| Visit Our Catalog at SteelGuitarShopper.com |

Post new topic We all have to start somewhere....
Reply to topic
Author Topic:  We all have to start somewhere....
Roger Rettig


From:
Naples, FL
Post  Posted 27 Oct 2015 1:11 pm    
Reply with quote

An early session - I'd hardly learned a thing (as you can tell) in the year or so I'd been tackling pedal steel at this point but we have to start somewhere....

I'd completely forgotten doing this album in London in the mid-'70s.

https://www.youtube.com/watch?v=55Ztmrd6_GI
_________________
Roger Rettig: Emmons D10, B-bender Teles, Martins, and a Gibson Super 400!
----------------------------------
View user's profile Send private message Send e-mail Visit poster's website
Jim Cohen


From:
Philadelphia, PA
Post  Posted 27 Oct 2015 1:21 pm    
Reply with quote

Well that was a good start, Roger. They even gave you the solo! Not too shabby. Smile
_________________
www.JimCohen.com
www.RonstadtRevue.com
www.BeatsWalkin.com
View user's profile Send private message Send e-mail Visit poster's website
Alan Brookes


From:
Brummy living in Southern California
Post  Posted 27 Oct 2015 2:16 pm    
Reply with quote

I don't see any problem with it. The steel sounds okay. I'm reminded of what Joan Baez said about her first session with Chet Atkins. All he did was fingerpick a few chords. "I expected the great Chet Atkins to play something outstanding," she said, "and all you did was pick a few chords..." "That's all the song needed," he replied.
The public just want to hear a competent, simple background. They don't need a display of dextrosity. That might please the steel guitar players listening, but not the public. There are too many groups, nowadays, where they have an instrumental break, and it becomes an excuse for the lead guitarist to go off on a tangent, showing how many notes he can play, running up and down the fingerboard on pentatonic scales which have nothing to do with the tune.
To me, some of the greatest steel guitar pieces have been very simple. For instance, Matthews Southern Comfort's hit version of Woodstock has a very haunting steel, but it's kept simple.
Your playing on that recording was all that the song required. It fitted the music, and was in tune. What else could anyone want? Cool
View user's profile Send private message Send e-mail
Roger Rettig


From:
Naples, FL
Post  Posted 27 Oct 2015 3:23 pm    
Reply with quote

Just as well, Alan - at that stage that was all the 'dextrosity' I could muster! (Did Chet actually say 'dextrosity'? 'Dexterity' wasn't good enough, eh?)

Thanks for being kind, Alan and Jim! This was about the same time as I demolished 'The Pirate Song' on TV with George Harrison - listening to that one spoils my dinner!

Whoa!
_________________
Roger Rettig: Emmons D10, B-bender Teles, Martins, and a Gibson Super 400!
----------------------------------
View user's profile Send private message Send e-mail Visit poster's website
Alan Brookes


From:
Brummy living in Southern California
Post  Posted 28 Oct 2015 10:53 am    
Reply with quote

Roger Rettig wrote:
...Did Chet actually say 'dextrosity'? 'Dexterity' wasn't good enough, eh?...
Whoa!

No, all he said, according to Joan, was, "That's all the song needed." I was the one who used the word "dextrosity" advisedly, because I thought it were more apt than "dexterity". Winking
View user's profile Send private message Send e-mail

All times are GMT - 8 Hours
Jump to:  
Please review our Forum Rules and Policies
Our Online Catalog
Strings, CDs, instruction, and steel guitar accessories
www.SteelGuitarShopper.com

The Steel Guitar Forum
148 S. Cloverdale Blvd.
Cloverdale, CA 95425 USA

Click Here to Send a Donation

Email SteelGuitarForum@gmail.com for technical support.


BIAB Styles
Ray Price Shuffles for Band-in-a-Box
by Jim Baron