Author |
Topic: ACM House Player |
Bob Snelgrove
From: san jose, ca
|
Posted 5 Apr 2009 9:23 pm
|
|
Who was it?
Fender pedal steel? Beautiful tone.
bob |
|
|
|
Bruce Bouton
From: Nash. Tn USA
|
Posted 7 Apr 2009 8:10 pm
|
|
There was no house band at the ACM's. Edgar Strubel did all of the bumper music and theme songs. It was probably Tommy White on those tracks. |
|
|
|
Alvin Blaine
From: Picture Rocks, Arizona, USA
|
Posted 7 Apr 2009 8:45 pm
|
|
All the bumper music was pre-recorded, along with many of the performance tracks.
However Lee Ann Womack had a live band that consisted of Brent Mason, Eddie Bayers, Paul Franklin, Stuart Duncan, Steve Gibson, Glenn Worf, Steve Nathan and John Jarvis.
They were all in town (Vegas), as the house band for taping of a TV show, honoring George Strait as "Country Artist of the Decade". _________________ http://www.oldbluesound.com/about.htm
http://www.facebook.com/cowboytwang |
|
|
|
Bob Snelgrove
From: san jose, ca
|
Posted 7 Apr 2009 8:54 pm
|
|
Thanks, Guys
I did see a Fender pedal steel, right?
That was quite a production!
bob |
|
|
|
John Macy
From: Rockport TX/Denver CO
|
Posted 7 Apr 2009 8:54 pm
|
|
Guess that was the best band she could get on short notice... _________________ John Macy
Rockport, TX
Engineer/Producer/Steel Guitar |
|
|
|
Tim Sergent
From: Hendersonville, TN, USA
|
Posted 7 Apr 2009 9:38 pm
|
|
I think Travis Toy was playing a Fender with Rascal Flatts. And it sure looked like Randy Beavers with LeeAnn, but maybe I'm wrong. He was pretty far back in the shadows. |
|
|
|
Theresa Galbraith
From: Goodlettsville,Tn. USA
|
Posted 8 Apr 2009 3:40 am
|
|
I think the Fender was being played with Toby Keith. |
|
|
|
Bruce Bouton
From: Nash. Tn USA
|
Posted 8 Apr 2009 4:06 am
|
|
A bunch of us played the Fender since we were playing to tracks.
BB |
|
|
|
Theresa Galbraith
From: Goodlettsville,Tn. USA
|
Posted 8 Apr 2009 4:29 am
|
|
Bruce,
I saw ya on the TV, I thought you were playing your Carter.... |
|
|
|
Franklin
|
Posted 8 Apr 2009 4:56 am
|
|
With Steel guitar, George Strait and Jamey Johnson were the only live bands. The rest were tracks. The Fender was a double 8 string piece of, well it was a prop!
Tim,
It was great to see you there. Leann used our group for the ACM's.
Paul |
|
|
|
Randy Beavers
From: Lebanon,TN 37090
|
Posted 8 Apr 2009 5:53 am
|
|
Hey Paul, I thought that was you and Brent up there. The only good picture where I could see the steel player was with Reba, I could see it was Bruce and then I saw that Fender?
I thought it was a great production! The emphasis was on performances by the artist, not the awards. |
|
|
|
Bill Cunningham
From: Atlanta, Ga. USA
|
Posted 8 Apr 2009 6:38 am
|
|
So I wonder how many Fender props are there in LA.
Al Vescovo was telling me about one he used in the Dewey Cox/Walk Hard movie. _________________ Bill Cunningham
Atlanta, GA |
|
|
|
Barry Blackwood
|
Posted 8 Apr 2009 6:54 am
|
|
Fender as a prop. Somebody missed a golden opportunity to get their brand advertised ... |
|
|
|
Barry Blackwood
|
Posted 8 Apr 2009 8:40 am
|
|
Is it just me, or has the irony of "playing to tracks" hit any other steelers? |
|
|
|
Steve Hinson
From: Hendersonville Tn USA
|
|
|
|
Joe Miraglia
From: Jamestown N.Y.
|
Posted 8 Apr 2009 9:10 am Re: ACM House Player
|
|
Bob Snelgrove wrote: |
Who was it?
Fender pedal steel? Beautiful tone.
bob |
Looks like our eyes are doing our hearing for us . Joe |
|
|
|
Barry Blackwood
|
Posted 8 Apr 2009 10:08 am
|
|
Quote: |
Is it just me, or has the irony of "playing to tracks" hit any other steelers? Oh Well
No...please explain... |
OK, let's say a guy really busts his butt half his life or more to get good enough to run with the big dogs, only to realize that someone else will be doing the master sessions and someone else will be doing the tracks to which he will be "playing" to onstage, and so on. To me that's ironic, to others it might sound something like sour grapes, I don't know. At the same time I'm saying this, I'm well aware that life's a gamble and you pays your money and you takes your chances, etc. etc. and maybe that explains it.
Last edited by Barry Blackwood on 8 Apr 2009 11:15 am; edited 1 time in total |
|
|
|
Tim Sergent
From: Hendersonville, TN, USA
|
Posted 8 Apr 2009 10:22 am
|
|
Sorry Paul. I was in the middle of cooking dinner when LeeAnn came on and I stepped into the living room for a quick glance and all I could see was a silouette of the steel player. I didn't even notice who the rest of the band guys were or I would've known it was you.
It was a fun time hanging out and talking about some good 'ol country music with you at rehearsals.
Always great to see you and getting to hear you play.
Tim |
|
|
|
chris ivey
From: california (deceased)
|
Posted 8 Apr 2009 10:33 am
|
|
just another day in the plastic factory. |
|
|
|
Lee Baucum
From: McAllen, Texas (Extreme South) The Final Frontier
|
Posted 8 Apr 2009 10:39 am
|
|
chris ivey wrote: |
just another day in the plastic factory. |
That's pretty funny. My Mom used to call sugar substitutes "plastic sugar". |
|
|
|
Steve Hinson
From: Hendersonville Tn USA
|
|
|
|
Barry Blackwood
|
Posted 8 Apr 2009 1:14 pm
|
|
Whatever. |
|
|
|
Jim Sliff
From: Lawndale California, USA
|
Posted 8 Apr 2009 1:21 pm
|
|
Quote: |
The Fender was a double 8 string piece of, |
Such an embarrassment sitting behind one of Leo Fender's creations for those guys, huh?
I'm sure they'd all rather sit behind instruments made for them by daddy...
_________________ No chops, but great tone
1930's/40's Rickenbacher/Rickenbacker 6&8 string lap steels
1921 Weissenborn Style 2; Hilo&Schireson hollownecks
Appalachian, Regal & Dobro squarenecks
1959 Fender 400 9+2 B6;1960's Fender 800 3+3+2; 1948 Fender Dual-8 Professional |
|
|
|
Michael Johnstone
From: Sylmar,Ca. USA
|
Posted 8 Apr 2009 2:07 pm
|
|
Quote: |
I'm sure they'd all rather sit behind instruments made for them by daddy... |
Ya know Jim my brother - that almost sounds un-called for.... |
|
|
|
Bob Snelgrove
From: san jose, ca
|
Posted 8 Apr 2009 2:46 pm
|
|
Jim Sliff wrote: |
Quote: |
The Fender was a double 8 string piece of, |
Such an embarrassment sitting behind one of Leo Fender's creations for those guys, huh?
I'm sure they'd all rather sit behind instruments made for them by daddy...
|
I can't or won't speak for Paul, but I doubt that he meant any dis-respect. I have to assume that the "prop" was probably not a working guitar and that his comment was strictly referring to that particular instrument, not Leo's contribution to the industry.
bob
bob |
|
|
|