Tracking with an Amp and a Mic vs DIRECT

Tony Prior · From: Charlotte NC

I recently was in a discussion regarding tracking with an AMP vs tracking Direct. I track direct and always have for one single obvious reason, I live in a home with other people. When I was active I tracked either early mornings or late nights. Tracking with an amp is great if it works for you, direct worked for me I never even bothered tracking with an amp for Steel , Electric guitars or Electric Bass. Vocals and Acoustic Instruments, yes, live with mics.

The NET discussions always led to the same place, you can't get good tones direct. Hog Wash ! LOL Laughing

If we have a reasonably good quality tube preamp and spend the time with the DAW Eq's, Reverbs, Delays and Compressors, and save the patches we like, we can indeed arrive at some very good tones. IF we need to come back to the session days or weeks later, we just dial up the same patches using the same preamp ( write this stuff down) and we are back in business. The trick here is to spend the time up front with the patches and also use the same phones. If we just sit down and expect to get something good in 5 min, it probably won't happen.

A good quality preamp on the front end makes life real easy and it also eliminates outside noises from mics or amps that decide to act up or make noise during tracking.

I don't claim to be an expert here, far from it, but I do know what works after spending hours of up front prep with patches and preamp settings,

This track is one of my favorites for tones, tracked thru a DBX 376 tube preamp, it has a 4 band para EQ bd on bd compression.The DAW is Pro Tools and I'm using several patches that were written well ahead of this tracking session. The Telecaster is also tracked direct using the Pro Tools embedded amp sim and other patches written well ahead of the session. The track was recorded over 3 or 4 days in pieces . Parts of the Steel track used a Stereo Reverb vs a mono reverb, it kinda opened up some of the parts.

When I posted this track in the discussion I was having, they all came back with " yeah that sounds pretty good " A few followed with what Pro Tools patches did you use ? I responded that I wrote them all and saved them . Tracking with an amp or direct is really fun as a player , but then we have to put on our engineer hat to get to the final product, regardless if it was tracked with an amp or direct. Laughing

here's the track in question

https://www.youtube.com/watch?v=xtnJjLIyAKE
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jobless- but not homeless- now retired 9 years

CURRENT MUSIC TRACKS AT > https://tprior2241.wixsite.com/website

Jacob Yergert · From: Centennial, Colorado, USA

I think those who scoff at going direct or using IRs probably hasn't tried it out since 2006. There are 10,000 ways to get a killer sound that you wont even realize isn't pumping an actual speaker.

I LOVE an absolutely dimed amp in a studio (and sometimes you've got to for those REALLY high-powered amps), but if Im tracking in my basement I use a Torpedo Captor X. It just makes everything so easy for mixing, the cabs are easy to switch out, and there's tons of good stuff out there.

Brett Lanier · From: Madison, TN

Self producing has become a lot less of a headache since I got this Ox box. I can quickly swap from one amp to another, and very easily match my guitar to the sound of the track with help from the room knob. I know it's not the real thing, but I used to have a studio with all the same gear this box is emulating... and it takes a lot less time for me to start laying down parts.

ps, that's Ray Montee's old pro jr!

Bob Hoffnar · From: Austin, Tx

I used to be a hard core amp only guy. Mostly because I was dealing with producers that totally screwed up my tone because they barely new what a pedalsteel was in NYC.

In the last 15 years about 75% of my recording is done at my home studio and I can get a fantastic tone direct. I still prefer micing an amp if it’s convenient mostly because it feels better. I put a ton of money into my signal chain and I use the milkman amp plug in sometimes. My direct chain is currently a Sarno Spectrum into a 500 series Neve 1073 pre and Eq >just a touch of tube compression then maybe a Pultec MEQM-5>DAW.

The current crop of IR’s and pre amps are really , really good. You can get a perfect signal going in with all the tactile response that you used to need to adjust in post.
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Bob

Ian Rae · From: Redditch, England

I use the modelled outputs from a Telonics preamp,
which makes it sound like a steel guitar.
I could degrade it by including a loudspeaker and microphone and some inevitable room acoustic in the chain, but I prefer it if I don't and so does my wife.
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David Mitchell · From: Tyler, Texas

I usually track my own recordings on steel direct and it's an incredibly clean sound but the recordings I have made with an amp and mic have more of that classic crying steel sound but don't mic it very close to the speaker or you will get a direct sound plus hum and hiss that comes with amps. About 6 feet away gets that real bar room honky tonk sound I have never gotten going direct. It's really apples and oranges.

Darren Mortillaro · From: Nevada, USA

On the topic of recording DI. I'm getting a sweet tone direct to an audio interface with my Revelation (XLR balanced in stereo).

HOWEVER, I do hear a lot of clinking from metal pick blocking. Is that a technique issue, an EQ issue, or an issue related to not using an amp?

Ken Morgan · From: Midland, Texas, USA

I don’t have any problem recording things direct…except for bass. My 81 Precision with flats through a totally stock and original 66 Ampeg B15, mic’d with a Roswell K47 into ProTools just cannot be replicated with any in the box stuff I’ve yet found.

As for steel, guitars, etc…adding a touch of room reverb seems to pretty well make the di vs mic debate fairly moot IMO
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67 Shobud Blue Darling III, scads of pedals and such, more 6 strings than I got room for

Ken Morgan
Midland, TX

Bud Angelotti · From: Larryville, NJ, USA

Hey Tony, what type of tube does the DBX 376 use?
Thanks!
Bud
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Tony Prior · From: Charlotte NC

Dale Rottacker · From: Walla Walla Washington, USA

Bud Angelotti · From: Larryville, NJ, USA

Thanks!
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Tony Prior · From: Charlotte NC

Bud Angelotti · From: Larryville, NJ, USA

Ok, Tony, and of course anyone, what might be some of the effects of driving that preamp tube in the dbx376 hot, at say 3 0clock, vs lower at say 9-10 oclock.
I managed to pick one of these for cheap and have some good old RCA/Hammond tubes so viola.
The compressor itself is so easy a caveman could do it which is great for me.
I'm thinking about pushing that preamp tube, I guess in just about any tube compressor. But the dbx in particular.
Thanks!
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