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Author Topic:  Using Guitar Amps for Pedal Steel
George Redmon


From:
Muskegon & Detroit Michigan.
Post  Posted 19 Dec 2023 5:14 pm    
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There are so many guitar amp options nowadays, I'd love to hear if anyone's getting good results from some of them.


Yes, Great Results out of ALL of them. I only play through a "Guitar Amp." I personally only play through tube amplifiers. I have only owned 4 steel guitar amplifiers. The completely worthless Peavey Nashville 112, Fender Steel King, Peavey Session 400 (original JBL my personal favorite solid state steel amp), and the Session 500. I have played through an Evans once, it sounded pretty much on par with a Quilter and others. Solid State amps still sound rather lack luster to me. I admit, I do play louder then most steelers who play country. I no longer am playing much country music these days, mostly classic rock groups. But a Great Amp must be capable of not only loudness, but warmth, which solid state amps sadly can't produce. At least I haven't been able to hear it. Every now & then, I will turn on my Classic Marshall 68 Plexi, through my slant 4-12" cab loaded with four Celestion Green Backs, crank only to about 4 on volume, and wait for the phone to start ringing, with my mostly understanding neighbors on the other end, asking if we're jamming today. My favorite tube amplifier? ALL OF THEM. JMHO.
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Bob Sykes


From:
North Carolina
Post  Posted 21 Dec 2023 2:03 pm    
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I don't own a steel amplifier or play C6 on the gig yet.

It's BF guitar amps mostly for me. Deluxe, Vibrolux, Champ for recording sometimes. My favorite sounding combo is Bassman 50 driving a 2x12" Bandmaster cab. The big dual showman size one. Really full low end. The cab is not too heavy, just too big to fit in a car. The Bassman came with a closed back tilt cab with single 15" cast frame Altec. Did not like it for 6 string. Haven't really tried it for steel.

I have been going light with a Blues Jr. lately. We mic everything. It's okay as long as band keeps a lid on stage vol. Wish it had a second channel/eq for double duty gigs.
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Casey Saulpaugh


From:
Asheville, NC
Post  Posted 30 Dec 2023 2:48 pm    
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Thanks for all the responses, a lot more guitar amps being used than I thought. Being open to different tones, which all sound good but distinct in their own way, can go a long ways as mentioned. Makes you use your ear, intuition, and actual playing technique to make the most of any amp in a playing situation - these factors seem more worthwhile than searching for an amp to do these things for your playing.

Also, I can see how using a tube amp instead of a solid-state is a must for some players, I too have found it hard to get a certain warmth from solid-state amps that I can only seem to find in tube amps. Not saying solid-state amps can't have a nice warm tone and a great sound overall that feels/sounds "perfect", I just really miss the warmth/bite when sliding into notes with the bar - something often seems missing sound-wise when I do slides with most solid state amps. I hope to be able to try out and experiment with a lot of the amps mentioned in this thread over time, a lot of great options!

Happy Holidays
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James Holland


From:
Alabama, USA
Post  Posted 31 Dec 2023 1:34 pm    
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I used a Fender Lead 75 recently, obscure 75W dual 6L6 ultra-linear guitar amp from the earliest 1980's. It came stock with a 15" Aluminum cap Eminence, so it looks like a steel amp. I liked it just fine with a passive Goodrich pedal. This amp was designed to compete with Mesa, and is pretty odd, in that the clean and lead channels are in series, so the clean channel acts as a gain stage for the lead channel. Its got a honking big transformer, so its designed to stay clean if you want. It also has a bright switch, and has push-pull EQ pots. The EQ is even more un-intuitive than usual but with great range, which is both good and bad. Pretty good large tank reverb. It weighs a bit under 60 lb, and is similar in appearance but narrower than a 60's Vibroverb:






Last edited by James Holland on 2 Jan 2024 11:39 am; edited 1 time in total
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Quentin Hickey

 

From:
Nova Scotia, Canada
Post  Posted 2 Jan 2024 10:31 am    
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I have a 112 babndit transtube red stripe and home and have played steel through it, and sounded very good. There are alot of reviews of this amp on YouTube where people could not tell te diference between this amp and a fender deluxe. The stock speaker sounds great in t as well and at 150 dollars you can't go wrong.
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Russ Swanson


From:
Illinois, USA
Post  Posted 12 Feb 2024 12:35 pm    
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Phil Jones briefcase amp. AC or 12v DC powered.

28 lbs. Not old school but great power and sound.


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Tony Prior


From:
Charlotte NC
Post  Posted 13 Feb 2024 1:50 am    
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Like many here, I don't own any Steel amps, I own amps I use for Steel.

The longest tenure of an amp I ever owned and used was a Fender Twin Reverb. Clean, plenty of headroom and volume for most any gig or stage. Oh and heavy ! Todays circle of guitar player/amp owners see a Twin Reverb as being nothing but a loud amp, TOO LOUD they say. Near every discussion that involves a TR ,half the participants don't know what they are talking about . "You're too loud man if you bring that to a gig" LOL Laughing

Like Donny , I own multiple amps, some are for some gigs, some are for other gigs, Small room to big stages . My tube amps are rated 15 watts to 60. I don't own a TR anymore , the 60 watt'er is a Fender Deville, its close to a TR and maybe a tad brighter, it offers enough clean headroom for any stage I may be on. But it too is friggin' heavy !

The question with regards to ANY amp used for Steel is, how much clean headroom does it offer and how much do you require for the gig ?

Tube amps are typically divided into two families, 50 watts and under and 50 watts and over. 2 Power tubes vs 4 power tubes. Many guitar players want to play at stage levels with a bit of GRIT ( break up) An amp used for Steel is just the opposite, stage levels with NO breakup (clean headroom) Guitar players will select an amp in the +/- 20 watt ratting and frown on a player using an amp such as an 85 watt Twin Reverb or even the 60 watt rated Deville, claiming " Oh my God you are gonna be too loud" . Well yeah if I'm trying to get the amp to give me grit ! Thats not why we use those amps, we want an amp that won't give us grit. We chase amps for our entire journey that are clean on the bandstand. Which bandstand ? And that's why we may have multiple amps !

As Steel players, knowing our amps and how to use them for OUR performance is equally important to our performance. To us its about tone and clean headroom. We are not Guitar players, we are Steel players. Laughing The bigger problem is we may be both on the same gig so we have to carry an amp for the Steel first, well at least I do , or did.

Which brings me back to the Twin Reverb I used for probably 90 % of my double duty journey of over 50 years, I could compromise for the Tele but I could never compromise for the Steel.

Now , finding the tube amp that fits your requirements for tone and clean, that's the hard part, because its probably not just ONE amp. I can tell you this, for me, for over 25 years , non stop, playing in and around the New England region, every club, show and stage, I only owned one amp , a 1970 Fender Twin Reverb. It never let me down. It looked like it was revived from the grave, but it always performed. Smile When I finally retired it, it was replaced with a 1971 Twin Reverb .

Today, if I'm on a Steel gig and I'm going to use a tube amp, it would be the 60 watt 2 x 6L6 Deville or the 50 Watt Carvin Nomad, which is a 4 x EL84 amp, it delivers but its a totally different sound and just barely enough headroom for the Steel. IF I'm playing mostly guitar and not much Steel, it would be the Dr Z Maz 38, for me its the king of Guitar amps but I can find my way for the Steel, it has enough level and the headroom is sufficient, but nothing like the Deville, and I know it while playing.

Good luck, have fun, Very Happy
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James Mayer


From:
back in Portland Oregon, USA (via Arkansas and London, UK)
Post  Posted 13 Feb 2024 7:25 am    
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I'm no pro and I don't even perform anymore (I never did on pedal steel, just non-pedal) but I've tried a lot of amps. I'm looking for a good sound for recording or just to enjoy at home.

I had a Deluxe Reverb that I never quite gave me the sound I wanted for pedal steel. I bought a Peavey Nashville 112 and sold it a few months later as I couldn't get anywhere near a decent tone out of it. To me, it pretty much sounded like playing straight into a PA system. I had two cheap modeling amps that just blew the Peavey away, the Fender Mustang 3 and the tiny Vox DA5.

I still have the Mustang 3 as it's got decent clean models and it can be used as an FRFR speaker/cab to amplify modelers by plugging directly into the FX return so that the onboard models are bypassed.

Now, I just play through my iPad using THU Overloud or Tonex. My ears need new sounds now and then and modeling offers the best bang for the buck variety. As well, there are hundreds of great (and cheap) tone-shaping and effects app so it's a playground.
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Last edited by James Mayer on 13 Feb 2024 7:41 am; edited 3 times in total
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Mike Neer


From:
NJ
Post  Posted 13 Feb 2024 7:30 am    
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Experimenting with different speakers is your best remedy for getting the sound you want out an amp if it's not already there.
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Dave Hopping


From:
Aurora, Colorado
Post  Posted 13 Feb 2024 8:09 am    
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Six-stringers do tend to worry that a steeler's high-headroom-amp might interfere with a guitar player's time-honored privilege to solo nonstop over everything everyone else is trying to do.

In a somewhat-analogous situation to what Tony describes, one of my bands was setting up our speaker stacks (SP4s on top of big subs) and the club owner worried we'd be too loud. I reassured him that "just because you drive a Chevy Corvette doesn't mean you'll be driving it at 150 miles an hour in traffic".
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Jack Hanson


From:
San Luis Valley, USA
Post  Posted 13 Feb 2024 2:19 pm    
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Russ Swanson wrote:
Phil Jones briefcase amp.


Do you use that for pedal steel? I have one of those PJB speaker cabs that's a little bigger'n a shoebox, and power it with a TC Electronics BAM 200 that's a little bigger'n a Big Mac. Love it for bass (especially recording), but never tried it with steel.
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Fred Treece


From:
California, USA
Post  Posted 13 Feb 2024 6:38 pm    
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Quote:
Six-stringers do tend to worry that a steeler's high-headroom-amp might interfere with a guitar player's time-honored privilege to solo nonstop over everything everyone else is trying to do.

As opposed to what, Dave? Everybody in the band thinks everyone else overplays and crowds out the one brilliant musician amongst them, usually named “Me”.

I once took the place of a steel player in a band who used two 250w power amps in his rig. He blew out the power transformer for the stage at a street fair during sound check. That was the last straw that got him fired. I didn’t play steel at the time, but the bandleader was okay hiring a lowly Tele player as long as I don’t shut down the sound systems on any gigs with my power amplifier. I was playing a Mesa Boogie MkIIc combo at the time, with a single 12”EV in it. Years later, it made for a fine pedal steel rig.
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Karl Paulsen

 

From:
Chicago
Post  Posted 21 Feb 2024 8:17 am    
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My practice space steel amp is a Reno 400 acoustic Guitar amp.

Not quite the same as using an electric guitar amp since the #2 input is the same as a Nashville 400.
I have mounted it a Jazz Classic cab with BW, but it sounded fine for steel in it's original cab with 15" scorpion. It's a nice example of a relatively uncommon but cheap ammo that works very well for Steel.
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Wayne Brown


From:
Bassano, Alberta, Canada
Post  Posted 4 May 2024 2:40 am     steel guitar amp
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My Journey was a little different than most people. Playing Tele and acoustic for more than 50 years. I always wanted extremely clean. I always said that if I needed crunch or dirt I could add it myself. I guess I'll have to explain a bit
For guitar I love the old 68 & 72 Fender twins I owned, but my all time guitar amp i stell have is and original Roland JC120 with Eminence speakers. The cabinet has been change as the original fell apart years ago from all the road work.

For pedal steel a lot of my customers like the "steel guitar growl" they called it. but for me I always want full frequency clean sound. It took me a few years but I found a sound I love. I went from an old Univox U130l solid state head, used in conjunction with 2 15" peavey black widow speakers.(sorry can't seam to find that picture). I would have kept that however parts for the head are now basically non existent.

My final rig is light , full and can be used for pedal steel guitar, electric and acoustic guitar , and bass if needed. I just finished assembling it. It's a 3 space rack, power supply, Gallein Krueger MB500 head, and a Deltafex. 2 speaker cabinets 1 on wheels and one with feet. So I can use both or just one cabinet on a gig. The cabinets are extremely light using a single 15" Eminence Deltalite II (which the speakers weight in at 5.7LBS. I have been getting a lot of complaments on the sound and versatility of this rig.



Thanks
Wayne
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John Talbott


From:
Castle Rock, Colorado, USA
Post  Posted 9 May 2024 4:33 pm    
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I'm surprised no one's mentioned the Peavey Special 130. Plenty of power at 130 watts. It has a shiftable mid unlike some of the Bandit Solo series amps. I use one from time to time. I put an Eminence Wheelhouse 150 in it. I also use an NV112 with an EPS-12C speaker. It's been my main gigging amp for quite sometime. It's been rock solid. No hum issues or reverb issues. I've played Emmons, EMCI, GFI, Mullen and a Zum Encore guitar through it. All of them sound really great with it.
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George Redmon


From:
Muskegon & Detroit Michigan.
Post  Posted 29 May 2024 1:58 pm    
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Hey James Holland

I LOVE THOSE OLD FENDER 75 TONE MONSTERS ! ! ! !
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Thornton Lewis

 

From:
New York, USA
Post  Posted 2 Jun 2024 5:55 pm    
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I had Peavey 130 in a 400 cab I
I bought used for $150. So loud! On 3 I felt like everything was melting into delta swamp land. Two notes together sounded like a grunge band with a hangover. I gave it to a friend's kid in a punk band and he loved
it.
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