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Post new topic How important is the 2nd, and 9th string lowers to you?
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Author Topic:  How important is the 2nd, and 9th string lowers to you?
Larry Strawn


From:
Golden Valley, Arizona, R.I.P.
Post  Posted 2 Sep 2007 2:09 pm    
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And have you ever lost it due to an equipment failure during a gig? Shocked

I had failed to realize how much I use this change, and how much I had come to rely on it until last night.
2nd song into the 2nd set on the intro went to lower my D# and no knee lever! Yikes, there it was laying on the floor next to my volume pedal! Since we just came off break I didn't want to say anything, besides it's just the lower for my 2nd, and 9th strings I can play around those, always did before I had that change! Rolling Eyes

I made it through the set and the only person who noticed was Ginger, she's been playing bass behind me for a lot of years, she made the comment,"somethings missing with your steel" leave it to your wife to add insult to injurey! Oh Well

Now you can bet I had my steel upside down on a table during the next break making a repair! Very Happy

Something like this will bring your mind out of auto pilot and shift it into overdrive real quick, or it did me anyway, made me actually think on the fly!

Lesson learned,, you can bet I'll check my equipment closer from now on! Very Happy

Larry
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Billy Carr

 

From:
Seminary, Mississippi, USA (deceased)
Post  Posted 2 Sep 2007 4:56 pm     surprises
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Yep! That's why I constantly check under the hood.
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Wayne Baker


From:
Altus Oklahoma
Post  Posted 2 Sep 2007 5:40 pm     stuff
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Larry, do a search for "that dang nineth string"

Wayne Baker
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Tracy Sheehan

 

From:
Fort Worth, Texas, USA
Post  Posted 2 Sep 2007 10:38 pm     String changes.
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As posted some tme back i reverse my 9th and 10 sting on the 9th tuning.I have done this for many years.That puts the 7th.D string(9th) string over on the 10th
That way you can play big raking chords with out having to skip the 9th string.
You can then play night life,swing chords with out having the 9 th string in the way.When i lower my 2nd string i raise the 9th also which gives a big 6th chord.
The bands i worked with coulden't tell if i was playing the 9th or C6th and i didn't even have the E (9th tuning until later.A great non pedal steel player named Chuck Caldwell gave me the idea.Also another great country steel player
Sonny De Jersey used the same tuning.Takes maybe a week or less to get used to it but it is almost a universal tuning on a 10 string steel.Started using it back when we played 8 string fenders.
Sonny and i used to play those 6 hour gigs at the Golden Nugget in Vegasw.This was back in the 60s and the Nugget had bands 21 hours a day.Boy,talk about lick trading.We were always showing each other licks and chords we had learned Those were the days my friend.Tracy
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Jim Cohen


From:
Philadelphia, PA
Post  Posted 2 Sep 2007 11:06 pm    
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Interesting idea, Tracy, to reverse your 9th and 10th strings. Have you found any downsides to doing so? I sure see the advantages you cite.
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Tracy Sheehan

 

From:
Fort Worth, Texas, USA
Post  Posted 2 Sep 2007 11:22 pm     Reply
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Jim Cohen wrote:
Interesting idea, Tracy, to reverse your 9th and 10th strings. Have you found any downsides to doing so? I sure see the advantages you cite.

Hin JIm.It never intere my mind to change back.Years ago i also tuned down to D and used larger strings as we know the larger strings get a better tone.tuned in D when i lower the 4th and 8th that gives me an A6th.Raising the 9th and 5th sting gives a 9 string minor chord,again with out having to skip over the 9 the string.Then raising the 9th and fith again adding your F knee pedal you can play single string licks across 9 strings with out much bar movement and also get some pertty chords.
I confess to liking Fat chords the best.This does not take anything away.For instance on a swing song raise the 9th string and start you run in the 5th chord down to the chord you are playing in.
IF you undertand any of this please explain it to me.LOL.Tracy
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Donny Hinson

 

From:
Glen Burnie, Md. U.S.A.
Post  Posted 6 Sep 2007 10:19 am    
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Little story...

I once asked a visiting player if he like to try my axe, and he asked me about my setup. He asked if I lowered the 6th a whole tone, I said "no". Then he asked if I raised the 1st a whole tone, again I said "no". Then he kinda shook his head and said, "I'd rather not try playing it, then...I can't do much without those two changes." Whoa!

Anyway, to get back to the topic, I played for far too many years without the 2nd and 9th string changes to call either one an "essential". 3+2 isn't all I have, but it's all I really need for most of the stuff I play. Cool
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Larry Strawn


From:
Golden Valley, Arizona, R.I.P.
Post  Posted 6 Sep 2007 6:20 pm    
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Donny,

I've passed on setting in on some one elses steel before, one time trying to play a Day set up was enough! Laughing

The 2nd, and 9th lowers even though not essential, when you're used to having them will make you re-think your playing as you go. Does me anyway.
Very Happy
Larry
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Carter SD/10, 4&5 Hilton Pedal, Peavey Sessions 400, Peavey Renown 400, Home Grown Eff/Rack
"ROCKIN COUNTRY"
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Ernest Cawby


From:
Lake City, Florida, USA, R.I.P.
Post  Posted 7 Sep 2007 2:57 pm     hi
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I use the v9th more than the 2nd, you need it for no name shuffel.I also use it on endings, when in a pedal down ending like D on fret 5, hit 6 8 10 while holding hit the 9TH string and lower it to match the 10th string, I like this sound.

ernie
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Jay Jessup


From:
Charlottesville, VA, USA
Post  Posted 11 Sep 2007 10:27 am    
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Well FWIW I just had an old 66 S-10 Emmons rebuilt, it only had two knee levers and I chose the 2'nd and 9'th 1/2 tone lower over raising the E's to F for my second lever, I miss not having the E to F and it will be the first thing I put on if I can find some original Emmons knee levers, but for my style of playing the 2 and 9 string changes are very important.
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Larry Strawn


From:
Golden Valley, Arizona, R.I.P.
Post  Posted 11 Sep 2007 12:55 pm    
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Jay,

for me, I think I prefer the E-F raises over the 2nd, and 9th lowers. But after having to play without them for a while the other night I realize that I'm using those lowers much more than I thought, or even realized! So I quess they are becoming pretty important to me also. Very Happy

Larry
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Carter SD/10, 4&5 Hilton Pedal, Peavey Sessions 400, Peavey Renown 400, Home Grown Eff/Rack
"ROCKIN COUNTRY"
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Jay Jessup


From:
Charlottesville, VA, USA
Post  Posted 11 Sep 2007 1:29 pm    
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Larry,
For most style's of playing I would agree with you 100% but I had a gig I knew I wanted to try to use this guitar on that's about half C6 style stuff which made the choice a no brainer for me. I can simulate about 75% of what I use the F lever on with bar slants on the low E and pedal 2&3 for the high E and having the low D going to C# was essential for some of that C6 stuff along with my other secret which is lowering the low B to A with pedal 1 instead of raising it to C#.
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