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Post new topic Jay Dee Maness in my studio tomorrow Monday feb5th 2007
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Author Topic:  Jay Dee Maness in my studio tomorrow Monday feb5th 2007
Don Kidwell

 

From:
California, USA
Post  Posted 4 Feb 2007 12:31 pm    
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I have Jay Dee coming into my Studio Tomorrow. I need to know what gear he usually uses to Record with. I know a Royer 121 is a great steel microphone but I don't have one. Anyone have any microphone suggestions.Any other help would be helpful.
Thanks from Bakersfield.
Don Kidwell
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Gene H. Brown

 

From:
Whitehorse, Yukon Territory, Canada
Post  Posted 4 Feb 2007 1:22 pm     Jay Dee Maness
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Try an SM58 or 57, one of the best for Steel Guitar.
Gene
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Stu Schulman


From:
Ulster Park New Yawk (deceased)
Post  Posted 4 Feb 2007 1:56 pm    
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Gene is right...Sit back and enjoy that one!
_________________
Steeltronics Z-pickup,Desert Rose S-10 4+5,Desert Rose Keyless S-10 3+5... Mullen G2 S-10 3+5,Telonics 206 pickups,Telonics volume pedal.,Blanton SD -10,Emmons GS_10...Zirctone bar,Bill Groner Bar...any amp that isn't broken.Steel Seat.Com seats...Licking paint chips off of Chinese Toys since 1952.
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Andy Sandoval


From:
Bakersfield, California, USA
Post  Posted 4 Feb 2007 2:01 pm    
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Maybe Jay Dee knows???

Last edited by Andy Sandoval on 4 Feb 2007 6:36 pm; edited 1 time in total
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Charles Curtis

 

Post  Posted 4 Feb 2007 2:02 pm    
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Get ready to listen to some of the best music on the planet; please tell him I said hi.
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Michael Johnstone


From:
Sylmar,Ca. USA
Post  Posted 4 Feb 2007 2:58 pm    
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I've recorded JayDee dozens of times and tell him hi for me. He'll probably bring an amp but is usually OK to go direct if you want to do that. I usually do both and print on 2 tracks. Mic his amp halfway between the center of the speaker cone and the edge of the speaker with an above average dynamic mic like a Sennheiser 421 or 441 set to full range. A Shure 57 or 58 will do nicely though.Make sure to use a high end preamp cause that'll make a helluva lot more difference than which mic you use. Mr. Maness plays very evenly but you might want to take your most transparent compressor and set it to catch only the peaks and knock them down about 2-5 db with a fast attack and release time and about a 4:1 ratio. I always set him up in the control room so we can communicate as we go - it's much easier than using talkback thru headphones and then of course put the amp in an iso room. Don't print with reverb cause you may want to fine tune that later but let him hear some in the control room monitors as he plays. Do these things my brother and all will go well....
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Don Kidwell

 

From:
California, USA
Post  Posted 5 Feb 2007 9:02 am    
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Thanks so very much for all your help .I will tell Jay Dee Hi from you guys;
Don Kidwell
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John Macy

 

From:
Rockport TX/Denver CO
Post  Posted 5 Feb 2007 12:18 pm    
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Gee, was that the best player you could get on short notice...? Smile

Sounds like a fun session to me Smile...
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Don Kidwell

 

From:
California, USA
Post  Posted 5 Feb 2007 1:02 pm     todays session with Jay Dee Maness
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I am doing a CD project for Bobby Durhanm. He is a close friend with Jay Dee. I am really nervous. I do have a great Engineer Ann thomas. She is really good. I will let you know how it goes.
Don Kidwell
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chas smith R.I.P.


From:
Encino, CA, USA
Post  Posted 5 Feb 2007 7:24 pm    
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Be sure to ask him how the welding is going....
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