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Author Topic:  Jerry Byrd A7 + C6 Tuning
Allan Revich


From:
Victoria, BC
Post  Posted 27 Jun 2022 1:03 pm    
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A C# E G A C E (7 string)
C# E G A C E (6 string)

Does anybody else use this tuning?

I've been playing it tuned down to G7 + Bb6. G B D F G Bb D and really like it for blues. But I can see that it has big potential to expand out of my blues "comfort zone" too.
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Current Tunings:
6 String | G – G B D G B D
7 String | G6 – e G B D G B D (re-entrant)

https://papadafoe.com/lap-steel-tuning-database
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Lee Gauthier


From:
Victoria, BC, Canada
Post  Posted 27 Jun 2022 1:13 pm    
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I use that 6 string version. I almost always have C# on the bottom, but the will occasionally tune the A to Bb or B as well.
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Mike Neer


From:
NJ
Post  Posted 27 Jun 2022 2:07 pm    
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I used it on my recording of West Coast Blues.
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Allan Revich


From:
Victoria, BC
Post  Posted 27 Jun 2022 2:32 pm    
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Mike Neer wrote:
I used it on my recording of West Coast Blues.


Cool. 6, 7, or 8 strings?
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Mike Neer


From:
NJ
Post  Posted 27 Jun 2022 2:38 pm    
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6 strings. The whole record was recorded with the Rickenbacher BD6
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Rick Aiello


From:
Berryville, VA USA
Post  Posted 27 Jun 2022 2:43 pm    
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I use it ... along with JB's E9

Hi to lo ... E B G# F# E D

Same string gauges 🤠
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Joe Cook


From:
Lake Osoyoos, WA
Post  Posted 27 Jun 2022 9:10 pm    
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That's what I keep my 6 string tuned to. I really love it. It's an easy change up from my usual C13 on 8 strings.
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Gregory LeBlanc

 

From:
New England, USA
Post  Posted 28 Jun 2022 4:37 am    
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My favorite thing about this tuning is how quickly is switches between itself and regular C6. I use it on some songs and C6 on others. It's a 7 second adjustment if that.

edit: I should note that I actually use G6 on a longer scale 8-string.
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Nic Neufeld


From:
Kansas City, Missouri
Post  Posted 28 Jun 2022 5:31 am    
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I use it occasionally, particularly when my teacher gives me an arrangement in C6/A7 (I learn from Alan Akaka so I'm a bit of Jerry Byrd's "grandstudent"). On 8 string I take the low C all the way down to a deep low A...its a .070 gauge so it works OK with long scale.
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Allan Revich


From:
Victoria, BC
Post  Posted 28 Jun 2022 8:13 am    
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Nic Neufeld wrote:
I use it occasionally, particularly when my teacher gives me an arrangement in C6/A7 (I learn from Alan Akaka so I'm a bit of Jerry Byrd's "grandstudent"). On 8 string I take the low C all the way down to a deep low A...its a .070 gauge so it works OK with long scale.


That sounds cool. The 8 string version I see online is A C C# E G A C E, but that only uses the standard 50 something A string. What does your version look like to get an octave lower?
_________________
Current Tunings:
6 String | G – G B D G B D
7 String | G6 – e G B D G B D (re-entrant)

https://papadafoe.com/lap-steel-tuning-database


Last edited by Allan Revich on 30 Jun 2022 10:10 am; edited 1 time in total
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Mike Neer


From:
NJ
Post  Posted 28 Jun 2022 8:19 am    
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Jerry Byrd played the C6/A7 tuning with 7 strings, the 7th string being C, a 1/2 step below C#.

C C# E G A C E
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Allan Revich


From:
Victoria, BC
Post  Posted 28 Jun 2022 10:36 am    
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Mike Neer wrote:
Jerry Byrd played the C6/A7 tuning with 7 strings, the 7th string being C, a 1/2 step below C#.

C C# E G A C E


Mike, I've found several references online to that 7 string version, as well as to the 7 string version that I use, A C# E G A C E (or in my case G B D F G Bb D). 8 strings consistently mentioned as A C C# E G A C E.

It would be great if someone who knew him could jump in and confirm (or not) that he used both 7 string tunings.
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Tal Herbsman


From:
Wisconsin, USA
Post  Posted 28 Jun 2022 2:45 pm    
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Chris Scruggs uses it. Kayton Roberts used it. I try to use it. The Jerry Byrd Big Book has a ton of good material on this tuning.
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Earnest Bovine


From:
Los Angeles CA USA
Post  Posted 28 Jun 2022 4:57 pm    
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That's the tuning (8 or 10 strings) I use when I play dobro or lap steel, which is about once a year.
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Andy Volk


From:
Boston, MA
Post  Posted 29 Jun 2022 2:24 am    
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I use the Byrd variation occasionally. For the right song, it's a handy tuning change.
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Allan Revich


From:
Victoria, BC
Post  Posted 30 Jun 2022 10:15 am    
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Does anyone else tune down to G7/Bb6?

I like it because I think of it as Gm7/G7 for blues, with the option of Bb6 for other things.
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Current Tunings:
6 String | G – G B D G B D
7 String | G6 – e G B D G B D (re-entrant)

https://papadafoe.com/lap-steel-tuning-database
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Jack Hanson


From:
San Luis Valley, USA
Post  Posted 30 Jun 2022 12:32 pm    
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Allan Revich wrote:
Does anyone else tune down to G7/Bb6?

I have a couple of 6-strings (an Ultratone and a BR-9) set up for G6 -- exact same intervals as common C6, only lower.
A great setup for playing rock and blues in the key of A.
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Mike A Holland


From:
United Kingdom
Post  Posted 30 Jun 2022 1:16 pm    
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C6/A7 is a really good tuning especially for those 6 string players who are in C6 tuning. An easy 1/2 step tune between both tunings. I noticed a Wayne Tanner video a few years back where he demonstrates the effectiveness of this tuning. It is well worth watching this video.
https://www.youtube.com/watch?v=mFSA3ZzD5G8
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Nic Neufeld


From:
Kansas City, Missouri
Post  Posted 1 Jul 2022 7:26 am    
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Allan Revich wrote:

That sounds cool. The 8 string version I see online is A C C# E G A C E, but that only uses the standard 50 something A string. What does your version look like to get an octave lower?


Yeah, I think that's the Jerry Byrd 7 or 8 string version you're mentioning where he has both the C and C# available...it's not "strummable" (which is fine, just needs more right hand discipline and I'm sure JB had plenty of that). The version I usually retune to doesn't include the C and is more of a true split where the top strings are C6 and the bottom strings are A7. I'm retuning from JAS C13 mostly so all I have to do is sharp the 6th string a half step, drop the Bb to A, and drop the LOW C to A. You could sharp it to C# but I like having the deeper root.
A A C# E G A C E
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I hear the rolling surf calling
Calling and calling to me
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Tony Oresteen


From:
Georgia, USA
Post  Posted 20 Dec 2022 2:11 pm    
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[quote="...... The Jerry Byrd Big Book has a ton of good material on this tuning.[/quote]

What is the Jerry Byrd "Big Book" ? Can you post a photo of the cover?

Thanks!
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Tony
Newnan, GA

Too many guitars, not enough time to play
'72 Sho-Bud 6139, '71 Marlen 210
'78 Fender Stringmaster Quad black
PedalMaster D8
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Doug Beaumier


From:
Northampton, MA
Post  Posted 20 Dec 2022 3:29 pm    
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Quote:
What is the Jerry Byrd "Big Book" ? Can you post a photo of the cover?


It's a 334 page compilation of Jerry's two previous books plus some additional material. Compiled and sold by Scotty’s Music several years ago. The family may still be selling it…?




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Garry Vanderlinde


From:
CA
Post  Posted 20 Dec 2022 9:31 pm    
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Rick Aiello wrote:
I use it ... along with JB's E9

Hi to lo ... E B G# F# E D

Which is the same as strings 4 thru 9 on most E9th pedal steel guitars.
Cool
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Andy Volk


From:
Boston, MA
Post  Posted 21 Dec 2022 3:57 am    
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I use the Byrd E9th too and have done a number of arrangements using it.
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Tony Oresteen


From:
Georgia, USA
Post  Posted 21 Dec 2022 8:22 am    
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Doug Beaumier wrote:
Quote:
What is the Jerry Byrd "Big Book" ? Can you post a photo of the cover?


It's a 334 page compilation of Jerry's two previous books plus some additional material. Compiled and sold by Scotty’s Music several years ago. The family may still be selling it…?

...snip...


Thanks Doug. That helps me a lot. I will check it out.


EDIT: I emailed Scotty's. Let's see if they respond.
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Tony
Newnan, GA

Too many guitars, not enough time to play
'72 Sho-Bud 6139, '71 Marlen 210
'78 Fender Stringmaster Quad black
PedalMaster D8
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Tony Oresteen


From:
Georgia, USA
Post  Posted 21 Dec 2022 6:48 pm    
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Michael Scott replied today and I am in the process of ordering Jerry's book.
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Tony
Newnan, GA

Too many guitars, not enough time to play
'72 Sho-Bud 6139, '71 Marlen 210
'78 Fender Stringmaster Quad black
PedalMaster D8
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