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Post new topic '65 Emmons, Franklin conversion only one?
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Author Topic:  '65 Emmons, Franklin conversion only one?
Bobbe Seymour

 

From:
Hendersonville TN USA, R.I.P.
Post  Posted 6 Dec 2005 5:05 pm    
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A very interesting guitar, Built for whom? Excellent guitar before the switch over, and excellent workmanship now, plays like a Franklin, but is an Emmons P-P, or was.

I need info from anyone that knows anything about this guitar. Post it here and lets dig up some history on this unique steel guitar.

It's Black, very original body, Red bottom, serial/invoice number 2351.

Anybody know anything about this guitar? Interesting combination of great old collectable and new technology.
Both companys build respected products, but is this the only combination guitar built by both of these companies?

The Franklin/Emmons guitar.

Anyone?


Bobbe
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Bill Ford


From:
Graniteville SC Aiken
Post  Posted 6 Dec 2005 5:46 pm    
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Hey Bobbe,
Thats what you might call a Frankentar?

BF
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Lee Baucum


From:
McAllen, Texas (Extreme South) The Final Frontier
Post  Posted 6 Dec 2005 6:29 pm    
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Perhaps it's an Emmlin guitar.
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Bobbe Seymour

 

From:
Hendersonville TN USA, R.I.P.
Post  Posted 6 Dec 2005 6:35 pm    
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Or a Bud-Fra? An Emm-Klin? Or how about a (you fill in the blank)


I wonder who Paul Sr. built it for originally.
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Herb Steiner

 

From:
Spicewood TX 78669
Post  Posted 6 Dec 2005 6:55 pm    
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Well, it sounds like a 1966 red belly bolt-on serialized with an invoice number. The earliest metal neck bolt-on number I have in my unofficial serial number list is 2216, aside from 1264014 which didn't have the 1/8" milled lip. What kind of neck/changer is on there now, Bobbster?

------------------
Herb's Steel Guitar Pages
Texas Steel Guitar Association


[This message was edited by Herb Steiner on 06 December 2005 at 06:55 PM.]

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Bobbe Seymour

 

From:
Hendersonville TN USA, R.I.P.
Post  Posted 6 Dec 2005 7:28 pm    
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Herbster,
It's all Franklin "all pull" now. Fingers, bottom, knees (6) and everything, Paul Sr.did some great work on it along with one incredible engineering trick I've never seen before, compression springs on the lower fingers instead of expantion springs, he did a great job of executing this trick, my hat is off to him. Easily adjustible tension and it keeps the guitar from being to long.
The guitar was originally a bolt on Emmons in GREAT shape, This guitar is a work of art for what it is.
I think it was Terry Crisp's for the last few years.

Bobbe
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Bobbe Seymour

 

From:
Hendersonville TN USA, R.I.P.
Post  Posted 6 Dec 2005 7:34 pm    
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From the outside, it looks like a pure stock '65-66 Emmons bolt on, except for the nylon tuner windows in the endcasting.
Original tone knob, original chrome fretboards, all pure stock on top, just like when new. The red flocking is still perfect. Even have the original red case it came in. Weird guitar, but so interesting.
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Dean Parks

 

From:
Sherman Oaks, California, USA
Post  Posted 6 Dec 2005 8:12 pm    
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How does it sound?
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Bobbe Seymour

 

From:
Hendersonville TN USA, R.I.P.
Post  Posted 6 Dec 2005 8:20 pm    
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Just like a Pau-Bud should!
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Bob Hoffnar


From:
Austin, Tx
Post  Posted 6 Dec 2005 10:40 pm    
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I'm pretty sure Buddy Emmons had Mr. Franklin convert an Emmons for him a while back as an experiment.

Bob
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Bobby Boggs

 

From:
Upstate SC.
Post  Posted 6 Dec 2005 11:28 pm    
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Call Terry Crisp and ask him who he sold it to??
I know Buddy doesn't care for aluminum pull rods. Too temperature sensitive. If I remember correctly? That's the reason he gave a guitar to Terry.It could be this very one...........bb
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Craig A Davidson


From:
Wisconsin Rapids, Wisconsin USA
Post  Posted 7 Dec 2005 3:24 am    
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My friend Eddie Lange had a converted push-pull that once belonged to Stu Basore, I think. It played like a dream and I think it might have been black. Sounded great too.

[This message was edited by Craig A Davidson on 07 December 2005 at 05:00 PM.]

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Theresa Galbraith

 

From:
Goodlettsville,Tn. USA
Post  Posted 7 Dec 2005 7:05 am    
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Bob is correct!
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Bobbe Seymour

 

From:
Hendersonville TN USA, R.I.P.
Post  Posted 7 Dec 2005 8:01 am    
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Well, my hat is still off to Mr. Paul Franklin Sr. on this one. Design and workmanship is uncomparable. A true work of art. The best of two worlds.

Guess I have the story on it now, "E" to PF Sr., converted , then back to "E", then to T.Crisp, now to me via a mediator.
Wonder what the story was on the origin of the guitar before "E" got it, when it was a prestine '65-66 original. I guess only "E" would know that.

It needs different pickups, I think the George L. PF Model would be very fitting as the Barcus-Berry's are a little thin. (Wish I was).

Thank you Bob and Theresa, and everyone that helped.

Is this a great forum or what!!!!

Bobbe
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jim milewski

 

From:
stowe, vermont
Post  Posted 7 Dec 2005 9:15 am    
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any pics?
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Herb Steiner

 

From:
Spicewood TX 78669
Post  Posted 7 Dec 2005 9:37 am    
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Of course, it's just me volunteering a little ol' unsolicited opinion, , but I'd slap some Emmons single coil 16.5's in that puppy. If I owned it, that is, which I won't, but if I did, that's what I'd do.

------------------
Herb's Steel Guitar Pages
Texas Steel Guitar Association


[This message was edited by Herb Steiner on 07 December 2005 at 09:39 AM.]

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Bobbe Seymour

 

From:
Hendersonville TN USA, R.I.P.
Post  Posted 7 Dec 2005 10:00 am    
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Herbster, yes, you may be correct, I do have a set, this would keep the top, actual guitar in perfect original configuration.



Jim M., as far as pictures go, why, it looks exactly like every other Emmons P-P in the world, unless it's the beautiful work on the bottom you would like to see. Yea, this guitar just might be more beautiful on the bottom than the top.

Bobbe,

[This message was edited by BobbeSeymour on 07 December 2005 at 11:11 AM.]

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Lee Baucum


From:
McAllen, Texas (Extreme South) The Final Frontier
Post  Posted 7 Dec 2005 12:14 pm    
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Quote:
just might be more beautiful on the bottom than the top.


Bobbe - Are we still talking about the guitar or one of your employees?

Lee, from South Texas
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jim milewski

 

From:
stowe, vermont
Post  Posted 7 Dec 2005 12:33 pm    
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ya Bobbe, I always liked looking under things, at least with a steel you don't get slapped
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Bobbe Seymour

 

From:
Hendersonville TN USA, R.I.P.
Post  Posted 7 Dec 2005 9:10 pm    
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I swear, Richard Burton has NEVER worked on this guitar!

[This message was edited by BobbeSeymour on 07 December 2005 at 09:21 PM.]

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richard burton


From:
Britain
Post  Posted 7 Dec 2005 10:16 pm    
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But if I did, I bet it would play even smoother
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