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Topic: Using The "Franklin" 5,6, and 10 full tone Lower |
Jeff Metz Jr.
From:
York, Pennsylvania, USA
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Posted 1 Jun 2016 6:20 pm |
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I am sure this has been covered before But I haven't found anything truly informative on the subject.Not to mention that opening up past topics can act as a refresher for other members.
I would like an experience franklin pedal user's opinion on How to use this change, and how to look at it from a relative perspective.
What kind of tune would you use it on. What sound are you after when using it? I hear what I hear when engaging the change, And I am sure its far more versetile than what I come up with.
Thanks.
BTW. I have this on the "Zero" Pedal position (To the left of "A" Pedal)
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Mullen G2 SD10 , Lil Izzy Buffer, Goodrich 120 volume pedal, Boss DD-7, Peterson Strobo flip, Peavey Nashville 112 |
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Jason Putnam
From:
Tennessee, USA
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Posted 1 Jun 2016 6:32 pm
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I'm in the same spot. New steel with Franklin pedal. I use it on this song. It's a start and has helped me to hear other places where I can use it. Hope this helps a little.
http://m.youtube.com/watch?v=Cq_X5I6ASNA
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1967 Emmons Bolt On, 1995 Mullen PRP 3x5,Nashville 112, JOYO Digital Delay, Goodrich Volume Pedal, Livesteel Strings |
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Tim Russell
From:
Pennsylvania, USA
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Posted 1 Jun 2016 6:36 pm
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Lane has addressed this question in previous threads - he has some youtubes up on the use of it. I don't have the time to locate the threads in my bookmarks, but hopefully he or someone else will be along shortly to post them. 
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Sierra Crown D-10
Last edited by Tim Russell on 1 Jun 2016 6:39 pm; edited 1 time in total |
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Greg Cutshaw
From:
Corry, PA, USA
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Tim Russell
From:
Pennsylvania, USA
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Posted 1 Jun 2016 6:39 pm
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As I've said many times in the past - awesome stuff, Greg! 
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Sierra Crown D-10 |
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Lane Gray
From:
Topeka, KS
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Posted 1 Jun 2016 9:50 pm
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I haven't addressed this change at all. I rarely use it beyond turning B (at the nutnut, with Es lowered) into B7.
Paul Franklin has a tape, Greg has some tabs. I got nothing yet.
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2 pedal steels, a lapStrat, and an 8-string Dobro (and 3 ukes)
More amps than guitars, and not many effects |
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Tim Russell
From:
Pennsylvania, USA
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Posted 2 Jun 2016 3:15 am
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| Lane Gray wrote: |
I haven't addressed this change at all. I rarely use it beyond turning B (at the nutnut, with Es lowered) into B7.
Paul Franklin has a tape, Greg has some tabs. I got nothing yet. |
LOL, I'm batting a thousand with bad info. lately 
At any rate, I did have a brief look through my bookmarks and found this thread with Tony Prior demonstrating said change.
http://bb.steelguitarforum.com/viewtopic.php?t=294045&highlight=&sid=1031f7e9660941eac31ae869361e007c
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Sierra Crown D-10 |
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Tony Prior
From:
Charlotte NC
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Posted 2 Jun 2016 11:51 am
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it's a great change, a great addition to what we already have. Sadly none of my current Steels have this change right now but I am adding it to one of them soon. When you hear the phrases that drop down in pitch thats the Franklin ped.
here are some simple examples. The ped was at the 0 position. These were played on a Carter Steel which has been sold.
https://www.youtube.com/watch?v=ujS7lbIz1A4
https://www.youtube.com/watch?v=Iq_nz4CGXnU
TABS available
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Emmons L-II , Fender Telecasters, B-Benders , Eastman Mandolin ,
Pro Tools 12 on WIN 7 !
jobless- but not homeless- now retired 9 years
CURRENT MUSIC TRACKS AT > https://tprior2241.wixsite.com/website |
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Cody Angel
From:
Nashville, Tn
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Posted 2 Jun 2016 6:58 pm
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Paul's cd lesson is really great and addresses some cool ideas. The B-B7 thing is great and the most sensible use, but ther e is a lot you can do. Some cool suspensions and 7 chords. Paul talks about using the 4 6th chord, A,F#, E in open position as an alternative to A and B pedals. Bouncing A and B to open down to the Franklin on 10,8,6,,4,5 grips is a fun flavor and you can always get back up to the pedals. I split it between LKR and pedal 5 on my G2 which really works for me. I love the 6th lower on its own with the B and E notes and have gotten to the point I can activate them at the same time ala Paul or use either on its own which opens some different colors and ideas. Hope this helps!
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MSA Legend XL, Quilter Amps, Peterson Tuners. |
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Kyle Everson
From:
Nashville, Tennessee
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Posted 2 Jun 2016 9:22 pm
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| A little-used but effective position is the open D9 tuning with the pedal engaged and the 9th string as the root (ADEF#F#A low to hi). Very useful for chord comping and open D hammer-ons/pull-offs. |
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Tony Prior
From:
Charlotte NC
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Posted 3 Jun 2016 12:18 am
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I would concur with Cody, if you can't have the full 5,6 and 10 lower, the 6 lower is a must.
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Emmons L-II , Fender Telecasters, B-Benders , Eastman Mandolin ,
Pro Tools 12 on WIN 7 !
jobless- but not homeless- now retired 9 years
CURRENT MUSIC TRACKS AT > https://tprior2241.wixsite.com/website |
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