| Visit Our Catalog at SteelGuitarShopper.com |

Post new topic C6th Question
Reply to topic
Author Topic:  C6th Question
Larry Harlan

 

From:
Hydro, Oklahoma
Post  Posted 26 Apr 2004 6:03 pm    
Reply with quote

Is there anyone out there that plays the C6th tuning for ALL of your steel playing regardless of the genre or venue? That is to say, the C6th is "your" universal tuning for everything. If so, I'd like to talk to you on here, or by e-mail, or on the phone and what your compedent is. Best regards,
View user's profile Send private message Send e-mail
Earnest Bovine


From:
Los Angeles CA USA
Post  Posted 26 Apr 2004 10:13 pm    
Reply with quote

Al Vescovo has played only C6 for many years.
View user's profile Send private message
C Dixon

 

From:
Duluth, GA USA
Post  Posted 27 Apr 2004 6:39 am    
Reply with quote

While he does play E9th occassionaly, Jack Hearn would reach for C6 hands down (no pun intended ), on just about any tune you could think of. He loves this neck like few I have ever seen.

And what about Maurice on his Bb6 universal? There is nothing he can't play on that "6th" tuning. And play it like the notes came out of heaven.

Course the king was Curly Chalker. I feel certain if he had his "druthers", all songs belonged on C6.

May Jesus richly bless Jack, Reece, Curly and all of you,

carl
View user's profile Send private message Send e-mail Visit poster's website
Jim Saunders


From:
Houston, Texas, U.S.A.
Post  Posted 30 Apr 2004 1:10 pm    
Reply with quote

Herb Remington plays A6th only on his S10. This tuning is simply C6 lowered.
View user's profile Send private message Send e-mail
Al Marcus


From:
Cedar Springs,MI USA (deceased)
Post  Posted 30 Apr 2004 2:08 pm    
Reply with quote

I have been playing E6 and only E6 since I got my 8 string 6 pedal Gibson Electra-Harp in 1947.................al

Well, I did play E9 too with country bands...

------------------
My Website..... www.cmedic.net/~almarcus/

[This message was edited by Al Marcus on 30 April 2004 at 05:24 PM.]

View user's profile Send private message Visit poster's website
Don McClellan

 

From:
California/Thailand
Post  Posted 4 May 2004 1:07 pm    
Reply with quote

I use the C6th (B6th) for everything. What's your question? Can it be done? Sure, if you want to. But you can't squeeze enough hillbilly gimmic out of it to please most players.You can, however, get more than enough out of it to please most of the general public. IIf you want to.
I recently added 3 pedals to my single neck B6th. The 3 new pedals treat the B triad just like the 3 E9 pedals treat the E triad on the E9 neck. Also, my B to C and B to Bb knee levers do the same thing the E to F and E to Eb do for the E9. This works well and gives me a bunch of good hillbilly gimmic to goof off with. But you can get by with out it if you try. Don
View user's profile Send private message Send e-mail
Lee Baucum


From:
McAllen, Texas (Extreme South) The Final Frontier
Post  Posted 4 May 2004 1:55 pm    
Reply with quote

"hillbilly gimmic"????

------------------
Lee, from South Texas
Down On The Rio Grande

View user's profile Send private message Send e-mail
John McGann

 

From:
Boston, Massachusetts, USA * R.I.P.
Post  Posted 5 May 2004 7:49 am    
Reply with quote

Larry, check with our Resident Goldmine of Steel Info, Carl Dixon, on this thread, both the U12 and C6 setups:
http://steelguitarforum.com/Forum5/HTML/007698.html

You can't have everything, but this looks like it has almost everything! A lot of food for thought and fantasy there.

Joaquin Murphey refered to the pedal steel E9 tuning as a "gimmick" tuning; but I think he used an F#9 tuning (non pedal) at some point, and later (late 60's?) began to play some C6 with pedals- you can use the Forum search function to find some info on that.

I think both tunings are beautiful and have their particular strengths and distinctive personalities...

------------------
http://www.johnmcgann.com
Info for musicians, transcribers, technique tips and fun stuff.


[This message was edited by John McGann on 05 May 2004 at 08:53 AM.]

View user's profile Send private message Send e-mail Visit poster's website
Ernie Pollock

 

From:
Mt Savage, Md USA
Post  Posted 6 May 2004 5:06 am    
Reply with quote

I like to play backup on lots of different songs on the B6th tuning, you can do country stuff on that tuning. The more you mess around with it they better you'll get at the 6th tunings, I think I like that tuning [6th] better than E9th, which is so 'ho hum' all the time. 6th tunings are great!!

Ernie http://www.hereintown.net/~shobud75/stock.htm

------------------
View user's profile Send private message
Bobby Lee


From:
Cloverdale, California, USA
Post  Posted 6 May 2004 9:00 am    
Reply with quote

The problem with C6th as a basis for a universal tuning is that the "other side" would be F9 with a high A note. Tuning a note to A and raising it to Bb is an invitation to disaster. That's why the 6th-based universals are all tuned down from C6 to B6 or Bb6.

Joe Murray's B6th Universal is typical of this school of thought. The first two pedals are E9th pedals, used when the D# strings are raised to E by RKR.

Similarly, David Wright's Bb6th Universal shifts into an Eb tuning when he raises his D strings to Eb on RKL, and his leftmost pedals mimick the standard E9th pedals. Junior Knight and Reece Anderson also play Bb6 Universals.

------------------
Bobby Lee - email: quasar@b0b.com - gigs - CDs, Open Hearts
Sierra Session 12 (E9), Williams 400X (Emaj9, D6), Sierra Olympic 12 (C6add9),
Sierra Laptop 8 (E6add9), Fender Stringmaster (E13, A6),
Roland Handsonic, Line 6 Variax

[This message was edited by Bobby Lee on 06 May 2004 at 10:02 AM.]

View user's profile Send private message Visit poster's website

All times are GMT - 8 Hours
Jump to:  
Please review our Forum Rules and Policies
Our Online Catalog
Strings, CDs, instruction, and steel guitar accessories
www.SteelGuitarShopper.com

The Steel Guitar Forum
148 S. Cloverdale Blvd.
Cloverdale, CA 95425 USA

Click Here to Send a Donation

Email SteelGuitarForum@gmail.com for technical support.


BIAB Styles
Ray Price Shuffles for Band-in-a-Box
by Jim Baron