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Topic: If you can't play "Song Title" you can't play stee |
Matthew Prouty
From: Warsaw, Poland
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Posted 23 Feb 2007 5:43 am
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I have always heard this in other circles about either jazz, blues or rock and since I am so isolated (but not for long) I was wondering if this goes around in the steel guitar world as well.
What songs do you think are essential for a steel guitarist repertoire?
M. |
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Jim Sliff
From: Lawndale California, USA
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Posted 23 Feb 2007 6:01 am
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None.
I guess if you play country steel you're expected to know certain things...but even on 6-string there are no "standard" tunes everyone knows, outside of maybe jazz and bluegrass - it's strictly style-dependant.
On steel, with many players appearing playing other styles, I don't think you can say you're not a "steel player" if you don't know some tune. Just like you can't say you're not a guitar player if you don't know 7 Comes 11 or Sally Goodin'.... _________________ No chops, but great tone
1930's/40's Rickenbacher/Rickenbacker 6&8 string lap steels
1921 Weissenborn Style 2; Hilo&Schireson hollownecks
Appalachian, Regal & Dobro squarenecks
1959 Fender 400 9+2 B6;1960's Fender 800 3+3+2; 1948 Fender Dual-8 Professional |
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Jim Cohen
From: Philadelphia, PA
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Posted 23 Feb 2007 6:07 am
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Red River Valley.
(Jus' yankin' yer chain, Jim) |
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Rick Abbott
From: Indiana, USA
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Posted 23 Feb 2007 6:08 am
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If you mean "play the melody" then it seems like a very important part of PSG. I have learned most of my stuff frome videos, Newman, Bouton, ect. and all of them teach that the melody needs to be there. How you get there is style. I play with a Gospel group sometimes and most of their materiel has no set steel part for it, so I make up my own. I start by listening to the singer and the bass player. From there I get the chord movement and then the melody. The song title tends to be a hook or whatever you want to call it. A must have to do justice to the tune IMHO. _________________ RICK ABBOTT
Sho~Bud D-10 Professional #7962
Remington T-8, Sehy #112
1975 Peavey Pacer |
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Bill Hatcher
From: Atlanta Ga. USA
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Posted 23 Feb 2007 6:11 am
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There is the "Real BooK" for the jazz players. You can take that book to the gig and play any jazz job you want.
The bluegrass folks have the same tunes for about a hundred years.
Steel players would be more inclined to know the classic country hits and the top radio stuff for the past years. That should do it.
Symphonic musicians are expected to know the standard classic tunes and also for auditions they are required to play passages from those tunes that are technically difficult for their particular instrument.
Surf musicians are expected to know "Wipe Out".
Knowing the standards in any genre is pretty much a must. |
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Jim Cohen
From: Philadelphia, PA
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Posted 23 Feb 2007 6:28 am
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Yes, but seriously folks...
Notice that all of Bill's examples, while correct, address a particular style of music (jazz, bluegrass, classical, surf, etc.), not a particular instrument. Your original question asks about the instrument per se. So Jim Sliff, all kidding aside, had it right. If you're talking "country steel guitar" (and assuming you mean this country ), then there probably is a list of songs that you'd better not miss too many of if you wish to be considered a "consummate country steel guitarist". But if you really mean "steel guitar- the instrument", then no, you can play whatever you dang well please and if you do it well, you're a "steel guitarist" (except, of course, in the eyes of those who refuse to acknowledge anyone outside of the country genre as such, and yes, they do exist). |
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Dave Mudgett
From: Central Pennsylvania and Gallatin, Tennessee
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Posted 23 Feb 2007 6:31 am
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Quote: |
Surf musicians are expected to know "Wipe Out". |
LOL. Actually, I haven't heard an actual surf band play "Wipe Out" in a long time - every drummer I know refuses to play it. But I've had a couple of bands that did a fair amount of surf music, and I think "Pipeline" and "Misirlou" are sort of de rigeur.
I agree on the need of musicians in a genre to be able to play certain genre standards. But in terms of a steel player needing to know specific tunes in a genre they don't play, I'm not sure I see why that's any more necessary than a classical violinist needing to know "Orange Blossom Special" or a bluegrass fiddler needing to be able to execute Vivaldi's "The Four Seasons".
Of course, this argument comes up from time to time, when someone complains that {insert non-country steel player} should know country standards and vice-versa.
Edit - I was writing while Jim posted. Obviously, I agree. |
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Rick Abbott
From: Indiana, USA
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Posted 23 Feb 2007 6:35 am
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I just had my 4th cup of coffee and realized the stupidity of my response! You have "song title" . I meant what I said, but it wasn't even related to your question. Dang. I need to read more carefully. I actually did that while officiating at a funeral, the book was using some scripture in a prayer format and it was my first funeral so when it left a place to insert the name of the person it used the word name in italics. So did I. doh!!! _________________ RICK ABBOTT
Sho~Bud D-10 Professional #7962
Remington T-8, Sehy #112
1975 Peavey Pacer |
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Jim Cohen
From: Philadelphia, PA
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Posted 23 Feb 2007 6:41 am
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Rick, I'm sure the family appreciated the personal touch. |
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Donny Hinson
From: Glen Burnie, Md. U.S.A.
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Posted 23 Feb 2007 6:57 am Must know?
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I have always thought "Steel Guitar Rag" was somewhat analogous to "Chopsticks".
I'd seriously doubt if there's any steelplayer who hasn't at least attempted it. "Wipe Out" may indeed be close, on drums, but I think "Caravan" might have a little broader appeal, and that's strange because the very early recordings of "Caravan" really have no drum solo. |
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Rick Abbott
From: Indiana, USA
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Posted 23 Feb 2007 7:03 am
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Jim, I had a high-speed mental break-down with a single drop of sweat rolling down my cheek. I was able to recover and I think (hope) nobody was any the wiser. This is alot like my steel playing _________________ RICK ABBOTT
Sho~Bud D-10 Professional #7962
Remington T-8, Sehy #112
1975 Peavey Pacer |
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Ben Jones
From: Seattle, Washington, USA
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Posted 23 Feb 2007 8:24 am
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at the only steel show Ive ever been to I heard:
"A Way to Survive" six times...no kidding..I'd never even heard the song before
"Together again" four times...
"Steel Guitar Rag" once
I was really surprised to hear the same song over and over from experienced players |
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Jim Cohen
From: Philadelphia, PA
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Posted 23 Feb 2007 8:30 am
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... and your point would be...? |
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Stu Schulman
From: Ulster Park New Yawk (deceased)
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Posted 23 Feb 2007 8:47 am
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When I started playing,there was a guy who used to sit in with our below average band and he would sing real country songs.One afternoon he told me that he would teach me steel guitar rag,he sat there with his acoustic guitar and would pick out the notes,and I would mimic him..in a monkey see/monkey do sort of way.After a while he said that I had it,and that song would get me out of trouble some day,I can't tell you guys how many times that song has gotten me out of trouble.At my weekend gig this old guy about 80 years old shows up about once a month with his wife both dressed to the nines,and If I couldn't play that for them I think they would cry.Hey Jim Cohen is there a way you get that duck to drop down with the "Secret Woid"? _________________ Steeltronics Z-pickup,Desert Rose S-10 4+5,Desert Rose Keyless S-10 3+5... Mullen G2 S-10 3+5,Telonics 206 pickups,Telonics volume pedal.,Blanton SD -10,Emmons GS_10...Zirctone bar,Bill Groner Bar...any amp that isn't broken.Steel Seat.Com seats...Licking paint chips off of Chinese Toys since 1952. |
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Jim Cohen
From: Philadelphia, PA
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Posted 23 Feb 2007 9:20 am
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b0b
From: Cloverdale, CA, USA
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Ray Minich
From: Bradford, Pa. Frozen Tundra
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Posted 23 Feb 2007 10:47 am
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A Maiden's Prayer...
Bud's Bounce...
Faded Love... |
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Ron Brennan
From: Orlando, Florida, USA; Formerly, Edison, NJ
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Posted 23 Feb 2007 11:01 am Repertory
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Mathew,
Ummm, seems to me it depends where you live and play, (this being an International Forum). If you’re building a repertory, check out the popular songs & styles that fit the tastes of the folks in the area (if you want to make a living). The local bands will drive what you should do as well.
Now down there in warm Brazil: Bossa Nova (Girl from Ipenema, etc?).
How bout Hawaii & West Coast, eh? (Check with your local Ukulele Player or the “Great Cahuna”).
For Canada/USA…C&W, Blue Grass, Southern Rock, Gospel, etc
Gee, Chicago, Raleigh, Cincinnati, etc….Blues/Jazz favorites?
Caribbean, Reggae for sure, Mon….”Don’t Worry-Be Happy” (Sunburn)
Europe: check with Baz….Hawaiian, C&W, Blues/Rock/Jazz & Standard Pop.
Orient: All of the above?
There’s “notin” you can’t play or try on steel: To Wit: I had the pleasure of hearing a top Nashville PSG player perform the theme song from “Exodus”!! Fantastic Sound!
If you’re just startin out: you can’t lose with a sprightly Steel Guitar Rag or Remington Ride, then bring down the heat with a nice, warm rendition of Sleepwalk….You win!! Then build from there where you’re going musically. The Steel Guitar World is your oyster. Try not to limit yourself....Steel is Steel and it is a great sound whatever you do!! And Smile now & then.... TX
Rgds,
Ron |
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Matthew Prouty
From: Warsaw, Poland
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Posted 23 Feb 2007 11:06 am
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Ron,
Thanks for pointing out Garota de Ipanema. I probibly will be living elsewhere by the time I learn that song as I am a double digit midget here.
I got to thinking about this as I was practicing this morning and I remember hearing someone once say "If you can't play Juke, you do not know how to play blues harp." And was wondering if Steel Guitar Rag or maybe Sleepwake were the Juke of the steel guitar.
M. |
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Stu Schulman
From: Ulster Park New Yawk (deceased)
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Posted 23 Feb 2007 11:13 am
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Jim...That's the duck that I wuz talkin' bout,Stu _________________ Steeltronics Z-pickup,Desert Rose S-10 4+5,Desert Rose Keyless S-10 3+5... Mullen G2 S-10 3+5,Telonics 206 pickups,Telonics volume pedal.,Blanton SD -10,Emmons GS_10...Zirctone bar,Bill Groner Bar...any amp that isn't broken.Steel Seat.Com seats...Licking paint chips off of Chinese Toys since 1952. |
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Stu Schulman
From: Ulster Park New Yawk (deceased)
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Posted 23 Feb 2007 11:17 am
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Ron,That's a good list..do you play "Born To Run"? _________________ Steeltronics Z-pickup,Desert Rose S-10 4+5,Desert Rose Keyless S-10 3+5... Mullen G2 S-10 3+5,Telonics 206 pickups,Telonics volume pedal.,Blanton SD -10,Emmons GS_10...Zirctone bar,Bill Groner Bar...any amp that isn't broken.Steel Seat.Com seats...Licking paint chips off of Chinese Toys since 1952. |
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Andy DePaule
From: Saigon, Viet Nam & Springfield, Oregon
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Posted 23 Feb 2007 11:35 am Sleep Walk
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Don't forget to learn Sleep Walk because that is one of the few steel tunes most people know, though most have no idea what made that kind of noise!...
Yes, 23 chorus & verses of steel guitar rag for sure.... just before the beer break.
If you can do those two and whack on the "A" pedal a lot for every other tune, you'll fool most folks into thinking your a great steel player. |
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Ron Brennan
From: Orlando, Florida, USA; Formerly, Edison, NJ
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Posted 23 Feb 2007 1:02 pm
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Stu,
Faster than a "Hog" with a Black & White behind it....
Andy, what you said.......especially that last line: "whack on the "A" pedal a lot for every other tune, you'll fool most folks into thinking your a great steel player." Gheeszzz, how did you know!!!! TX
Rgds,
Ron the Hog _________________ JCFSGC member 2005 "Be of Good Cheer"
"55" Fender Stringmaster D8,
"83" Emmons LeGrande 77L SKH D10 8 & 5,
"67" All Original Telecaster & Original Owner
"86" Peavey Factory Modified NV 400,
"60"Fender Concert Amp 4-10"s, RV-3, Upgraded chip set GE-7 EQ, CH1 Chorus, DS-1, Hilton, BJS Bar. |
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Terry Wood
From: Lebanon, MO
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Posted 23 Feb 2007 1:27 pm
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Jerry Byrd told me once "Play the melody, the rest is just window dressing."
Jimmy Day said "Play the Melody."
Well I have tried and tried but I struggle with it still after over 30 years of trying to figure out this bisquet board. I suppose that if I and alot of others could have played like Jerry or Jimmy, we would have made it. Anyhow, I just had to listen and adapt alittle of Julian Tharpe, Speedy West, Zane Beck, Reece Anderson and others in my humble efforts.
Now for songs I'm in agreement with Mr. b0b and the other steeler's posting. You need to play the ever popular with the public, "Steel Guitar Rag," "Bud's Bounce," and "Sleep Walk." People identify with those and sooner or later, and most likely sooner they will request either.
Then, you can throw in your favorite ever now and then. I'll share the only thing that used to really rub me, it was the only song I was allowed to play on a big well known Branson, MO show was "Steel Guitar Rag." It worked for two years then I repemted and defected back to the other side. Of course in the pro-ooo---cess, I lost my footing and never got back into that circle again. Anyhow, life goes on.
Back on topic, you should play what you prefer but yet you must play to satisfy the paying crowd. Lest you get lost in dee shuffle!
May GOD bless!
Terry Wood |
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Jim Sliff
From: Lawndale California, USA
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Posted 23 Feb 2007 2:08 pm
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Quote: |
Now for songs I'm in agreement with Mr. b0b and the other steeler's posting. You need to play the ever popular with the public, "Steel Guitar Rag," "Bud's Bounce," and "Sleep Walk." People identify with those and sooner or later, and most likely sooner they will request either. |
But again, that assumes a "style". Would you say "you're not a steel player" to someone who can't play those tunes? Before saying "yes" - what if that player was, say...Chuck Campbell? _________________ No chops, but great tone
1930's/40's Rickenbacher/Rickenbacker 6&8 string lap steels
1921 Weissenborn Style 2; Hilo&Schireson hollownecks
Appalachian, Regal & Dobro squarenecks
1959 Fender 400 9+2 B6;1960's Fender 800 3+3+2; 1948 Fender Dual-8 Professional |
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