019 12:41 pm    
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Curious if lap steelers (or weissenborners) use a volume pedal while playing. I found an ancient D’armond volume pedal in my boxes...

Just curious
Mark
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Erv Niehaus


From:
Litchfield, MN, USA
Post  Posted 18 Jan 2019 1:51 pm    
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That's the same volume pedal I used when playing lap steel. Very Happy
Erv
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Larry Carlson


From:
My Computer
Post  Posted 18 Jan 2019 2:20 pm    
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.
Yes, I use a Lehle Mono 90 pedal.
I had a Boss pedal for a while until it went kaplooey. (that's a technical term)Smile
The Lehle is an amazing pedal. I love it.
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Jerry Overstreet


From:
Louisville Ky
Post  Posted 18 Jan 2019 3:12 pm    
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No VP. I only use a volume pedal for pedal steel.

My lap steels, dual pro and slide guitars all have volume controls and I approach these different than pedal steel.

Different strokes though you know. Since you already have it, you might as well try it and see how you like it.
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David Knutson


From:
Cowichan Valley, Canada
Post  Posted 18 Jan 2019 3:21 pm    
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I'm also a no VP guy. On the rare occasions that I swell into a line I use the volume knob, and my Lollar Grande Console pickup has delicious sustain all by itself. I still have a pedal around, but darned if I know where I put it. Confused
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Bill Creller

 

From:
Saginaw, Michigan, USA (deceased)
Post  Posted 18 Jan 2019 3:51 pm    
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I still have the DeArmond volume pedal I bought in 1950. Didn't use it much for Hawaiian music & haven't used in in a long time.. It also ate volume pots !
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Mark Evans


From:
Colorado, USA
Post  Posted 18 Jan 2019 4:15 pm    
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By various opines, I’m thinking Weiss/non pedal lap steel - no volume pedal
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Larry Pogreba Baritone 'Weissenheimer
Late 30’s Oahu Tonemaster
Hermann Guitars style 1 Weissenborn
2017 Richard Wilson Style 1 Weissenborn
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Dom Franco


From:
Beaverton, OR, 97007
Post  Posted 18 Jan 2019 9:18 pm    
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For Country and Western Swing I use the Volume pedal a lot on my Lap steels. Not as much for Hawaiian music.
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C. E. Jackson


Post  Posted 19 Jan 2019 6:15 am    
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I rarely ever use a volume pedal for lap steel, but when I do, the SHO-BUD pedal is my favorite.

C. E. Jackson Smile
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Jack Hanson


From:
San Luis Valley, USA
Post  Posted 19 Jan 2019 6:42 am    
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C. E. Jackson wrote:
I rarely ever use a volume pedal for lap steel, but when I do, the SHO-BUD pedal is my favorite.

Likewise.

My usual rig is two lap steels on a Deluxe34 stand with custom double brackets. The instruments both plug into a Morley ABY box, then into a Sho-Bud volume pedal, and from there into the amp.

Although I seldom use the volume pedal for its intended purpose, it's helpful for setting the overall volume level, and for switching/unplugging/plugging back in a variety of instruments in different tunings.
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Mark Evans


From:
Colorado, USA
Post  Posted 19 Jan 2019 7:34 am    
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Ahhhh... lap steel on a stand
Hmmm... perhaps I’ll try playing my weissenborn on a stand of some sort, freeing up my ‘knees’ to move

Jack Hanson wrote:
C. E. Jackson wrote:
I rarely ever use a volume pedal for lap steel, but when I do, the SHO-BUD pedal is my favorite.

Likewise.

My usual rig is two lap steels on a Deluxe34 stand with custom double brackets. The instruments both plug into a Morley ABY box, then into a Sho-Bud volume pedal, and from there into the amp.

Although I seldom use the volume pedal for its intended purpose, it's helpful for setting the overall volume level, and for switching/unplugging/plugging back in a variety of instruments in different tunings.

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Late 30’s Oahu Tonemaster
Hermann Guitars style 1 Weissenborn
2017 Richard Wilson Style 1 Weissenborn
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Jack Hanson


From:
San Luis Valley, USA
Post  Posted 19 Jan 2019 7:54 am    
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Mark Evans wrote:
Ahhhh... lap steel on a stand
Hmmm... perhaps I’ll try playing my weissenborn on a stand of some sort, freeing up my ‘knees’ to move

I would recommend giving it a try. I have another Deluxe34 that does triple-duty as a stand for my Dobro, my Tricone, and my Weissenborn. Works great for me.
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Brad Davis


From:
Texas, USA
Post  Posted 19 Jan 2019 8:34 am    
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Yes I use VP. It's a tool, seemingly available to electric steel players since very early on, and like anything it can be overdone. I typically use a low profile Goodrich pedal, although I have a vintage Fender "boo-wah" pedal that I toy with occasionally.

I do think a lap or console steel player should be able to do without one though.
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Paul Honeycutt

 

From:
Colorado, USA
Post  Posted 19 Jan 2019 5:57 pm    
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Depending on which or if I use a pedal board I use one of several VP's. My favorite is a '70's DeArmond that I loaned to the pedal steel player in my band and he likes it so much he hasn't given it back yet.

Two of my pedalboards have VP's. One is an old Ernie Ball that I had modified to have a tuner out jack. The other is an Ibanez VP-10 that was used when I got it almost 30 years ago. That thing has never let me down or made a bad noise.

The volume pot in my National New Yorker doesn't work so well, so I use a VP.
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Mike A Holland


From:
United Kingdom
Post  Posted 20 Jan 2019 3:33 am    
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https://www.youtube.com/watch?v=fL0Ne1J7TzM

This is fellow member Kevin Glandon showcasing his newly acquired Rickenbacker. Guitar sounds great but Kevins use of the volume pedal is so lovely!

Mike
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Steve Marinak


From:
Man O War Cay, Abaco, Bahamas
Post  Posted 20 Jan 2019 10:47 am    
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I was about to ask the same question as I have been listening to Jerry Byrd this week. His sound is lush and seamless. From what I have read he used a volume pedal. I primarily play Hawaiian songs and have noticed most traditional players are not using volume pedals. I had initially felt that Jerry's playing style was too "perfect" for what I was going for. But lately, I'm starting to really have an appreciation for his sound and choice of notes which are at such a high level of experience.
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Jonathan Scherer


From:
Stehekin, Washington
Post  Posted 20 Jan 2019 12:01 pm     weissenborn on a stand
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Quote:
Ahhhh... lap steel on a stand
Hmmm... perhaps I’ll try playing my weissenborn on a stand of some sort, freeing up my ‘knees’ to move


For some reason I prefer the weissenborn sound on my lap to the way it sounds on a stand.

I love the Deluxe34 stand and play my electric laps on it.

Have not used a volume pedal.
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Dom Franco


From:
Beaverton, OR, 97007
Post  Posted 20 Jan 2019 1:39 pm    
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Like any effect, a Volume pedal can be overused, but at the end of a song I love to swell the volume to allow the last chord to sustain if needed. I also love to punch it up during an instrumental solo or licks behind the vocal and then back down to sit properly in the mix during verses. I know that this can usually be done just with dynamic picking or the steel's volume control, but the pedal makes it much easier.
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David Knutson


From:
Cowichan Valley, Canada
Post  Posted 20 Jan 2019 3:05 pm    
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There's also the - standing vs. sitting - choice. I play standing up at gigs (love my Deluxe 34 stand), and that makes it less convenient to use a volume pedal - for me anyhow. Also, coming from Dobro to steel, I guess I was already used to adjusting volume with my picks.

This thread has reminded me that back in the day when I played some PSG (poorly), I found the volume pedal absolutely vital for the E9 neck, but when I played on the C6 neck (straight - no pedals), I didn't use the VP at all. Set it and forget it.
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Jerry Overstreet


From:
Louisville Ky
Post  Posted 20 Jan 2019 5:32 pm    
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It would be hard to argue with anything Jerry Byrd did. I've seen him play in St. Louis a few times. I remember he used a VP with the stand-up Sho-Bud console, but I don't know if it didn't have a vol. control. I cannot recall if he used a VP with the fry pan.

If you are including no pedal console steels in this topic, consider Kayton Roberts who placed his volume pedal on the outside of the right leg with his Dual Pro.
Some wonderful stuff from him.
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Erv Niehaus


From:
Litchfield, MN, USA
Post  Posted 21 Jan 2019 8:11 am    
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When Jerry Byrd used a foot volume control he used his left foot and he had it wired backwards.
He pushed it down to shut it off. Very Happy
Erv
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Stephen Cowell


From:
Round Rock, Texas, USA
Post  Posted 23 Jan 2019 10:26 pm    
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I watched Cindy Cashdollar closely... she plays the instruments in her lap, of course. Her technique is to put the pedal out in front of her... not under her knee, but further out. That way her knee is not bouncing up and down when she moves the pedal.
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