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Topic: question about F in the key of G ? |
Terry Sneed
From: Arkansas,
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Posted 18 May 2008 2:54 pm
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Our Gospel group is learning a new song called "Something Out Of Nothing" by mike Bowling.
Goin into the Chorus it goes from a I chord on the first word, to an F major chord on the second word, then into a IV chord. I know the F# is the seventh note of the G scale, so what would F be in the number system.?
I'm goin to learn this chord theory and number system if it kills me.
Terry |
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Lee Baucum
From: McAllen, Texas (Extreme South) The Final Frontier
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Posted 18 May 2008 3:13 pm
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Is it truly going to an F chord, or is just the bass going to F? It could possibly be a G chord, with an F in the bass, usually written like this - G/F. I see that a lot in Gospel and Contemporary Christian music. _________________ Lee, from South Texas - Down On The Rio Grande
There are only two options as I see it.
Either I'm right, or there is a sinister conspiracy to conceal the fact that I'm right.
Williams Keyless S-10, BMI S-10, Evans FET-500LV, Fender Steel King, 2 Roland Cube 80XL's,
Sarno FreeLoader, Goodrich Passive Volume Pedals, Vintage ACE Pack-A-Seat |
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Dave Mudgett
From: Central Pennsylvania and Gallatin, Tennessee
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Posted 18 May 2008 3:43 pm
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In the key of G, F is the flatted 7th tone - b7.
F, or b7, is not in the G major (Ionian mode) scale, but is in some of the other G modal scales like the Dorian and Aeolian modes (both minor modes) and the mixolydian (a major mode with a b7).
You can start to learn about the modes by googling "modal scales" or try here for a start:
http://www.playpiano.com/101-tips/46-modal-scales.htm
http://en.wikipedia.org/wiki/Musical_mode
I also have the same question Lee asked - is it really an F major chord, or is it a G7 with the b7 (F) in the bass note? I agree - that is something I also hear a lot in church music, especially when moving from the I to the IV. G7 is composed of the 1, 3, 5, and b7 tones, but they may appear in different order that that. Of course, it could be moving to the F chord too.
G7 with the b7 in the bass would like something like F G B D or F B D G, while F major would be F A C. |
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Jody Cameron
From: Angleton, TX,, USA
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Posted 18 May 2008 3:43 pm
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7b ("seven flat") |
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Benton Allen
From: Muscle Shoals, Alabama, USA
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Posted 18 May 2008 3:46 pm
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Ok, I'll bite, my guess is-----7.
Here's a partial clip of my friend Reggie Duncan playing the break on this song. If you can make it sound like this, your gospel group will love you!
http://www.youtube.com/watch?v=PeI5NO4t6DY |
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J D Sauser
From: Wellington, Florida
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Posted 18 May 2008 3:57 pm
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Tab: |
I b2nd(b9th) 2nd b3trd 3trd 4th 5bth 5th #(raised)5th 6th b7th 7th I |
(?) |
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Jody Sanders
From: Magnolia,Texas, R.I.P.
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Posted 18 May 2008 4:49 pm
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JC you are right. JB. |
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Terry Sneed
From: Arkansas,
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Posted 18 May 2008 5:26 pm Thanks
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Quote: |
In the key of G, F is the flatted 7th tone - b7.
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Ok that's what I had in mind, a flat 7, but it don't have that 7th sound, it sounds like their goin to an F major. But like ya'll said, it might just be the Bass goin to the F.
Benton, I'm one step ahead of ya. I got the tab from Reggie about 2 years ago, and can play the intro and the steel solo almost note for note. Thanks guys for your help, and for all the links.
Terry |
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Antolina
From: Dunkirk NY
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Posted 18 May 2008 7:31 pm Re: question about F in the key of G ?
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Terry Sneed wrote: |
I'm goin to learn this chord theory and number system if it kills me. Terry |
Contact Reece Anderson and get the "Missing Link" course. It will solve yer problem.
reece@msapedalsteels.com _________________ The only thing better than doing what you love is having someone that loves you enough to let you do it.
Sho~Bud 6139 3+3
Marrs 3+4
RC Antolina |
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Matt Elsen
From: Deer Harbor, Orcas Island, WA
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Posted 19 May 2008 7:33 am
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Nice clip, Benton! Your friend Reggie just knocks it out of the park, doesn't he?
ME |
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Howard Tate
From: Leesville, Louisiana, USA, R.I.P.
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Posted 19 May 2008 9:41 am
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I believe for it to have that dominant seventh sound it would be written b77 or bVII7.
Last edited by Howard Tate on 19 May 2008 9:42 am; edited 2 times in total |
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Chris Brooks
From: Providence, Rhode Island
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Posted 19 May 2008 9:42 am
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Terry:
You are confusing a "(dominant) seventh chord" with a chord built on the seventh tone of the scale. These are two different entities.
A "7th chord" is a flavor of a chord--a type of chord, just like "major," minor" and "diminished." As many on the Forum will certify, it is built 1 3 5 b7. So when someone says "Play a C7 chord," this is what he or she is talking about.
But here you are talking about a movement from the I chord to the bVII ("flat seven," to avoid confusion with "seventh"). The I chord could be a major, minor, etc--but I'll bet it's a major. So your 1 is a G.
It is moving to a chord built on the b7 tone of the G scale: an F. And I'll bet it is a major type chord too. Then that b7 major chord resolves to a IV chord: a C in the key of G.
So to "say" the progression, say "One, flat-seven, four."
You can see that a musician should be able to spell at least the major scale in each key in order to find the notes. If you don't know the (natural)seven note, you won't know the flat seven note. Let's begin with G!!
G A B C D E F# G
Now descending---ooh, that's harder!
Once again, be careful about "the seven chord" and "a seventh chord!"
Hope this helps. Chris |
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Max W. Thompson
From: Texas, USA
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Posted 19 May 2008 10:54 am
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An F Major chord in the key of G major is called the IV/IV (the "four of four").
The F chord is the IV chord of C Major which is the IV chord of G Major, so it is the "four of four".
This old type of nomenclature can also be used to describe the "Major 2" used in a lot of country music, as in having a D Major chord in the Key of C Major. (Your Cheating Heart, etc.)
The D Major is the V chord of G Major which is the V of C Major, so the D Major is called V/V or "five of five". It is usually used to lead to the V which leads to the I. |
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basilh
From: United Kingdom
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Posted 23 May 2008 5:13 pm
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Never knew that !! |
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Terry Sneed
From: Arkansas,
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Posted 23 May 2008 6:25 pm chord
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Quote: |
You are confusing a "(dominant) seventh chord" with a chord built on the seventh tone of the scale. These are two different entities.
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AH-HA, I got it now Chris. That was my problem, trying to hear that 7th sound. Thanks to all.
[/quote]So to "say" the progression, say "One, flat-seven, four."
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Yep, sounds right to me. and using the number system
I -VII IV ??
Terry |
Last edited by Terry Sneed on 23 May 2008 8:11 pm; edited 2 times in total |
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Dave Mudgett
From: Central Pennsylvania and Gallatin, Tennessee
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Posted 23 May 2008 7:17 pm
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Quote: |
Nice clip, Benton! Your friend Reggie just knocks it out of the park, doesn't he? |
Yup - Reggie knocks it right out of the park. I put that clip on periodically just to remind myself about what this kinda stuff is supposed to sound like. |
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James Harrison
From: New Brockton, Alabama, USA
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Posted 23 May 2008 7:39 pm
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WOW! It took some head scratching,but now I believe I understand it. I hope I never have to try to explain it. |
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Terry Sneed
From: Arkansas,
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Posted 24 May 2008 1:20 pm Flatt 7
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Quote: |
I hope I never have to try to explain it |
Me to James.
Terry |
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