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Do you use background tracks?
Never, I hate them
18%
 18%  [ 13 ]
Only to practice with.
52%
 52%  [ 36 ]
Yes, I use commercially available Karaoke tracks
2%
 2%  [ 2 ]
I record my own tracks (band in a box etc..)
26%
 26%  [ 18 ]
Total Votes : 69

Author Topic:  Playing Gigs with Backup Tracks?
Dom Franco


From:
Beaverton, OR, 97007
Post  Posted 28 Jul 2008 5:42 am    
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For many years I looked down on performers who played to background tracks (Karaoke) I felt it was like cheating or something...
I prefered to hear an honest solo act or a simple guitar accompaniment to the lead instrument or vocal.

But since I have been doing a lot more solo gigs on Steel, I began recording TRAX in my home studio, and I am having a blast playing all the other insruments.

I recently visited Disneyland and the New Downtown Disney area. All up and down the street they have lots of solo musicians playing to background tracks.
So I convinced myself that if it's good enough for Disneyland it's good enough for me.

(Several years ago this would have been a big no no. Disneyland has always hired the very best musical entertainers, all at union wages, and it was a great honor to play there.)

All that being said: I still feel a bit "cheap" playing to TRAX, but finding one guitarist who could play all the songs I know, is very difficult, much less a bass, drums etc...

What do you guys do? Any play solo gigs?

Dom Wink
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James Cann


From:
Phoenix, AZ
Post  Posted 28 Jul 2008 8:45 am    
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I've been using Karaoke and BIAB tracks for a while now and have done some solo gigs (and wouldn't mind a few more). To keep things from getting overdone, I make liberal use of solo with BIAB, letting other instruments share the ride.

However, don't forget whatever schmooze, patter, gift of gab, etc., you can come up with to share between numbers.
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c c johnson

 

From:
killeen,tx usa * R.I.P.
Post  Posted 28 Jul 2008 11:42 am    
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been doin it for 30 yrs. Average once a week, play for two hrs, avg $150. gettin so I like it better than the band gigs. Don't have to bail the piano player out of jail, don't have to scare up a guitar for the guitar man, etc. cc
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Bo Borland


From:
South Jersey -
Post  Posted 28 Jul 2008 12:27 pm    
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As soon as I stop getting asked to play with bands, I'm gonna get me a laptop and some tracks and try to book some gigs at the beach area.
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Twayn Williams

 

From:
Portland, OR
Post  Posted 28 Jul 2008 12:51 pm    
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For me, the whole point of playing ensemble music is to interact with other musicians. That give and take, that locking together, that's the stuff!
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Ernie Pollock

 

From:
Mt Savage, Md USA
Post  Posted 29 Jul 2008 4:29 am     Yeah
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I have been using tracks for quite a while, I make some of my own with my 4 track & computer, some I have bought over the years. I play just about every week with just the tracks & a girl conga drum player & another girl that sings harmony with me. The girls sing several songs without me & I get to do the backup with my 72 MSA S-12U. We have a blast doing it, & it would be lonesome without that bass player & rhythm guitar & violin section on the tracks. It may be cheatin' but around this area, if you are waiting for a band to hire you, you got a long wait. I do drive 70 miles to a gig in Pa, once a month with a live 6 piece band, I don't do any singing with them, just steel guitar, that too is still fun!! Hell, I am 64 years old & have no plans to quite playing, singing, and teaching steel guitar.

Ernie Pollock
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Erv Niehaus


From:
Litchfield, MN, USA
Post  Posted 29 Jul 2008 6:35 am    
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I would love to play with a bunch of musicians but in my neck of the woods they are impossible to round up.
I am forced to rely on backup tracks via BIAB.
I have a separate rack unit just for the tracks and I get a great sound from it.
A lot to set up but well worth it. Very Happy
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John Macy

 

From:
Rockport TX/Denver CO
Post  Posted 29 Jul 2008 6:44 am    
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I like how Mike Smith does it--he uses multi track mixes from his laptop--he can either play solo with just the tracks, or mute whatever instrument(s) that are playing live with him...lots of options...Smile
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Tim Harr


From:
Dunlap, Illinois
Post  Posted 29 Jul 2008 11:36 am    
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Who wants to share BIAB tracks with me..??

I have a bunch to share....

perhaps we can trade..?

who has a list of their tunes?


Thanks!
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John Walden


From:
Simi Valley, California, USA
Post  Posted 30 Jul 2008 4:27 am    
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Hi Dom, When Karaoke first came out, it made me sick. Get drunk and sing, makes me cringe. But as popular as it became, and club owners, not willing to pay for decent music, I turned it around to work for me. As a guitar player, vocalist, bass, and now steel player, I find I can put on a good show, by myself, and keep it interesting. The trick is, for me, to be able to take requests, and usually I can pull it off. Yes, lot's of equipment to set up, but, it can be most enjoyable. The good news is, there are no issues with other musicians showing up for rehearsals, on time, making it to the gig on time, and no issues with poor attitudes. The band, ie tracks, are always in tune, and it always sounds good. If you are going to play 4 45 minute sets, you don't want the same tonality on every song. With tracks, every song sounds like the original artist. All I am really doing is embellishing the song with a live instrument and a vocal. Changing from steel, to an acoustic, or my strat., I pull it off. Playing live is great too, but certainly requires a certain amount of rehearsal time. I wish club owners could pay us what it is worth, to entertain, but I doubt that will ever change.
Regards, J. W.
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Brian Kurlychek


From:
Maine, USA
Post  Posted 30 Jul 2008 4:36 am    
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When I went to Delray Beach last month, it seemed that every musician I ran across used a pre-recorded backing track.

One guy with a guitar and his computer.

I saw a reggae band and they had no drummer and no base. Just press play.

I guess in Florida this is widely acceptable.

Here in Maine, I had never ever seen such a thing. Nobody does that. If you don't have a drummer, then, there is no drums.

I suppose that maybe either the club is saving money because it only has to pay one guy, or the one guy is making 4 times as much since he doesn't have to split his take with the rest of the band.

It does seem there is something missing when you use a back track live - at least visually. To the ear, however, it sounds virtually the same.
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Karen Lee Steenwijk

 

From:
Pennsylvania
Post  Posted 30 Jul 2008 5:06 am    
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John, Ron and I do the same thing, for the same reasons.In our area its hard to get bookings with a band.I have an all original show called "Heading Back To The Country".We do all the background here at the studio the same way.He plays the steel live. and it gives me some freedom to get out with "The Crowd" and get them involved.We do not have to worry about the band members showing up on time,or mistakes. I mainly do "Stage Shows". I have twenty songs that I do in one hour, and do three sets.I have just enough time in between to say something, and then on to the next song.
The advantage to this is we represent country music with class..I wear "Country Gowns" and Ron wears a "Country Suite" with a hat. It looks professional. First impression means everything!The older folks in the audience.. like to see a show that is clean cut.
When I had my band I had to buy the outfits and wash them iron them ect..to make sure everyone was dressed up.No more of that!
One thing that comes to mind is the fact,,of The Union and the saying "Say It with Live Music" . I went through a lot of controversy over that..they said it was not live..it was taped.So, I pick up my guitar from time to time, and the steel is live. never the less all the background was done by two union musicians,,go figure!
And thats all I have to say about that!! Laughing
We make a buck the way we see fit!! Wink


Karen
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Les Anderson


From:
The Great White North
Post  Posted 30 Jul 2008 8:16 am    
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I have had the displeasure of playing at a couple of wedding gigs where the bride or groom have presented me with backup tracks that they wanted me to accompany.

Evil or Very Mad Rolling Eyes Those things do not give a player any latitude what so ever. Maybe I am the old fashion type of musician; however, I just don't want to turned into a trained monkey.
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Mack Quinney

 

From:
Texas, USA
Post  Posted 30 Jul 2008 12:46 pm    
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Yep, been doing it this way for three years. My wife and I sing, then I play guitar, mandolin, or steel with the track. I record every track and play every instrument on the recording, mix the tracks and burn to a CD as a set. This also keeps my chops up on all of the instruments and allows me to play the song the way I want to.

I have the same problem as others with putting a band together; schedule conflicts in practice times, people not showing up to a gig, people showing up late to a gig etc. is just not worth it. Not to mention the personality conflicts.

The good and the bad is that you have to play the song the same way each time you perform. No long solo! Sad

Clubs are hot and cold on this. Some say "we want a band", but then in the next breath they don't want to pay for five musicians. Private parties tend to be the best. I can keep the cost down and provide a good show. (Good value) I haven't figured out how to do requests yet.
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b0b


From:
Cloverdale, CA, USA
Post  Posted 30 Jul 2008 12:51 pm    
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The best performances are by live musicians.
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c c johnson

 

From:
killeen,tx usa * R.I.P.
Post  Posted 30 Jul 2008 1:06 pm    
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really?
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Twayn Williams

 

From:
Portland, OR
Post  Posted 30 Jul 2008 1:18 pm    
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I won't go see a performer that uses backing tracks. I've walked out of shows when I see a laptop on stage. This is not just me being a snob, I think it sounds bad. However, to each his/her own...
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John Walden


From:
Simi Valley, California, USA
Post  Posted 30 Jul 2008 1:25 pm    
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Karen Lee, sounds like you have it dialed in. It is about how you present yourself. The way you look, does count for something. All depends on the gig. It also depends on your presentation of each song. The first thing an audience notices, is the sense of honesty, and realism, there is to the performance. Whether they know it or not. Balance is critical as well. The live performance has to have just the right balance, with the tracks.

b0b, I agree, and when I play with tracks, I am very "live", and after just a few songs, the sweat on my face, must be removed !

J. W.
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Dave Mudgett


From:
Central Pennsylvania and Gallatin, Tennessee
Post  Posted 30 Jul 2008 1:32 pm    
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Quote:
For me, the whole point of playing ensemble music is to interact with other musicians. That give and take, that locking together, that's the stuff!

For me also. I will not argue about which is "better" or "worse", but "I strongly prefer" to play with other musicians who can work well with me, and "I strongly prefer" to listen to live musicians who interact well with each other. That goes to recorded music - I strongly prefer at least basic tracks with musicians who work well together playing together. Of course, under the right circumstances, I prefer everything done live in a great studio like Rudy Van Gelder would do with the great jazz players from the 40s to the 60s.

Music is not just about notes - it's about people also. One can get a computer to mathematically play lots of stuff. I just can't get excited - I do science, computers, and information for a living and it's great in its place. But they will never, ever substitute for live human beings, to me.

I do think tracks are good for practice, though. For example, the Jamey Aebersold tracks are useful to learn many jazz concepts.
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b0b


From:
Cloverdale, CA, USA
Post  Posted 30 Jul 2008 3:33 pm    
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Twayn Williams wrote:
I won't go see a performer that uses backing tracks. I've walked out of shows when I see a laptop on stage. This is not just me being a snob, I think it sounds bad. However, to each his/her own...

A lot of people are using laptops on stage to record their performances.
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Twayn Williams

 

From:
Portland, OR
Post  Posted 30 Jul 2008 3:51 pm    
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b0b wrote:
Twayn Williams wrote:
I won't go see a performer that uses backing tracks. I've walked out of shows when I see a laptop on stage. This is not just me being a snob, I think it sounds bad. However, to each his/her own...

A lot of people are using laptops on stage to record their performances.


Not the stuff I'm going to see. Sad If I see a laptop on stage I usually give it a song or two. I didn't walk out on the John Scofield band when his 2nd guitar player was using a laptop for live sound manipulation, but I also didn't like the sound of what came out of it. Too digital.

Besides, we're not talking about recording, but performing to pre-recorded tracks. Can anyone say Milli Vanilli? Laughing
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Karen Lee Steenwijk

 

From:
Pennsylvania
Post  Posted 31 Jul 2008 4:53 am    
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Great topic!Mack nice to meet you...as per "request" What I do is this...I usually go out into the audience before the show and ask if there is a certain song somebody wants to hear, most of the times they are old standards.I have those on a "separate track.. of one song at a time.If I do not have it I pick up "My Washburn" and do it solo. I then add the song to my show when I record again. This gives me a "great library" because I get a list of "most requested songs".The most requested songs that I get are ones by "Patsy Cline". If I get a request for something that is not in "My voice Range" or "Something that I can not do" I just say...I am sorry I do not do that one..But I do this one..That seems to work out ok! People in general are usually fine with that especially when you sing the song right to them. There is nothing better than when you spotlight someone that comes to see ya!
It makes them feel good...and It shows that they are important to me for coming to the show.
Live...or background we do this because we love it!
Having a "great time" while were doing it makes it even better. As for a "live band" I love the idea..nothing better! But, for now my feet are still in "music" and my lil hearts still in "country". Now,,if I could only learn this steel and not be afraid to play it on the show..it will be an added bonus.But then again.."Ron" will half to sing!! Whoa! Laughing Rolling Eyes

Karen
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Scott Henderson


From:
Camdenton, Missouri, USA
Post  Posted 31 Jul 2008 5:47 am    
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Singles and duos is the only way to make a living around our neck of the woods. I play in a duo but we don't use tracks. My partner in crime has a Soldono rythm machine. It frees us up to do requests which I think is a big seller for our show.(And it sounds good too!)The nice thing about tracks or rythm machines is they are solid. I never heard a rythm machine rush or drag, get drunk, or cause problems. I have another friend who I record tracks for. I think it's all good if you love what you're doing and can make a little golf money. Guess it's all in what you want.
One last thought....
If it's good enough for Buzz Evans it's ok by me!
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Louis Vallee


From:
Montreal, Quebec, Canada
Post  Posted 31 Jul 2008 7:20 am    
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I think that the performers who play with background tracks (Karaoke/Midi) It's a cheating, and it promotes cheap labor.


I agree with Bob,

The best performances are by live musicians...
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Erv Niehaus


From:
Litchfield, MN, USA
Post  Posted 31 Jul 2008 8:01 am    
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I want to go on record as stating that I most certainly favor a performance from a live musician as opposed to a "dead" one.
Just no comparison! Rolling Eyes
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