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Post new topic Standard guitar arrangement: Wonderful World
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Author Topic:  Standard guitar arrangement: Wonderful World
Jim Cohen


From:
Philadelphia, PA
Post  Posted 6 Jan 2013 10:03 pm    
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Here is my jazz-guitar, chord melody arrangement of What a Wonderful World: http://youtu.be/vPmp9LASr7M

I welcome your constructive criticism as this is my first serious attempt at a chord-melody on guitar. I know I need to come up with different ways to play the same passage each time it arrives, rather than repeating myself. Also, I'd like some suggestions for what else I could play on the Bb7 instead of holding it unchanged for so many (4) beats. In my mind, I hear perhaps 4 chords changing there (one per beat), while hanging on to the high D note throughout, but I don't know how to source those chords. Will appreciate any advice on that or any other aspect of the arrangement.

Many thanks in advance,

Jimbeaux
p.s. Yeah, yeah, I know I need to clean up the mess in my study... Smile
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Last edited by Jim Cohen on 7 Jan 2013 5:51 am; edited 3 times in total
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Jeff Garden


From:
Center Sandwich, New Hampshire, USA
Post  Posted 7 Jan 2013 4:22 am    
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Beautiful version of a beautiful tune, Jimbeaux...nice background for my Monday morning coffee. What model guitar is that?? Sounds perfect for chord melody work.
I see you've had to switch to 6 string until the study gets cleaned up and there's room again to set up your steel Very Happy
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Jim Cohen


From:
Philadelphia, PA
Post  Posted 7 Jan 2013 4:52 am    
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Thanks, Jeff. The guitar is an Ibanez AF105NT.
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Rick Barnhart


From:
Arizona, USA
Post  Posted 7 Jan 2013 5:31 am    
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Excellent, Jim. That's one of my favorite melodies.
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Earnest Bovine


From:
Los Angeles CA USA
Post  Posted 7 Jan 2013 8:09 am     Re: Standard guitar arrangement: Wonderful World
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Very nice, Jim.
Jim Cohen wrote:
what else I could play on the Bb7 instead of holding it unchanged for so many (4) beats. In my mind, I hear perhaps 4 chords changing there (one per beat), while hanging on to the high D note throughout,

Staying on the B flat for 4 beats is OK; that chord is a nice distinctive thing about this tune. The A flat note probably doesn't have to be there every time; that chord isn't usually a 7th in most arrangements. Here are a couple of alternatives:

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Earnest Bovine


From:
Los Angeles CA USA
Post  Posted 7 Jan 2013 8:21 am    
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You can always listen to Ted Greene for inspiration.
http://www.youtube.com/watch?v=8ZENkj7C7Bw
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Sam Conomo

 

From:
Queensland, Australia
Post  Posted 7 Jan 2013 3:02 pm     oh yer
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loved it jim,a lot of work as usual.
good onya.
sam.
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Joe Casey


From:
Weeki Wachee .Springs FL (population.9)
Post  Posted 8 Jan 2013 7:06 am    
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Jim just a thought,for your next Cd, you should play,Guitar and Steel and Bass with a Drum machine.Or add a Drummer..Call it "Me ,Myself and I..Add your son on any reed inst of his choice I think it would be a great project for you..
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David Coplin


From:
Eugene, Oregon, USA
Post  Posted 8 Jan 2013 8:45 pm    
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Great tune and nicely done Jim, I agree with Earnest,
there is nothing wrong with sitting on the B flat for 4 beats . Keep em coming !

David
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Jim Palenscar

 

From:
Oceanside, Calif, USA
Post  Posted 8 Jan 2013 9:51 pm    
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Great job- never 'spected the Night Life tag at the end~))
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Jim Cohen


From:
Philadelphia, PA
Post  Posted 8 Jan 2013 9:55 pm    
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Jim Palenscar wrote:
Great job- never 'spected the Night Life tag at the end~))

What else would you expect from a C6 steeler, Jim? Wink Somehow all this stuff gets integrated into the same computer in my head... lol.
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Jim Palenscar

 

From:
Oceanside, Calif, USA
Post  Posted 8 Jan 2013 10:08 pm    
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loved it~~)
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Peter Freiberger

 

From:
California, USA
Post  Posted 9 Jan 2013 6:26 am    
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Just beautiful, Jim!
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Bo Borland


From:
South Jersey -
Post  Posted 12 Jan 2013 9:59 am    
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nioe Jim
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Sam Conomo

 

From:
Queensland, Australia
Post  Posted 12 Jan 2013 7:26 pm     hey jim
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i find i have to play chord melodies first on the guitar then put them on the steel,i seem to memorize em faster.And have a better core understanding of the harmony.
then it only takes two months to learn and not two years ha ha.
sam.
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Mike Neer


From:
NJ
Post  Posted 12 Jan 2013 7:50 pm    
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JIm, if you'd like to spice up that bar of Bb, here's a suggestion or 2:

/BbMaj7 - Bm7 E7 /Em7 - A7b9 etc.

BbM7.. 6 x 7 7 x x
Bm7... 7 x 7 7 x x
E7..... 7 x 6 7 x x
Em7... 7 x 5 7 x x
A7b9.. 6 x 5 6 x x

This one is kind of different but sounds good:

/C9 - B7#9 F13 /E7 - A7b9 etc.

C9..... x 3 2 3 3 x
B7#9.. x 2 1 2 3 x
F13.... 1 x 1 2 3 x
E7...... 0 x 0 1 3 x
A7b9... 5 x 5 3 2 x
A11.....5 x 5 4 3 x
C#dim...x 4 5 3 5 x
D6......x 5 4 4 3 x

Anyway, I hope you don't mind these little suggestions. The beautiful thing about playing chord melody is that you can play any chords you want, even if it is a completely unrelated chord. The bottom line is how it sounds. If you ever get a chance, listen to Richie Beirach's reharm of ATTYA.
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Anne Marie O Keeffe

 

From:
Co.Waterford,Ireland.
Post  Posted 13 Jan 2013 5:03 am    
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That's just beautiful Jim. I so love that song. Smile
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Paul Graupp

 

From:
Macon Ga USA
Post  Posted 13 Jan 2013 7:44 am    
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AMOK...I see you !! Good music can always be found around good folks and JC is surely one of those !!
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