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Author Topic:  Compressor
Buster Warren

 

From:
Nakina,N.C. USA
Post  Posted 7 Nov 2024 12:25 pm    
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Can someone tell me a good compressor for PSG ???
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Thanks ,Buster,"JAM4FUN"
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Henry Schuellerman


From:
Columbus, Ohio, USA
Post  Posted 7 Nov 2024 12:38 pm    
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I am a big fan of the Keeley Compressor plus. Blend knob makes it super versatile, can go from very subtle to squished Nashville chickin pickin sound. I use it for six string too, and sometimes roll off the tone and use it when recording bass. Should be able to find one used for ~ $100
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Dave Hopping


From:
Aurora, Colorado
Post  Posted 7 Nov 2024 3:09 pm    
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The best I ever found for steel was an Alesis 3630. Out of production now, but Reverb has a lot of good used ones.
What I like about the 3630 is it's very clean and there is a great deal of control over how much "squish" you can dial in.

I have a couple of Keeley compressors and they're not bad for steel but they do tend to overdrive. Better for six-string.
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Dave Grafe


From:
Hudson River Valley NY
Post  Posted 7 Nov 2024 3:37 pm    
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As a retired audio production guy I have used quite a few compressors and each has its own personality. When I was using a rack rig with my steel I settled on the Audio Arts model 1200, very transparent sound, good metering and controls, plus a de-esser that came in handy for taming pick noise and other undesirable high frequency artifacts in lively rooms. Best part is they can still be had for a few hundred dollars if you can find one.

Some while back I switched to a pedal board and am completely satisfied with the Keeley Compressor Pro, it has all the professional features I want at hand and superb audio and build quality.
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Brett Lanier

 

From:
Hermitage, TN
Post  Posted 8 Nov 2024 8:10 am    
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Universal Audio LA2A
Wampler Ego
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Stew Crookes


From:
Paris, France
Post  Posted 13 Nov 2024 12:55 am    
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The Keeley and Wampler previously mentioned are both great for steel and also for that classic squished telecaster dyna-comp sound.

I set my Wampler Ego with Sustain and Volume at 10 O'clock, Tone at Noon, Attack and Blend at 2 O'Clock.

If I find it's getting too clamped down I back off the blend or sustain a little...
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Music mixer, producer and pedal steel guitarist

stewcrookes.com
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Dennis Detweiler


From:
Solon, Iowa, US
Post  Posted 13 Nov 2024 7:26 am    
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I used a MXR DynaComp in the 80's. It quit on me and I bought the reissue. Serving me well with my other rack gear.
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1976 Birdseye U-12 MSA with Telonics 427 pickup, 1975 Birdseye U-12 MSA with Telonics X-12 pickup, Revelation preamp, Carbon Copy Delay and Hall Of Fame Reverb, Crown XLS 1002, 2- 15" Eminence Wheelhouse speakers, ShoBud Pedal, Effects Pedals. 1949 Epiphone D-8.
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