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Post new topic Opinions On 8 String E Tuning.
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Author Topic:  Opinions On 8 String E Tuning.
Rocky Hill


From:
Prairie Village,Kansas, USA
Post  Posted 14 Apr 2009 4:00 pm    
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I had messed around with open E slide on my regular guitar for a long time before I started playing Steel. I play 8 string C6th, but would like to set one of my steels to an 8 string E tuning. what do, or would most recommend?


Rocky
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Steinar Gregertsen


From:
Arendal, Norway, R.I.P.
Post  Posted 14 Apr 2009 4:58 pm    
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I'm fond of this one:

E
C#
B
G#
E
D/C#
B
E
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Ron Whitfield

 

From:
Kaaawa, Hawaii, USA
Post  Posted 14 Apr 2009 5:28 pm    
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My glorified E maj is less usefull than Steiner's or other E13s, but it's what I use/like, and it's enuf for me - G# E C# B G# E B E
I like that low E on the bottom.
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John Bechtel


From:
Nashville, Tennessee, R.I.P.
Post  Posted 14 Apr 2009 5:48 pm    
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I like an 8-str. E9-Tuning:
E~B~D~E~F#~G#~B~E
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Erv Niehaus


From:
Litchfield, MN, USA
Post  Posted 15 Apr 2009 7:26 am    
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I also like the C# between the E and B.
I have always called it a C#minor7th tuning.
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Rocky Hill


From:
Prairie Village,Kansas, USA
Post  Posted 16 Apr 2009 5:16 am    
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Steinar,

I generally play blues type music on the std open E, how well does your tuning work for that style?


Rocky
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Steinar Gregertsen


From:
Arendal, Norway, R.I.P.
Post  Posted 16 Apr 2009 6:50 am    
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Rocky,- coming from a blues and rock background myself I fell for that tuning especially because it suits those styles so well, in addition to being very versatile and useful for other styles.

I don't have an 8-string anymore, but if I should get myself another one I'd definitely stick to that tuning. I'll probably restring my 6-string Asher for the top 6 strings of that tuning one of these days.
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Rocky Hill


From:
Prairie Village,Kansas, USA
Post  Posted 16 Apr 2009 11:14 am    
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Steinar,

Thank you for your thoughts, one last thing and I probably will have all my questions answered on this. Do you have a preference for the D or C# and why, and what would this tuning be called E13?

Thanks


Rocky
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Steinar Gregertsen


From:
Arendal, Norway, R.I.P.
Post  Posted 16 Apr 2009 1:03 pm    
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I went back and forth between the C# and the D on the 6th string dependng on what suited the song best. My (highly personal) experience was that the C# made soloing more logical, especially in minor scales, while the D gave me access to more chords, like dominant 7ths and diminished, without slants. Plus, there are many typical blues/soul/rock riffs available with the 1-5-b7-1 configuration on the bottom four strings (think Ray Charles' "What I'd Say"..).

Yeah, I think with the D present it is usually refered to as "E13" (one of many variations) even though it would require an F# in there to qualify as a 'proper' E13 chord..
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