| Visit Our Catalog at SteelGuitarShopper.com |

Post new topic 7th String 1/2 stop??
Reply to topic
Author Topic:  7th String 1/2 stop??
Bob Mainwaring

 

From:
Qualicum Beach Vancouver Island B.C. Canada
Post  Posted 30 Jul 2002 1:14 pm    
Reply with quote

I'm in the middle of making up a 1/2 stop raise on 7th for the two Z.Bs. I own (pulling to G#, has anyone else out there placed a 1/2 stop or isn't it worthwhile?
I've been using a .026" plain string for years as I like the "slickness" can anybody see any negative reasoning behind these moves??

Bob Mainwaring. Z.Bs. and other weird things.

------------------
View user's profile Send private message Send e-mail
Jim Smith


From:
Midlothian, TX, USA
Post  Posted 30 Jul 2002 5:17 pm    
Reply with quote

I have a 1/2 stop on both strings 1 and 7. I played for 30 years raising them just to G, but recently re-rodded and now raise 1&7 to G/G# and 2 to E with a kind of weak 1/2 stop tuned by the activation of string 2.
View user's profile Send private message Send e-mail
Bobby Boggs

 

From:
Upstate SC.
Post  Posted 30 Jul 2002 7:27 pm    
Reply with quote

I do the same as Jim.I have since 94.It is indeed a weak half stop.I can and have made it (the half stop)more pronounced.But it makes the knee to stiff for my liking.Mine is tuned to the 2nd string 1/2 step raise + the 4th string half step raise on C6th.All in all works pretty good.
View user's profile Send private message
Bobby Bowman

 

From:
Cypress, Texas, USA, R.I.P.
Post  Posted 30 Jul 2002 9:00 pm    
Reply with quote

Bob,
I don't know for sure, but I suspect that you may have to go to a wound 7'th string (probably a .026 or maybe a .024) to get a half stop. I think that maybe the .026 plain may have way too short of a throw to go along with the longer throw of the first string. I also doubt that you will get the half stops to be in tune together on both strings no mater what guages you use. If you have a comfortable place to add another lever that would raise both 1 and 7 a half, you'd probably be better off.
BB

------------------
If you play 'em, play 'em good!
If you build 'em, build 'em good!


View user's profile Send private message Send e-mail Visit poster's website
Bobby Boggs

 

From:
Upstate SC.
Post  Posted 30 Jul 2002 10:14 pm    
Reply with quote

Well you could do like Jay Dee.He raises both F#'s to G#.When he wants the G note he half pedals the knee.My LeGrandes have the 14 hole bellcranks.This makes it much easier to fine tune the half stops. bb

[This message was edited by Bobby Boggs on 30 July 2002 at 11:17 PM.]

View user's profile Send private message
Bob Mainwaring

 

From:
Qualicum Beach Vancouver Island B.C. Canada
Post  Posted 30 Jul 2002 10:45 pm    
Reply with quote

Hey - thank's a bunch guys, I just finished making up the 1/2 stop and placing the channel aluminum mechanism where a nine pedal would have gone.
My lever for the change is left/right lever to right; i'm not too worried about the first string as it has way more movement that can be figured out, the seventh is now pulling to a definate tunable double stop.
My buddy George (One neck) Macdonald gave me the idea of bringing it up a full tone to G#
.....I like it George....many thanks....plus thanks for the input guys.

Bob Mainwaring. Z.Bs. and other weird things.

------------------
View user's profile Send private message Send e-mail
Peter

 

Post  Posted 31 Jul 2002 3:26 am    
Reply with quote

Are there any pictures on the Internet to show and explain the various different mechanisms for half stops?

------------------
Peter den Hartogh-Fender Artist S10-Remington U12-Hilton Volume Pedal-Gibson BR4 lapsteel-Guya "Stringmaster" Copy-MusicMan112RP-Peavy Rage158- - My Animation College in South Africa


All times are GMT - 8 Hours
Jump to:  
Please review our Forum Rules and Policies
Our Online Catalog
Strings, CDs, instruction, and steel guitar accessories
www.SteelGuitarShopper.com

The Steel Guitar Forum
148 S. Cloverdale Blvd.
Cloverdale, CA 95425 USA

Click Here to Send a Donation

Email SteelGuitarForum@gmail.com for technical support.


BIAB Styles
Ray Price Shuffles for Band-in-a-Box
by Jim Baron