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Susan Alcorn


From:
Baltimore, MD, USA
Post  Posted 19 Nov 2010 12:19 pm    
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Last edited by Susan Alcorn on 30 Nov 2020 2:26 pm; edited 5 times in total
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Mike Neer


From:
NJ
Post  Posted 19 Nov 2010 1:47 pm    
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Susan, is there any way I can download this to put it on my mp3 player? I sure would appreciate it.
Thanks.
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Daniel Morris


From:
Westlake, Ohio, USA
Post  Posted 19 Nov 2010 4:17 pm    
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Yes, please, Susan - a CD, something physical, or even something I can put on the Zune my son bought me!
I'd pay for a CD-R if it were available.
So many wonderful sounds you produce, too few documentations!
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John Alexander

 

Post  Posted 20 Nov 2010 4:40 pm    
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Very nice. As a listener I enjoy the sense of not being pushed around by harmonic and rhythmic rigidity. I look forward to the day when discussions will go like this: "Do you have the Alcorn pedal on your guitar?" "Yes, but I have it on my RKL." Or, "No, I use the Harry Partch 36 note per octave tuning on my steel."
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Michael Robertson


From:
Ventura, California. USA
Post  Posted 20 Nov 2010 5:07 pm     “Free Jazz, Free Improv”
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I admit I don’t understand “Free Jazz, Free Improv” and I’m not sure I’m suppose to.
I know that I find it conciliatory and haunting yet inviting at the same time.
My ears are straining to hear ever note and overtone and appreciate each movement.
Very interesting and your blocking is very good and well done.
Thanks
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Steve Cunningham


From:
Atlanta, GA
Post  Posted 24 Nov 2010 10:44 am    
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Some very cool moments...especially some of the interplay between the steel and cello.
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