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What Type of Cables do you use
Monster
3%
 3%  [ 3 ]
George L's
87%
 87%  [ 81 ]
middle of the road brand
9%
 9%  [ 9 ]
cheapest you can find
0%
 0%  [ 0 ]
Total Votes : 93

Author Topic:  George L Cable Problem
Joe Harwell


From:
"I've never been bad." ........ Many, LA
Post  Posted 15 Jun 2007 7:17 pm    
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Bill Lawrence is best buy if you want black.
Delivery time can vary.

GeorgeL right angle fancier than the Lawrence.
As is the "Strat" connector. But cost more.

I have both.

I use a set of cable cutting pliers designed for round data cable
that works perfectly on the .155 diameter.

The curvature of the cable is maintained.

A little pricey,25.00 or so, but will last a life time and extremely sharp.

Also good for snipping tie wraps without damage to wire bundles.

Most problems I've observed with either brand
was under-tightening or over-tightening the set screw.

Lawrence uses a hex head set. GeorgeL uses conventional screw head.

Under torque equals open ground.
Over torque equals short.

Not a gimmick. Sound engineering.

Go to Bill Lawrence's website. He has a very good read on the subject.

Very informative and educational.
_________________
Joe in LA

"How far you go in life depends on your being tender with the young, compassionate with the aged, sympathetic with the striving, and tolerant of the weak & the strong; because, someday in life you will have been all of these".
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Jim Sliff


From:
Lawndale California, USA
Post  Posted 15 Jun 2007 11:12 pm    
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Well, all I can say is the angle crimp guards fall off and don't hold anything tight in my experience - the straight ones are better I guess, but still not all that effective. I never had a problem without them, so that may color my thinking.

Pricewise (Jim, I don't want to undermine you, but this is reality) I can get straight or angled ends for $4.00-4.50 (depending on the salesman) at GC, and cable is $.67/ft. They don't usually sell the guards, but I've never paid more than 75 cents each for them when I have bought them. Without the guards, that's under $9 for a 10 footer, which blows the price on a Monster...or even a house brand, usually...out of the water.

Edited to add -

I'll leave the evidence of my being victimized by "new math" in the 7th grade. When it comes to math, I can usually prove my past as an English major pretty darned quickly. Make that $15 (and I won't even swear to that - when my twelve year old wakes up I'll have him check...) for a 10 footer - still a great price, especially for the quality cable you get.

Embarassed
_________________
No chops, but great tone
1930's/40's Rickenbacher/Rickenbacker 6&8 string lap steels
1921 Weissenborn Style 2; Hilo&Schireson hollownecks
Appalachian, Regal & Dobro squarenecks
1959 Fender 400 9+2 B6;1960's Fender 800 3+3+2; 1948 Fender Dual-8 Professional


Last edited by Jim Sliff on 16 Jun 2007 7:20 am; edited 1 time in total
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David Mason


From:
Cambridge, MD, USA
Post  Posted 16 Jun 2007 1:57 am    
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Quote:
folks used to paying roughly a buck a foot for cables get their hair straightened when they find the list price is in the neighborhood of $6/end, $1.50/crimp guard, and $1.25/ft making a 10 footer about $27.50.

Actually, George L's plugs are $7 a piece these days, at least according to their website:
http://www.georgels.com/
This discussion inspired me to check out the cable zeitgeist - I have been in the soldering trenches for 30-some years now, and I am so, so very tired.... Bill Lawrence will sell you 50 feet of cable plus 10 ends for $48.00 + $5.50 shipping:
http://www.billlawrence.com/Pages/Connector_Cable.htm
Since "George L" was an employee of Bill who learned everything he knows about pickups and cables from Bill anyway, my decision was easy enough - 50 feet of cable from George L's for $62.50 + 10 ends for $70.00 = $132.50, vs. $55.50?

(Bill's not mad about it by the way, he owns so many patents on pickup manufacturing processes that he makes a few cents off of practically every guitar made in the world these days, plus his designing all the new Fenders, plus residuals from Gibson, plus selling & wiring pickup innerds for big stars who have endorsement contracts with lesser pickup manufacturers, plus plus plus.... he genuinely seems more interested in helping musicians play music, than in a spot of the Fortune 500 list.)
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Marlin Smoot


From:
Kansas
Post  Posted 16 Jun 2007 2:30 am    
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I use Monster Cables; didn't know they had a big marketing program.

In the music store, I was going to buy what I thought was a good cheap ($10) cable and the salesman asked me to try the Monster Rock cable and after doing an A/B test the Monster was much better in sound quality. It did cost more but I purchased a couple of them. I also purchased several Planetwaves cables too. I've never tried the George L's but I'm sure I will, I know a lot of people like them too.

I guess the laughing can continue now... but I think the message is; use a good quality cable.
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Jim Sliff


From:
Lawndale California, USA
Post  Posted 16 Jun 2007 7:28 am    
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Monster has a huge marketing budget - evey major music magazine has full-page ades aften, sometimes multiple ads in the same issue. I probably get 2-3 mailers a month from them from past NAMM registrations. Also their packaging isn't cheap - and you "buy" that with the cable.

And with all that comes a high....really high...price for cables that receive inconsistent results in tests. And players swear by them because of the hype. OTOH, you see small George L ads and the "hype" seems to come from word-of-mouth and test results.

FWIW even the George L folks told me if I didn't need parts right away not to buy them at list price at NAMM. Nobody I know of sells them at list - like almost all other accessories in the music industry, "street price" is about 30% off the manufacturer's price list (strings are almost always 50% off "list").

It's really as bad as car buying - "sticker" on a mass-market music product means nothing.
_________________
No chops, but great tone
1930's/40's Rickenbacher/Rickenbacker 6&8 string lap steels
1921 Weissenborn Style 2; Hilo&Schireson hollownecks
Appalachian, Regal & Dobro squarenecks
1959 Fender 400 9+2 B6;1960's Fender 800 3+3+2; 1948 Fender Dual-8 Professional
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Todd Herring


From:
Florida, USA
Post  Posted 17 Jun 2007 3:26 pm     Cable Decision
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Well after messing around with the angle plugs on the george l's and no local availability to purchase more, I went with mogami for all my cords, compared to the price of the George L's it wasnt much more. I use mogami in my studio and there great. If they go bad, which has never happened, just take it to the store and they exchange it.
_________________
My Setup:
Fesseden E9th
Hilton Optical Volume Pedal
Peavey Nashville 1000
Pod XT with foot control
Peterson Strobe Flip
Roc-N-Soc Throne With Backrest
http://www.actionrecordingstudio.com/toddbio.html
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Paddy Long


From:
Christchurch, New Zealand
Post  Posted 17 Jun 2007 4:22 pm    
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Another little tool that George L sells is the cable tester ...this is an invaluable asset for quickly checking your cables and is very compact -- all you need is the tester and a screw driver !
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