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Post new topic It Was a Very Good Year ---> mp3 ---> Listen
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Author Topic:  It Was a Very Good Year ---> mp3 ---> Listen
Doug Beaumier


From:
Northampton, MA
Post  Posted 4 Mar 2009 11:57 pm    
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Here's something a little different. Solo steel, no other instruments. Can you guess the tuning?

Click ----> It Was a Very Good Year




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Bill Hankey


From:
Pittsfield, MA, USA
Post  Posted 5 Mar 2009 4:50 am    
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Doug,

Are you readdressing the Bill Levitt tuning? I like that saucy finish at the song's ending.
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Bill Hatcher

 

From:
Atlanta Ga. USA
Post  Posted 5 Mar 2009 5:59 am    
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VERY nice!! I like the sound of your guitar. Hearing all the nuances of the attack and the tone makes is seem like the guitar is right in the room with the listener.
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Andy Volk


From:
Boston, MA
Post  Posted 5 Mar 2009 6:12 am    
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Beautiful and haunting, Doug. I started an arrangement of that tune a while back but it derailed. Yours is much nicer. JB diatonic?

Last edited by Andy Volk on 5 Mar 2009 9:53 am; edited 1 time in total
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Doug Beaumier


From:
Northampton, MA
Post  Posted 5 Mar 2009 9:48 am    
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Thanks to all! Yes, the tuning is diatonic, but it's not JB's version. It's A Diatonic as listed on John Ely's site, tuned down a whole step, which makes it G Diatonic. Much thanks for the positive responses. Smile
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Andy Volk


From:
Boston, MA
Post  Posted 5 Mar 2009 10:09 am    
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Those diatonic tunings can be tricky to get your head around. A few years back I dived into JB's tuning long enough to record a version of My Funny Valentine. You can get all sorts of cool scale cascades with the diatonic tunings but chords are more mostly clusters. If I had to play something on it today I'd be back to square one. IWAVGY is a perfect tune for that sound. Great job, Doug.
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Doug Beaumier


From:
Northampton, MA
Post  Posted 5 Mar 2009 10:33 am    
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Thanks Andy, yes diatonic tunings are complicated, and they offer a lot of interesting voicings and chromatic sounds. Some of the strings are tuned a half step apart, so the player has to be very selective in picking the strings and avoid certain strings. Diatonic tunings are based on a scale or a mode, not based on a chord, as most non-pedal tunings are. I've been tinkering with this A Diatonic tuning for a while, and with JB's C Diatonic tuning, and I like the A better. Just my personal preference. There are a lot of beautiful voicings for extended chords, especially minors. The tuning also offers lots of positions for 3rds, so it could work well for country, with selective picking of the strings. It does seem to be a little weak on dominant 7ths however. I have to do a little more woodshedding on this tuning to understand it fully.
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James Mayer


From:
back in Portland Oregon, USA (via Arkansas and London, UK)
Post  Posted 21 May 2009 11:35 am    
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This is awesome. I love this song. Do you have this tabbed out? I'd love it give it a try.
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Doug Beaumier


From:
Northampton, MA
Post  Posted 21 May 2009 11:53 am    
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Thanks James, I don't have any tab for it, sorry. I learned it directly from the sheet music and by listening to the Sinatra recording... a combination of the two and a few ideas of my own. The tuning is Diatonic.
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Last edited by Doug Beaumier on 21 May 2009 11:55 am; edited 1 time in total
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Tom Pettingill


From:
California, USA (deceased)
Post  Posted 21 May 2009 11:55 am    
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Bill Hatcher wrote:
VERY nice!! I like the sound of your guitar. Hearing all the nuances of the attack and the tone makes is seem like the guitar is right in the room with the listener.

Thats exactly what I was thinking too ... Very nice Smile
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James Mayer


From:
back in Portland Oregon, USA (via Arkansas and London, UK)
Post  Posted 21 May 2009 12:01 pm    
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Doug Beaumier wrote:
Thanks James, I don't have any tab for it, sorry. I learned it directly from the sheet music and by listening to the Sinatra recording... a combination of the two and a few ideas of my own. The tuning is Diatonic.


Ah, so you are gonna make me do it the hard way.
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Jason Dumont

 

From:
Bristol, Connecticut, USA
Post  Posted 21 May 2009 3:32 pm    
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Great job Doug. That's a great song. Well done!
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Roy Thomson


From:
Wolfville, Nova Scotia,Canada
Post  Posted 21 May 2009 3:41 pm    
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Good Execution there Doug. I like to hear the
Solo arrangements on steel. I hope you do more.
The Guitar sounds great BTW.
Is that the Jerry Byrd Diatonic?

Roy
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Doug Beaumier


From:
Northampton, MA
Post  Posted 21 May 2009 3:48 pm    
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Thanks guys, it's the diatonic tuning listed on John Ely's web site. A Diatonic... I tuned it down to G because I have thicker strings on that neck, so it's G Diatonic. I experimented with Jerry Byrd's diatonic tuning, but I was able to get a little more out of John Ely's setup, for the style I like to play.
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David Doggett


From:
Bawl'mer, MD (formerly of MS, Nawluns, Gnashville, Knocksville, Lost Angeles, Bahsten. and Philly)
Post  Posted 21 May 2009 9:29 pm    
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That's really beautiful, Doug. A diatonic tuning is really a harp tuning, except that pedal harps can get chromatics with the pedals.
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Jeff Strouse


From:
Jacksonville, Florida, USA
Post  Posted 22 May 2009 5:04 am    
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Very nice, Doug! Smile
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Lee Gillespie


From:
Cheyenne, Wy. USA
Post  Posted 22 May 2009 5:20 am     Very Good Year
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Hey Doug....you did a bang up job on that tune. I'm with Roy... Lay somemore on us. Lee
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Doug Beaumier


From:
Northampton, MA
Post  Posted 22 May 2009 7:41 am    
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Thank you for all of the positive replies. I was thinking of selling this Guyatone because I just got a Stringmaster, but hearing this clip again and reading all of your kind comments makes me realize that this guitar has a unique sound and I should keep it. It's also fun to play and it feels very comfortable to me.
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Andy Volk


From:
Boston, MA
Post  Posted 24 May 2009 4:01 am    
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After Rick's death hearing your version of this tune really adds a special poignance. Regardless of the guitar, the tuning, etc., as pure music, you played the song with great feeling. Haunting and beautiful, Doug.
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Doug Beaumier


From:
Northampton, MA
Post  Posted 24 May 2009 7:16 am    
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Thanks so much, Andy. Like many others here, I think of Rick often throughout the day, and I'm still stunned by his untimely passing. I will always remember those videos of Rick playing his steel guitar on the beach in Florida... his joyous love for the steel guitar, his selfless sharing and good will. Rick's presence will be felt here for a long time to come.
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John P. Phillips


From:
Folkston, Ga. U.S.A., R.I.P.
Post  Posted 24 May 2009 6:31 pm    
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Great tune Dougie and a good arrangement too. It's now on my hard drive so I can listen any time I get the urge. A lot of those older tunes deserve a similiar treatment. Keep em coming !
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Doug Beaumier


From:
Northampton, MA
Post  Posted 25 May 2009 9:06 am    
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Thanks John, I'm glad you like it.
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Mike Ihde


From:
Boston, MA
Post  Posted 25 May 2009 8:19 pm    
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Beautiful Doug! Love those half steps on the minor chords. Very nicely done.
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Doug Beaumier


From:
Northampton, MA
Post  Posted 25 May 2009 9:57 pm    
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Thanks Mike, much appreciated.
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Andy Volk


From:
Boston, MA
Post  Posted 26 May 2009 4:26 am    
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Even though the tune is indelibly associated with Sinatra, it was originally conceived as a folk song. Ervin Drake wrote it specifically for Bob Shane of the Kingston Trio. Sinatra was driving through the desert, heard it on the radio, and the rest is musical history. Drake said it took him only an hour to write.
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