| Visit Our Catalog at SteelGuitarShopper.com |

Post new topic Latest Benoit Work of Art
Goto page 1, 2  Next
Reply to topic
Author Topic:  Latest Benoit Work of Art
HowardR


From:
N.Y.C.-Fire Island-Asheville
Post  Posted 10 Mar 2005 7:02 am    
Reply with quote

View user's profile Send private message Send e-mail
Jim Cohen


From:
Philadelphia, PA
Post  Posted 10 Mar 2005 7:16 am    
Reply with quote

Thanks Howard. Now I need a fresh set of Depends.
View user's profile Send private message Send e-mail Visit poster's website
Loni Specter


From:
West Hills, CA, USA
Post  Posted 10 Mar 2005 7:54 am    
Reply with quote

Howard. Enough is enough! What would your parents think? Didn't they raise you properly? Your supposed to spend all your money on Booze, drugs, Rolex, prostitutes,Cuban cigars, day trading, Vegas, Atlantic City 'buying trips', Starbucks, Tommy Bahamas shirts, a personal trainer, lazer hair removal on your body and hair replacement on your head. What do your parents and therapist have to say about your G.A.S. syndrum?
I feel an 'intervention' may be the only solution.
Several Forum members are on the way to help.
View user's profile Send private message Send e-mail Visit poster's website
Gerald Ross


From:
Ann Arbor, Michigan, USA
Post  Posted 10 Mar 2005 8:24 am    
Reply with quote

How many resos do you own Howard?

Are they all hanging up in your apartment? All those strings, all those vibrations.

You could probably pick up a few extra bucks breaking up people's kidney stones. Just let them sit in your living room while you strum.

------------------
Gerald Ross
'Northwest Ann Arbor, Michigan's King Of The Hawaiian Steel Guitar'

Gerald's Fingerstyle Guitar Website
Board of Directors Hawaiian Steel Guitar Association
View user's profile Send private message Send e-mail Visit poster's website
HowardR


From:
N.Y.C.-Fire Island-Asheville
Post  Posted 10 Mar 2005 8:41 am    
Reply with quote

Well, it is getting a bit tight in the apartment,...but who needs furnature anyhow?







[This message was edited by HowardR on 10 March 2005 at 08:51 AM.]

View user's profile Send private message Send e-mail
Rick Aiello


From:
Berryville, VA USA
Post  Posted 10 Mar 2005 8:43 am    
Reply with quote

View user's profile Send private message Send e-mail Visit poster's website
Bill Leff


From:
Santa Cruz, CA, USA
Post  Posted 10 Mar 2005 8:59 am    
Reply with quote

What's that wire about on the headstock?
View user's profile Send private message Send e-mail
Bill Hatcher

 

From:
Atlanta Ga. USA
Post  Posted 10 Mar 2005 9:04 am    
Reply with quote

See that wire hooked up to a lever on one of the machine heads--some sort of cool pitch change device for that string.
View user's profile Send private message Send e-mail
HowardR


From:
N.Y.C.-Fire Island-Asheville
Post  Posted 10 Mar 2005 9:22 am    
Reply with quote

Now, the verbiage.

Carroll Benoit, for the last several months, has been working with me on a resonator that is unprecedented. It should be ready in a few months. I can't let the cat out of the bag yet, but I feel that this will be the greatest accomplishment in resophonic history, besides the resonator guitar itself. I know that's a bold statement to make, but I feel confident. When the time comes, you'll make your own judgement.

Meanwhile, Carroll "threw" this together for me. I wanted a 7 string with a G tuning & sound, and six string spacing. I felt that in order to acheive this, a larger body would have to be made. I had Carroll make the body 1/4" larger all around and to use sound holes instead of screens. We acheived that. This guitar has a big sound and plays well. It's comfortable.

I have the Higgins Peg Bender and the tuning goes like this:

L>H

G B D F(E) G B D the pedal lowers the fourth string F, to E.

I wanted some color to the guitar without obscuring the wood grain, so we decided to shade the edges. I sent Carroll a piece of a straw hat in teal, and he matched it.

The top is flamed maple, the back & sides are rosewood. The fret board is maple with rosewood frets & dots.





Carrolls inlay work is meticulous. On a light backgound, there no lines to be seen.

[This message was edited by HowardR on 10 March 2005 at 09:49 AM.]

View user's profile Send private message Send e-mail
Drew Howard


From:
48854
Post  Posted 10 Mar 2005 9:28 am    
Reply with quote

.

[This message was edited by Drew Howard on 10 March 2005 at 09:57 AM.]

View user's profile Send private message Send e-mail Visit poster's website
HowardR


From:
N.Y.C.-Fire Island-Asheville
Post  Posted 10 Mar 2005 9:28 am    
Reply with quote




The cable is connected to a floor pedal. This is a lower only device.


Drew, that is hysterical!!!

[This message was edited by HowardR on 10 March 2005 at 09:30 AM.]

View user's profile Send private message Send e-mail
Jim Cohen


From:
Philadelphia, PA
Post  Posted 10 Mar 2005 9:49 am    
Reply with quote

Drew, you DEFINITELY have too much time on your hands! As for "The Big E Wants to Jam" model, well... he can jam all he wants to but I'll be in the front row with my arms folded, listening carefully...
View user's profile Send private message Send e-mail Visit poster's website
James Quackenbush

 

From:
Pomona, New York, USA
Post  Posted 10 Mar 2005 10:39 am    
Reply with quote

Howard,
WOW !!....If I had your collection, I would never leave home !!......Jim
View user's profile Send private message Send e-mail
HowardR


From:
N.Y.C.-Fire Island-Asheville
Post  Posted 10 Mar 2005 10:45 am    
Reply with quote




Carroll put a Graph Tech insert in the bone nut, and did the same for the saddle.
View user's profile Send private message Send e-mail
Mike D

 

From:
Phx, Az
Post  Posted 10 Mar 2005 11:02 am    
Reply with quote

Howard you are just sick in what you ask this poor man to do! I've inlayed that exact same Gibson 'flower pot' on a headstock myself, an *Ebony* headsock that is....asking Carrol to do that in flamed Maple?? For shame!

Seriously, the 2 of you shouldn't be allowed in the same room, it's just too dangerous.

OK, really seriously, it's fantastic, congrats to both of you.

------------------
Half-assed bottleneck and lap slide player. Full-assed Builder of resonator instruments.
View user's profile Send private message Send e-mail
Jim Cohen


From:
Philadelphia, PA
Post  Posted 10 Mar 2005 11:09 am    
Reply with quote

Quote:
What's that wire about on the headstock?
Is it hooked up to the "Benoit Balls"?
View user's profile Send private message Send e-mail Visit poster's website
Dan Sawyer

 

From:
Studio City, California, USA
Post  Posted 10 Mar 2005 11:15 am    
Reply with quote

Beautiful work. Is Carroll willing to do just inlay work? I have an instrument that needs a headstock inlay.
View user's profile Send private message Visit poster's website
HowardR


From:
N.Y.C.-Fire Island-Asheville
Post  Posted 10 Mar 2005 12:21 pm    
Reply with quote

Mike D., comimg from a builder of your calibre (and I know your response but you won't convince me otherwise), is a real attribute to Carroll. And, if you think that I push Carroll to the limits, you should see what I do to my poor hat block maker....but you will see that on the next one. A collaboration between the three of us. It will be a nine string with the Higgins Peg Bender. That's all I'm gonna say about that.


Jim, a warped mind is a terrible thing to waste....


Dan, I don't know the answer to that. Best to speak with Carroll.


View user's profile Send private message Send e-mail
Roy Thomson


From:
Wolfville, Nova Scotia,Canada
Post  Posted 10 Mar 2005 12:33 pm    
Reply with quote

Looks real nice Howard!
On your final I hope the Tail Peice is
wider to avoid those sharp bends in the
seventh and first strings when they come
off the bridge.
So what type of music or style is this set-up
designed for?
What do you want to play on it?
I know you are a Django, gypsy music fan.
Is that in the back of your mind?
It would look to me as if you want to keep the Bluegrass tuning right at hand for
those fun occasions?
On the changer system. Why would you not have
tuned that fourth string E and go with the sixth chord,,,, and have the Higgin's peg binder raise to the dominent seventh.
Seems to me you are going to be doing most of your playing time with the changer engaged
rather than vice versa?
I know you are going to have a beautiful instrument and have an exciting musical experience ahead of you.
My questions are not intended as critique.
Far from it and I hope you can enlighten me.

Your Buddy,
Roy
View user's profile Send private message Send e-mail
HowardR


From:
N.Y.C.-Fire Island-Asheville
Post  Posted 10 Mar 2005 12:49 pm    
Reply with quote

Hi Roy. I know your questions are not intended as critique, but let me say, that I would consider a critique from you, an honor.

I don't have a lot of the experience & knowledge that most of you have when it comes to playing and music. I'm open to learning. There's nothing set in stone here and changes can be made if need be. This is interesting and I sure have some thoughts on it. I'll come back to this later as I really should get some work done today.

Roy, I cannot raise the E to F because the peg bender is lowering device only.

Now, I'm anxious to meet with Dan Balde (Bigsby Palm Pedals for dobro) at Jim Heffernan's Dobro Workshop that I'm hosting on May 1 in NYC.... to see how his palm pedals operate.

[This message was edited by HowardR on 10 March 2005 at 01:03 PM.]

View user's profile Send private message Send e-mail
Mike Neer


From:
NJ
Post  Posted 10 Mar 2005 1:09 pm    
Reply with quote

Howard, I'm comin'over. I'll be there in 10 minutes.
View user's profile Send private message Send e-mail Visit poster's website
Jon Light


From:
Saugerties, NY
Post  Posted 10 Mar 2005 1:14 pm    
Reply with quote

Simply, congratulations on another gem.

But I can't forgive you for that come-on about the secret project. Rocket powered? Anatomically correct gentleman's entertainment toy built in? I wish you hadn't chosen to tease us and I will make it my bizness to make you wish you hadn't too. (You really ought not to fire up our over-active imaginations)
View user's profile Send private message Send e-mail Visit poster's website
Steinar Gregertsen


From:
Arendal, Norway, R.I.P.
Post  Posted 10 Mar 2005 1:54 pm    
Reply with quote

Quote:
Howard, I'm comin'over. I'll be there in 10 minutes.


Me too!!!

Steinar

------------------
www.gregertsen.com


View user's profile Send private message Send e-mail Visit poster's website
HowardR


From:
N.Y.C.-Fire Island-Asheville
Post  Posted 10 Mar 2005 2:59 pm    
Reply with quote

Come on over....


View user's profile Send private message Send e-mail
Rick Alexander


From:
Florida, USA, R.I.P.
Post  Posted 10 Mar 2005 3:36 pm    
Reply with quote

Howard, that's beautiful! I'd sure like to hear what it sounds like. Why don't you bring it by the studio and lay down a few tracks? We're open all night . .

Just take I-95 South . .

[This message was edited by Rick Alexander on 10 March 2005 at 04:31 PM.]

View user's profile Send private message Send e-mail Visit poster's website

All times are GMT - 8 Hours
Jump to:  
Please review our Forum Rules and Policies
Our Online Catalog
Strings, CDs, instruction, and steel guitar accessories
www.SteelGuitarShopper.com

The Steel Guitar Forum
148 S. Cloverdale Blvd.
Cloverdale, CA 95425 USA

Click Here to Send a Donation

Email SteelGuitarForum@gmail.com for technical support.


BIAB Styles
Ray Price Shuffles for Band-in-a-Box
by Jim Baron