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Topic: chimes |
Larry Adams
From: bixby,ok.usa.
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Posted 8 Jan 2013 7:30 am
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help!!! trying to learn how to do chimes |
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Carl Kilmer
From: East Central, Illinois
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Posted 8 Jan 2013 9:02 am
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I have problems with them too. I call the harmonics.
I used to be good at them, but since my accident and
having to learn to play from the begging again it's not
easy for me anymore. Sometimes I can play them fairly
good and sometimes I can't even start to play them. _________________ aka "Lucky Kay"--Custom built Rittenberry SD10 3X5, Walker S/S, NV-112, and Hilton Pedal |
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Chris Walke
From: St Charles, IL
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Posted 8 Jan 2013 9:14 am
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yeah, me too. have no problem with harmonics on lap steel, where I tend to play with a higher gain setting. But for cleaner PSG tones, harmonics are SO quiet. Do you just turn up the amp more and use less on the volume pedal until it's time to hit those harmonics? |
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John Ely
From: Minneapolis Minnesota, USA
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Brett Day
From: Pickens, SC
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Posted 8 Jan 2013 12:19 pm
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I've seen a lot of steel players chime with their middle finger-that's how I do it, and I think Paul Franklin chimes using the pinky finger.
Brett |
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Jack Aldrich
From: Washington, USA
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Posted 8 Jan 2013 12:36 pm
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I use my ring finger - small hands. The finger you use depends on how big your hands on. I started with my pinkie when Jeff Newman showed mt at his symposium in LA in 1977, but it just didn't sound clean. Alan Akaka advised me to use my ring finger in 2007, and it works much better, though I'm not very good at it. I've been using palm harmonics on my non-pedal steels. It looks cool, and the sound I get is much fuller. _________________ Jack Aldrich
Carter & ShoBud D10's
D8 & T8 Stringmaster
Rickenbacher B6
3 Resonator guitars
Asher Alan Akaka Special SN 6
Canopus D8 |
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Paul Sutherland
From: Placerville, California
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Posted 8 Jan 2013 1:54 pm
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Bob Hempker's video does a real good job covering the basics of chiming.
I find palm chiming the easiest, but the tone is more muted. The finger chime is the brightest but somewhat awkward, and hard to do multiple strings at once. The knuckle chime is the hardest for me to do, but then I haven't been trying to do them for very long.
My advice is learn them all as they each have their place in the music. The more techniques you know, and have mastered, the more options you have to play the music that's dancing around in your head. (Oops; there I said the dirty word, "technique".) |
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Donny Hinson
From: Glen Burnie, Md. U.S.A.
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Posted 8 Jan 2013 3:47 pm
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Chimes, also called harmonics, are done by lightly touching the string at the same time you pick. The "touch-point" can be 12, 7, or 5 frets above the bar position. The 12th and 5th fret up touch-points yeild the same note one and two octaves above a regular picked note. The 7th fret up touch point yeilds a perfect fifth an octave up. Don't get discouraged! It can take from several months to several years to learn to do this technique really well.
Note: The string can be picked on either side of the touch-point with equally good results, and any part of your hand/fingers can be used to touch the string (fingertips, knuckles, finger edge, fingernail, or palm). Each of these will likely give a slightly different tone to the chimes.
Last edited by Donny Hinson on 8 Jan 2013 3:49 pm; edited 1 time in total |
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John Billings
From: Ohio, USA
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Posted 8 Jan 2013 3:47 pm
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I chime using my pinky. Curled under. My fingers are long enough, that I can cover three strings between the knuckles. Pick between the pinky and bar with my thumb. It makes for a clean and loud chime. If I gotta cover more strings, I use the back edge of my palm. Sometimes I chime by just banging the string at the "chime point" with my index pick. It depends on what works for what I want to hear. YMMV. |
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Bent Romnes
From: London,Ontario, Canada
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Jim Bates
From: Alvin, Texas, USA
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Posted 8 Jan 2013 7:52 pm
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Unfortunately we all do not have the same finger sizes (short fat, long skinny, BIG fingers, etc.) so each has to try which fits the hand. Also, I use three finger picks so pinky or palm is the best for me.
For the absolute cleanest, clearest and most consistent chimes listen to Bobby Koefer. Of course he plays a non-pedal Fender deluxe T-3 which does NOT have the fuller middle and bass of a pedal steel.
Thanx,
Jim |
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Jim Bates
From: Alvin, Texas, USA
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Posted 8 Jan 2013 7:53 pm
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Unfortunately we all do not have the same finger sizes (short fat, long skinny, BIG fingers, etc.) so each has to try which fits the hand. Also, I use three finger picks so pinky or palm is the best for me.
For the absolute cleanest, clearest and most consistent chimes listen to Bobby Koefer. Of course he plays a non-pedal Fender deluxe T-3 which does NOT have the fuller middle and bass of a pedal steel.
Thanx,
Jim |
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Jim Bob Sedgwick
From: Clinton, Missouri USA
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Posted 8 Jan 2013 9:01 pm
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Bent.. You are correct. Larry's using the first knuckle of his ring finger, lightely raking across the strings, 12 frets above his bar. You'll also find that the more treble your guitar is set (within reason), the easier and cleaner the harmonic becomes. Hope this helps. |
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Micky Byrne
From: United Kingdom (deceased)
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Posted 9 Jan 2013 2:26 am
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Bent...good clip there, I use my ring finger. Now branching slightly off tread, you know how us musicians sell stuff then later regret it?? Well, that guitar Duane Eddy is using is a Guild DE 500 (Duane Eddy model) I had one in Sunburst, and sold it in 1970 and added money to get a Telecaster. Those Guilds are like gold dust now...Oh well
Micky "scars" Byrne U.K. |
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Jim Pitman
From: Waterbury Ctr. VT 05677 USA
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Posted 9 Jan 2013 9:31 am
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Interesting - Had a gig last night but left my kit bag with good bar at home.
In my pack-a-seat, I keep this improvised bar made from a piece of chrome drum hardware tube filled with washers that a guitar tech made me when I dropped my bar off the edge of ferry boat I was playing a gig on.
That drum hardware thing would not chime one bit. It's lighter. Ive learned you need a dense heavy bar to chime. It was so ill toned I wound up playing "slide style" with lotso distortion to get through the night.
Gotta get me a spare real bar.
Ohh...the affects of getting old! |
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Gene Jones
From: Oklahoma City, OK USA, (deceased)
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Posted 9 Jan 2013 9:56 am
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Whatever happened to the original method of steel players chiming with the bottom of the palm of your right hand?
I know that chiming with a finger is the current trend and it looks more sexy, but is it better? _________________ "FROM THEN TIL' NOW" |
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Bent Romnes
From: London,Ontario, Canada
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Posted 9 Jan 2013 10:08 am
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Jim Bob Sedgwick wrote: |
Bent.. You are correct. Larry's using the first knuckle of his ring finger, lightely raking across the strings, 12 frets above his bar. You'll also find that the more treble your guitar is set (within reason), the easier and cleaner the harmonic becomes. Hope this helps. |
Jim Bob, Thanks.That's the way I have been practicing my multiple string harmonics. Just can't get it clean. I am convinced now that Larry has the "touch" and I don't. _________________ BenRom Pedal Steel Guitars
https://www.facebook.com/groups/212050572323614/ |
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Bent Romnes
From: London,Ontario, Canada
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Posted 9 Jan 2013 10:16 am
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Micky Byrne wrote: |
Bent...good clip there, I use my ring finger. |
Mickey, as far as I am concerned, Larry 'stole' that whole song with only his steel break and the execution of it.
IMHO getting it all right while under the pressure of get it right the first time or don't get it at all is to me the mark of a superb musician _________________ BenRom Pedal Steel Guitars
https://www.facebook.com/groups/212050572323614/ |
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Jeremiah Wade
From: Bladenboro, NC
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Posted 14 Jan 2013 1:08 pm
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You can also chime in another manner. Use you right thumb pick to touch the string (5, 7, or 12 frets above your bar) and pick the string with you right middle finger pick behind the chiming point. Then tone is full and this method even works with bigger hands. _________________ I'd rather be pickin' |
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Dave Grafe
From: Hudson River Valley NY
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Posted 14 Jan 2013 5:28 pm
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Quote: |
Whatever happened to the original method of steel players chiming with the bottom of the palm of your right hand?
I know that chiming with a finger is the current trend and it looks more sexy, but is it better? |
I think both have their strengths and weaknesses, Gene, likewise the alternate method mentioned by Jeremiah has particular advantages for some hands and intended sounds. I began with the second knuckle of my pinky - which is long enough to cover two strings nicely - some forty years ago and never imagined it to be sexy until you just pointed it out, far too late in my case to ever take advantage of it I do also use the edge of my palm as you mention for full chords when I can pull it off. The best players I know of use as many methods as they can master in order to make as much music as humanly possible, so around here at least it's not completely a forgotten art... |
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Ned McIntosh
From: New South Wales, Australia
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Posted 14 Jan 2013 9:44 pm
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Palm harmonics was the first way I learned, right out of Winnie Winston's book. The good thing about them is you can get a full chord harmonic, very useful for an ethereal or "haunting" sound.
There's a photo in the book of Julian Tharpe doing fingertip harmonics, so I learned them next. The problem with my long arms is my right elbow sticks out sideways like a 747 wing when I do harmonics this way, which is a problem on a crowded stage. They have a different tone to a palm-harmonic, but you can very precisely pick a series of non-adjacent string-harmonics using this method. If you need a series of harmonics to mimic a door-chime (for example), this method works really well!
A few years ago I was talking to the great Aussie steel-player Michel Rose and I told him I was amazed by the tone and power of his harmonics. He showed me how he does it...using the knuckle of his little finger ("pinky") to stop the string and picking the harmonic with the thumbpick. He explained how the hardness of the knuckle gives a distinctive tone to the harmonic that is different from either palm or fingertip harmonics. It is the hardest of all the techniques, but the tone is something else when you get it just right. You have to be very very accurate where that knuckle touches the string.
So I try to use them all, but mostly I play palm-harmonics or fingertip. The knuckle harmonic requires a lot of practice...but the sound is very, very nice! _________________ The steel guitar is a hard mistress. She will obsess you, bemuse and bewitch you. She will dash your hopes on what seems to be whim, only to tease you into renewing the relationship once more so she can do it to you all over again...and yet, if you somehow manage to touch her in that certain magic way, she will yield up a sound which has so much soul, raw emotion and heartfelt depth to it that she will pierce you to the very core of your being. |
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