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Post new topic How do I play an Em7 chord?
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Author Topic:  How do I play an Em7 chord?
Dennis Hanggi

 

From:
Ketchum, Idaho, USA
Post  Posted 27 Jan 2011 4:28 pm    
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How do I play an Em7 chord on a 3-pedal student model with E9 tuning and a Jimmy Day setup?
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Clyde Mattocks

 

From:
Kinston, North Carolina, USA
Post  Posted 27 Jan 2011 4:36 pm    
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A and B pedals down at the tenth fret. Strings 4, 5 6 and 7. It's also a G6 chord. If I were going to play it in a song, I would probably omit the 5th string (b note). That would give the chord a little more air. You hear that voicing in some Tom Petty stuff.
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Adam Moritz


From:
Cedar Rapids, IA
Post  Posted 27 Jan 2011 5:23 pm    
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8th fret, e lever (lowers e string half step. C down to B) depending on how you want to go about inverting it, or strum/gripping it the following are part of the chord.

1 = D,
2 = don't play,
3 = E,
4 = B,
5 = G,
6 = E,
7 = D,
8 = B,
9 = don't play,
10 = G
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chas smith R.I.P.


From:
Encino, CA, USA
Post  Posted 27 Jan 2011 9:23 pm    
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Also, C pedal 3rd fret.
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T. C. Furlong


From:
Lake County, Illinois, USA
Post  Posted 28 Jan 2011 9:23 am    
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If you have a 1/2 step lower on your 9th string-

My favorite voicing is:

3rd fret - no pedals

4
5
6
9th lowered 1/2 step

TC
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Mike Perlowin


From:
Los Angeles CA
Post  Posted 28 Jan 2011 11:43 am    
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Since the Em7 contains all the notes of a G chord, if you have a bass player playing the E note, you can play the G chord and the Em7 will be the result of the 2 instruments combined.
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Bob Hoffnar


From:
Austin, Tx
Post  Posted 28 Jan 2011 12:00 pm    
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Here is one I use quite a bit;

B pedal in

5th fret
strings 10 ,9, 7, 6

If you lower your 2nd string down to D the chord goes across the neck pretty well.
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Bo Legg


Post  Posted 28 Jan 2011 5:33 pm    
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Most general scale use to play within an Em7 is the Dorian mode of the D major scale.
The G major chord is most generally best choice to use as an Em7 on the E9 due to the limit of 3 notes.
For an Em7 chord I play a G major chord and pick in a D major scale.



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