| Visit Our Catalog at SteelGuitarShopper.com |

Post new topic Playing on top of the guitar
Reply to topic
Author Topic:  Playing on top of the guitar
Larry Behm


From:
Mt Angel, Or 97362
Post  Posted 8 Jan 2016 6:11 pm    
Reply with quote

What does this mean?
_________________
'70 D10 Black fatback Emmons PP, Hilton VP, BJS bars, Boss GE-7 for Dobro effect, Zoom MS50G, Stereo Steel amp, Telonics 15” speaker.

Phone: 971-219-8533
View user's profile Send private message Send e-mail
Larry Behm


From:
Mt Angel, Or 97362
Post  Posted 8 Jan 2016 9:00 pm    
Reply with quote

Well 120 saw this but did not know or were afraid it meant something like table dancing.

For us old timers it referred to making hand adjustments while playing since sometimes the "older" guitars lacked the precision that newer guitars have.

Like slanting the bar up a little on string 8 while playing in the A&F position. Realizing that what may be in perfect tune at the nut might not be so on fret 8, so you might have to cheat with the bar a little here or there.

Using the bar to create emotion by how fast or slow you come into or out of a note or group of notes.

Old guitar mechanics are not for everyone, it was hard back then on an old ZB, but we lived to tell the story.

Just a couple of thoughts here on my part.
_________________
'70 D10 Black fatback Emmons PP, Hilton VP, BJS bars, Boss GE-7 for Dobro effect, Zoom MS50G, Stereo Steel amp, Telonics 15” speaker.

Phone: 971-219-8533
View user's profile Send private message Send e-mail
Tony Prior


From:
Charlotte NC
Post  Posted 9 Jan 2016 1:34 am    
Reply with quote

Ha ! in my ignorance or just being absent or naive, I never heard of the term . But reading what Larry states makes sense because what he says is true regarding early instruments. I used to purposely detune the 3rd string ever so slightly so it wouldn't break on my early Sho Bud and part of my playing process was to slightly slant the bar forward with anything to do with the 3rd string . Evidently i was playing on top of the guitar, all that time I thought I was simply preserving the 3rd string Sad
_________________
Emmons L-II , Fender Telecasters, B-Benders , Eastman Mandolin ,
Pro Tools 12 on WIN 7 !
jobless- but not homeless- now retired 9 years

CURRENT MUSIC TRACKS AT > https://tprior2241.wixsite.com/website
View user's profile Send private message Send e-mail Visit poster's website
Larry Behm


From:
Mt Angel, Or 97362
Post  Posted 9 Jan 2016 7:20 am    
Reply with quote

Tony I did the same thing, great minds.....
_________________
'70 D10 Black fatback Emmons PP, Hilton VP, BJS bars, Boss GE-7 for Dobro effect, Zoom MS50G, Stereo Steel amp, Telonics 15” speaker.

Phone: 971-219-8533
View user's profile Send private message Send e-mail
Donny Hinson

 

From:
Glen Burnie, Md. U.S.A.
Post  Posted 9 Jan 2016 7:32 am    
Reply with quote

It might mean playing a high harmony over a guitar part. Or maybe, it's "layering", or simply playing over what the guitar is doing.

Question
View user's profile Send private message Send e-mail
Dale Rottacker


From:
Walla Walla Washington, USA
Post  Posted 9 Jan 2016 7:54 am    
Reply with quote

I’ve been working on a track with a ton of orchestration, and find that I’m always trying to split hairs in order to stay in tune with the track.... Some spots are fine where others need a little tweaking, so are these the spots where I’m playing on top of the guitar?
_________________
Dale Rottacker, Steelinatune™
https://www.youtube.com/@steelinatune
*2021 MSA Legend, "Jolly Rancher" D10 10x9
*2021 Rittenberry, "The Concord" D10 9x9
*1977 Blue Sho-Bud Pro 3 Custom 8x6
https://msapedalsteels.com
http://rittenberrysteelguitars.com
https://www.telonics.com/index.php
https://www.p2pamps.com
https://www.quilterlabs.com
View user's profile Send private message Send e-mail Visit poster's website
Ray Montee


From:
Portland, Oregon (deceased)
Post  Posted 9 Jan 2016 9:43 am     Knowledge is key to success.....................
Reply with quote

Having played steel for a lifetime, I find it rather amazing that so many new discoveries have been realized in just the last 4 or 5 years.

During my active years of playing with groups of musicians and a variety of instruments, some really good while others were less than, I'm still amazed with the new thinking about tuning "OUT of TUNE" in order to be in tune. Hummmmm?

With many of the techniques being displayed on You Tube today it's no wonder players are finding the steel to be a difficult instrument to play.

Many of we old timers learned technique first; and then added to it with the experience learned while playing. Without benefit of tabs, Nashville inspired chord charts, etc., etc., most of us managed to survive in the music world.

With all of the new terminologies and ideas on how to play a simple instrument......I'm truly doubtful that I could have ever made it down thro' these many years. I'm glad I learned what I consider to be the correct way.
View user's profile Send private message Send e-mail Visit poster's website
Doug Beaumier


From:
Northampton, MA
Post  Posted 9 Jan 2016 6:01 pm    
Reply with quote

Quote:
...or simply playing over what the guitar is doing.


Yes, that was my first thought. Playing over another player... like a guitarist who plays "on top" of the steel player. We've all been there. It's not a good thing. I guess I've worked with too many guitarists who have no concept of sharing fills, trading fills, but that was my first thought about "playing on top of the guitar". Or it could mean harmonizing with the guitarist. Playing notes a 3rd above or a 5th above the guitar, hence playing "on top of the guitar".

Another thought... in the world of non-pedal steel guitar it's sometimes said the magic takes place on the top of the guitar.... slants, slides, harmonics, hammer-ons, etc., as opposed to under the guitar (pedals and levers).
_________________
My Site / My YouTube Channel
25 Songs C6 Lap Steel / 25 MORE Songs C6 Lap Steel / 16 Songs, C6, A6, B11 / 60 Popular Melodies E9 Pedal Steel
View user's profile Send private message Send e-mail Visit poster's website
Larry Behm


From:
Mt Angel, Or 97362
Post  Posted 10 Jan 2016 9:07 am    
Reply with quote

I did not say on top of the guitar player, but that is a very interesting take, I can do that also. Hee Hee.
_________________
'70 D10 Black fatback Emmons PP, Hilton VP, BJS bars, Boss GE-7 for Dobro effect, Zoom MS50G, Stereo Steel amp, Telonics 15” speaker.

Phone: 971-219-8533
View user's profile Send private message Send e-mail
Doug Beaumier


From:
Northampton, MA
Post  Posted 10 Jan 2016 9:22 am    
Reply with quote

You said "playing on top of the guitar". That can interpreted several different ways. To me that means playing over the guitarist, either in volume or playing fills while he's playing. Nothing's more annoying than a player who doesn't know how to trade fills and plays "on top" of what I'm doing... Winking Maybe you meant to say "playing on the top of the guitar"?
_________________
My Site / My YouTube Channel
25 Songs C6 Lap Steel / 25 MORE Songs C6 Lap Steel / 16 Songs, C6, A6, B11 / 60 Popular Melodies E9 Pedal Steel
View user's profile Send private message Send e-mail Visit poster's website
Barry Westerfield

 

From:
Myrtle Beach, SC
Post  Posted 11 Jan 2016 2:21 pm    
Reply with quote

Ray Montee, I never understood the statement tune "OUT OF TUNE" to play "IN TUNE" heard that statement many times over the years, good to see you and Larry Behm's post. I've been off the forum for awhile, miss the Pacific Northwest......
_________________
I THINK "STEELING" IS LEGAL HERE
View user's profile Send private message Send e-mail
Donny Hinson

 

From:
Glen Burnie, Md. U.S.A.
Post  Posted 11 Jan 2016 6:45 pm     Re: Knowledge is key to success.....................
Reply with quote

Ray Montee wrote:

During my active years of playing with groups of musicians and a variety of instruments, some really good while others were less than, I'm still amazed with the new thinking about tuning "OUT of TUNE" in order to be in tune.


Tuning, as well as playing in tune, is a matter of getting it close enough to sound good. Trying for more is nothing but a fool's errand.

Quote:
As it happens, there is no one temperament that allows for truly in-tune musical intervals over multiple key signatures.

(Peterson Electro-musical instruments)
View user's profile Send private message Send e-mail

All times are GMT - 8 Hours
Jump to:  
Please review our Forum Rules and Policies
Our Online Catalog
Strings, CDs, instruction, and steel guitar accessories
www.SteelGuitarShopper.com

The Steel Guitar Forum
148 S. Cloverdale Blvd.
Cloverdale, CA 95425 USA

Click Here to Send a Donation

Email SteelGuitarForum@gmail.com for technical support.


BIAB Styles
Ray Price Shuffles for Band-in-a-Box
by Jim Baron