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Topic: Similarity of chords to Nightlife intro |
Joachim Kettner
From: Germany
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Posted 26 Dec 2022 3:52 am
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This must be an old Blues standard. Ive heard this lately again performed by the Allmans:
https://www.youtube.com/watch?v=VEOCxYyHxhs
I figured out the chords:
B/// D/// G//// C/// and back to B.
Very similar to Ray Price's Night Life I think. _________________ Fender Kingman, Sierra Crown D-10, Evans Amplifier, Soup Cube. |
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Ian Rae
From: Redditch, England
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Posted 26 Dec 2022 4:27 pm
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It's very common - I - vi - ii - V with tritone substitutions for the vi and ii
So B, G#m, C#m, F# becomes
B, D, G, F# (with 7ths, 9ths or alterations as required) _________________ Make sleeping dogs tell the truth!
Homebuilt keyless U12 7x5, Excel keyless U12 8x8, Williams keyless U12 7x8, Telonics rack and 15" cabs |
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Greg Cutshaw
From: Corry, PA, USA
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Posted 26 Dec 2022 5:07 pm
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The intro to San Antonio Rose is the same set of chords played as major chords. Change those chords to the equivalent m7, dom7, maj7 and aug7 (or something with additional notes and its the same progression. |
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Bill Cunningham
From: Atlanta, Ga. USA
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Posted 26 Dec 2022 5:32 pm
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Those changes are known as the “Lady Bird turnaround” because they are prominent in the Tadd Dameron bebop jazz classic of the same name.
[url] https://youtu.be/r0vhqDCy9eQ[/url] _________________ Bill Cunningham
Atlanta, GA |
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Larry Dering
From: Missouri, USA
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Posted 26 Dec 2022 6:22 pm
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I hear the similar changes as you did. I'm sure it gets used in a lot more music than we know. It's supposed to be from a jazz turn around that dates back in time. |
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Douglas Schuch
From: Valencia, Philippines
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Posted 26 Dec 2022 6:39 pm
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And as for the song, "Jelly Jelly", it is an old song by Earl Hines and Billy Eckstein:
https://youtu.be/GUGK_okFzzw _________________ Bringing steel guitar to the bukid of Negros Oriental! |
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Joachim Kettner
From: Germany
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Posted 27 Dec 2022 3:03 am
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Quote: |
Those changes are known as the “Lady Bird turnaround” because they are prominent in the Tadd Dameron bebop jazz classic of the same name.
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Sorry Bill, but I don't hear these intervals in Ladybird. Would you put a time signature at where they appear? _________________ Fender Kingman, Sierra Crown D-10, Evans Amplifier, Soup Cube. |
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Bill Cunningham
From: Atlanta, Ga. USA
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Posted 27 Dec 2022 4:13 am
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Joachim Kettner wrote: |
Quote: |
Those changes are known as the “Lady Bird turnaround” because they are prominent in the Tadd Dameron bebop jazz classic of the same name.
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Sorry Bill, but I don't hear these intervals in Ladybird. Would you put a time signature at where they appear? |
They go by fast in the meter they are playing the head, but listen at 0:18.. _________________ Bill Cunningham
Atlanta, GA |
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Slim Heilpern
From: Aptos California, USA
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Posted 27 Dec 2022 6:11 am
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In case this helps, here's the Lady Bird lead sheet (fun tune BTW!). It's the last 2 bars...
_________________ Chromatic Harmonica, Guitar, and Pedal Steel (Williams U12 Series 700, Emmons lap)
http://slimandpenny.com |
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Mike Neer
From: NJ
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Posted 28 Dec 2022 4:59 am
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It is a Tadd Dameron turnaround like Bill said. The Night Life chords plain vanilla version would be I-VI-II-V (C-A-D-G) like Ian said.
The art of the turnaround is one of the great little games that jazz musicians play with the harmony. I could probably list quite a few, but one of the fun ones would be to use Coltrane's Giant Steps changes on it, but with a chord on each beat for the first bar and half notes in the second: CMaj7-Eb7-AbMaj7-B7-EMaj7-G7-CMaj7
Or Thelonious Monk would play a descending pattern of dominant chords, one on each quarter note: Ab7-G7-Gb7-F7-E7-Eb7-D7-Db7-C _________________ Links to streaming music, websites, YouTube: Links |
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Gary Spaeth
From: Wisconsin, USA
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D Schubert
From: Columbia, MO, USA
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Posted 23 Feb 2023 2:45 pm
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Some of our local jazz guys call it a Coltrane turnaround _________________ GFI Expo S-10PE, Sho-Bud 6139, Fender 2x8 Stringmaster, Supro consoles, Dobro. And more. |
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Fred Treece
From: California, USA
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Posted 26 Feb 2023 8:17 am
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And here I always thought G/F#/F was such a dumb way to get back to E, as in Spencer Davis “I’m A Man”, but it’s another 6-2-5-1 variant with Tritone chord substitutions at 6 and 5. Is it brilliant? Or cheap? |
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