| Visit Our Catalog at SteelGuitarShopper.com |

Post new topic Danny Gatton Plays 'In My Room'
Reply to topic
Author Topic:  Danny Gatton Plays 'In My Room'
Tim Heidner

 

From:
Groves, TX
Post  Posted 10 Jan 2018 7:41 pm    
Reply with quote

Anybody know what's going on here? Sounds pretty steely, the 88 Elmira Street credits say he played a 6 string Fender lap steel on the album. I'm curious about the tuning he may have used, C6 with a high D? I've been fooling around with it on the E9 neck, it sounds like there has to be a major 2nd string to get some of the licks.
My guess is the first part is lap, then it switches over to tele at the end. I love this tune, so twangy!


https://youtu.be/v7kXyVkzBHo
View user's profile Send private message
Jeff Garden


From:
Center Sandwich, New Hampshire, USA
Post  Posted 11 Jan 2018 5:11 am    
Reply with quote

That may be all done on the album with layered electric guitar(s)in standard tuning...and lots of reverb (and delay, chorus, and compression!). Danny was a master at string bends, behind the nut bends, harmonics, etc.
Here's a video of Danny playing "In My Room" live
https://www.youtube.com/watch?v=clBIJK5iCqw
View user's profile Send private message Send e-mail
Charlie Hansen


From:
Halifax, NS Canada and Various Southern Towns.
Post  Posted 11 Jan 2018 5:39 am    
Reply with quote

Looks like he might have B bender in there like Clarence White.
_________________
I don't know much but what I know I know very well.
Carter S-10 3X5, Peavey Nashville 112, plus Regal dobro and too many other instruments to mention.
Bluegrass Island CFCY FM 95.1 Charlottetown, PE, Canada, on the web at cfcy.fm.
A Touch Of Texas CIOE FM 97.5 Sackville, NS, Canada,
on the web at cioe975.ca.
View user's profile Send private message Send e-mail
Charlie McDonald


From:
out of the blue
Post  Posted 11 Jan 2018 9:00 am    
Reply with quote

I love this version.
View user's profile Send private message Send e-mail
Tim Heidner

 

From:
Groves, TX
Post  Posted 11 Jan 2018 9:17 am    
Reply with quote

I had watched that live version, the playing doesn't have the same feel to it as the studio one. Meaning you don't hear him fretting any notes in the studio take until the last solo at the end. The first half is really deliberate and basic. When he plays fingers he can't help but throw some flashy licks into it.
I think it could also be doubled lap and tele in spots.
View user's profile Send private message
James Kerr


From:
Scotland, UK
Post  Posted 11 Jan 2018 12:07 pm    
Reply with quote

Thank you for bringing this player to my notice.
Here is a very good article about him by people who were close to him. https://www.washingtonpost.com/archive/lifestyle/1994/10/06/gatton-dead-of-gunshot-wound/b1cfae12-39d5-4e13-a19f-ea9f4a599254/?utm_term=.c31d91f389b8

James
View user's profile Send private message Send e-mail
Tim Heidner

 

From:
Groves, TX
Post  Posted 11 Jan 2018 12:35 pm    
Reply with quote

Nice article, thanks. It's a shame the way things turned out. Some of the things he could do were just mind boggling.
View user's profile Send private message
Tim Heidner

 

From:
Groves, TX
Post  Posted 11 Jan 2018 1:11 pm    
Reply with quote

I can't believe I never took notice of this song Tragedy before now, I just found it googling 'Danny Gatton lap steel'. Pretty sure I have this CD stuck off in storage somewhere.

D'OH!!! I have this song in my itunes. Laughing

https://www.youtube.com/watch?v=lkWFk0-R5v0
View user's profile Send private message
Jeff Garden


From:
Center Sandwich, New Hampshire, USA
Post  Posted 11 Jan 2018 1:57 pm    
Reply with quote

You guys may enjoy this TV documentary about Danny (from 28 years ago!). What an amazing talent...and also seemed like he'd be a pretty cool neighbor.

https://www.youtube.com/watch?v=KbNKMlrkHMc
View user's profile Send private message Send e-mail
Craig Stock


From:
Westfield, NJ USA
Post  Posted 12 Jan 2018 11:53 am    
Reply with quote

Tragedy is on 'Cruisin' Dueces' great song, got to see him live during tour for that record just before his demise. Have all his stuff, he was the best!
_________________
Regards, Craig

I cried because I had no shoes, then I met a man who had no feet.

Today is tomorrow's Good ol' days
View user's profile Send private message Send e-mail Visit poster's website
Walter Stettner


From:
Vienna, Austria
Post  Posted 12 Jan 2018 11:51 pm    
Reply with quote

Awesome!
_________________
www.lloydgreentribute.com
View user's profile Send private message Send e-mail Visit poster's website
Brennan Mangan


From:
Vermont, USA
Post  Posted 13 Jan 2018 12:09 pm    
Reply with quote

My $.02: agree that the album version sounds to be 2 L/R panned six-string tracks ping-ponging the melody notes and creating that overlap. The longer legato phrases sound like bends rather than slide to my ears, achieved again with creative overlapping of separate tracks. Genius work!
View user's profile Send private message Send e-mail
Ron Kassof

 

From:
Las Vegas, NV, USA
Post  Posted 16 Jan 2018 7:41 am    
Reply with quote

I've always loved this track. "88 Elmira St" is one of those albums I have to listen to every few weeks. I have the tablature book for the album and it's definitely transcribed for 6 string guitar, and I don't think it's B-bender. I'll have to go back and check.

At the SWSGA Show I was thinking that someone with better chops than me should do a Pedal Steel version of Gatton's arrangement.
View user's profile Send private message Send e-mail
Tim Heidner

 

From:
Groves, TX
Post  Posted 16 Jan 2018 7:09 pm    
Reply with quote

I just listened to this thru headphones for the first time today, that was a revelation! It's two guitars, one in each side, and it ping pongs back and forth; at times he plays a phrase, then it switches over, but on the minor chord segment it alternates channels on each note of the melody. So cool, you guys need to check it out.
I still can't tell if there's a lap steel or not, but it definitely sounds like two different guitars.

I've been trying to adapt it for pedal steel, but I don't have much in the way of chops. It is a nice one to practice on, though. Helping me with my blocking. Tonight I finally snapped to pick closer to the bridge to get a more trebly tone.

edit: D'OH! I just re-read Brennan Mangan's post, he heard it all along. Embarassed
View user's profile Send private message
Tim Heidner

 

From:
Groves, TX
Post  Posted 18 Jan 2018 1:24 pm    
Reply with quote

Here's my take on it so far, pretty rudimentary compared to the rest of you guys...

https://clyp.it/pyojswid
View user's profile Send private message
Jeff Garden


From:
Center Sandwich, New Hampshire, USA
Post  Posted 18 Jan 2018 1:51 pm    
Reply with quote

Really nice job, Tim Smile
View user's profile Send private message Send e-mail
Tim Heidner

 

From:
Groves, TX
Post  Posted 18 Jan 2018 1:52 pm    
Reply with quote

shucks Smile
View user's profile Send private message

All times are GMT - 8 Hours
Jump to:  
Please review our Forum Rules and Policies
Our Online Catalog
Strings, CDs, instruction, and steel guitar accessories
www.SteelGuitarShopper.com

The Steel Guitar Forum
148 S. Cloverdale Blvd.
Cloverdale, CA 95425 USA

Click Here to Send a Donation

Email SteelGuitarForum@gmail.com for technical support.


BIAB Styles
Ray Price Shuffles for Band-in-a-Box
by Jim Baron