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Topic: "You Don't Know What Love Is" by Sez |
Neil McCollum
From:
Asheville, North Carolina, USA
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Danny Sneed
From:
Morristown,Az.U.S.A.
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Posted 17 May 2013 1:31 pm |
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| Hi Neil, THANK'S, it's Wonderful. |
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David Wright
From:
Pilot Point ,Tx USA.
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Posted 17 May 2013 1:43 pm
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| Great taste in cords, and tone..)))) |
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Brian Henry
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Don Drummer
From:
West Virginia, USA
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Posted 26 May 2013 5:18 pm
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| wish I could see his feets and knees. Anyone know his copedent? |
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CrowBear Schmitt
From:
Ariege, - PairO'knees, - France
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Posted 27 May 2013 2:16 am
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Love Sez's playing - his approach to C6 is quite enriching
he uses hip 4 note grips
his C6 copedent is pretty standard
Emmons P4 to P8
Sez added P9 which is a duplicate P6 that facilitates using his right foot w: the right knee levers
LKL raises E > F on 6
LKV raises D > D#/Eb on 1 & C > C# on 10
LKR raises G > G# on 5
RKL raises A > Bb on 4 & 8
RKR lowers C > B on 3
splits :
P5/LKR : G on 5
P6/LKL : E on 6
P5/P8 : F on 9
P5/LKV : C# on 10 ? |
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Sez Adamson
From:
South Africa
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Posted 27 May 2013 3:33 am
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Thanks, Crowbear for posting>
Correction to Crowbear's post.
P8 lowers C to A on 10th string. 'Add' Lkv (raises C to C# on str 10), the combined effect is the lowering of string 10 by a half tone to B.
This is not a function of using the split tuning screws. It just works like this on the Emmons Legrande. The B note is slightly flat, but it is easy to compensate by pushing the heel of the bar down a little more.
P8 lowers string 9 from F to E. P5 raises string 9 from F to F#.
Both together 'cancels' the change, and the note remains at F. (Again no use of split tuning screw).
The benefit is a nice chord that I have used from time to time. (maj7#5)
Press pedals 5 & 8 together and pick strings 9, 7, 6, 4
String 7 is now sharpened by a half tone, while the other three strings remain unchanged. |
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