| Visit Our Catalog at SteelGuitarShopper.com |

Post new topic Flatted root, A&B down
Reply to topic
Author Topic:  Flatted root, A&B down
Wayne Baker


From:
Altus Oklahoma
Post  Posted 9 Oct 2021 4:39 pm    
Reply with quote

What is the chord if string four is flatted a half tone, A&B pedals are down, playing 4,5 and 6?
_________________
Thanks,

Wayne Baker
USAF retired, three wars, 21 years, 18 countries. God bless the USA
View user's profile Send private message Send e-mail
Charlie Hansen


From:
Halifax, NS Canada and Various Southern Towns.
Post  Posted 9 Oct 2021 4:48 pm    
Reply with quote

I believe it’s a 9th chord.
_________________
I don't know much but what I know I know very well.
Carter S-10 3X5, Peavey Nashville 112, plus Regal dobro and too many other instruments to mention.
Bluegrass Island CFCY FM 95.1 Charlottetown, PE, Canada, on the web at cfcy.fm.
A Touch Of Texas CIOE FM 97.5 Sackville, NS, Canada,
on the web at cioe975.ca.
View user's profile Send private message Send e-mail
Wayne Baker


From:
Altus Oklahoma
Post  Posted 9 Oct 2021 4:52 pm     Flatted root, A&B down
Reply with quote

Thank you Charlie.
_________________
Thanks,

Wayne Baker
USAF retired, three wars, 21 years, 18 countries. God bless the USA
View user's profile Send private message Send e-mail
b0b


From:
Cloverdale, CA, USA
Post  Posted 9 Oct 2021 4:58 pm    
Reply with quote

B9th on the open strings.
_________________
-𝕓𝕆𝕓- (admin) - Robert P. Lee - Recordings - Breathe - D6th - Video
View user's profile Send private message Visit poster's website
Wayne Baker


From:
Altus Oklahoma
Post  Posted 9 Oct 2021 5:00 pm     Flatted root, A&B down
Reply with quote

Thanks b0b. I really like it.
_________________
Thanks,

Wayne Baker
USAF retired, three wars, 21 years, 18 countries. God bless the USA
View user's profile Send private message Send e-mail
Andrew Frost


From:
Toronto, Ontario
Post  Posted 9 Oct 2021 9:18 pm    
Reply with quote

This is also a good way to play a partial D#'half diminished' chord aka D#min7b5. If you include the F# string(s) it is a complete 4 note chord, R b3 b5 b7
AB down w/ Es lowered, "one fret above" is how I think of it. So Em7b5 is at fret one. The root note is on string 4 & 8.
D#m7b5 w/ B in the bass makes B9. Great 5 chord in the home position. You can get the B root by using the BC pedals w/ Es lowered instead of AB. Its a big chord though- one needn't play all the chord tones.
View user's profile Send private message Send e-mail
Wayne Baker


From:
Altus Oklahoma
Post  Posted 9 Oct 2021 10:05 pm     Flatted root, A&B down
Reply with quote

Thank you Andrew. That helps. I'll try the one fret up chord and see what I can do with it.
_________________
Thanks,

Wayne Baker
USAF retired, three wars, 21 years, 18 countries. God bless the USA
View user's profile Send private message Send e-mail
Frank Freniere


From:
The First Coast
Post  Posted 10 Oct 2021 3:07 am     Re: Flatted root, A&B down
Reply with quote

Wayne Baker wrote:
What is the chord if string four is flatted a half tone, A&B pedals are down, playing 4,5 and 6?


I always thought that was a 7th chord. Embarassed
View user's profile Send private message
Chris Brooks

 

From:
Providence, Rhode Island
Post  Posted 10 Oct 2021 5:35 am    
Reply with quote

What b0b said. Playing 4, 5, 6:

In 0 position, B pedal + E > D# lever = B7

Add A pedal: B9 chord

Caveat: Determining "what chord is this" really requires knowing the root of the chord (i.e. "What note is the bass player playing?)

BTW, if you half-pedal A you get a nice B7b9 chord . . . jazzier than a straight B7.
View user's profile Send private message Send e-mail
Wayne Baker


From:
Altus Oklahoma
Post  Posted 10 Oct 2021 6:34 am     Chris Brooks
Reply with quote

Excellent! I like jazzy. I'm tryna get some super fat jazz type stuff for a more modern Christian music application as well. I'm taking the PFM. The C6 essentials course is really helping me.
_________________
Thanks,

Wayne Baker
USAF retired, three wars, 21 years, 18 countries. God bless the USA
View user's profile Send private message Send e-mail
J D Sauser


From:
Wellington, Florida
Post  Posted 10 Oct 2021 7:53 am    
Reply with quote

The way you may want to look at it is the Dom7th chord you get with strings 4&8 lowered half (E-to-Eb-lever) and the B-pedal down only: which is your typical 7th chord.
You ADD the A-pedal to the mix and you have a 9th because the root get's raised a full tone on the same fret (which is 2 frets below your A&B down Major position).

... J-D.
_________________
__________________________________________________________

Was it JFK who said: Ask Not What TAB Can Do For You - Rather Ask Yourself "What Would B.B. King Do?"

A Little Mental Health Warning:

Tablature KILLS SKILLS.
The uses of Tablature is addictive and has been linked to reduced musical fertility.
Those who produce Tablature did never use it.

I say it humorously, but I mean it.
View user's profile Send private message Send e-mail Visit poster's website
Fred Treece


From:
California, USA
Post  Posted 7 Nov 2021 11:12 am    
Reply with quote

AB+E’s lowered changes the 0 position tuning to
C#-D-D#-F#-A-C#-D#-A-D#-F# (low to high)

String 9(D) is the oddball in an otherwise basically symmetric pattern across the strings.

The four notes C#-D#-F#-A, in any order, can form 4 different chords:
B9 no root (3-5–7-9)
D#m7b5 (1-b3-b5-7)
F#m6 (1-b3-5-6)
F7b9#5 no root. (3-#5-7-b9)

Some ordering of notes sound better than others for context. Only string 9 is “wrong” for any of those chords, but there is still a lovely Dmaj7 chord sitting there on strings 9-7-6-5.
View user's profile Send private message Send e-mail
Richard Sinkler


From:
aka: Rusty Strings -- Missoula, Montana
Post  Posted 7 Nov 2021 11:29 am     Re: Flatted root, A&B down
Reply with quote

Wayne Baker wrote:
What is the chord if string four is flatted a half tone, A&B pedals are down, playing 4,5 and 6?


Just an FYI, with A and B pedals down, then lowering 4 (or 8 ), is not flatting the root. It is flatting the 5th of the A chord, and turns the A chord into the B9 chord the others have mentioned. The root of tha A chord would be the A notes on strings 3 & 6. And once you lower the E notes to make the B9 chord, you no longer have a root for the B9 chord.
_________________
Carter D10 8p/8k, Dekley S10 3p/4k C6 setup,Regal RD40 Dobro, Recording King Professional Dobro, NV400, NV112,Ibanez Gio guitar, Epiphone SG Special (open D slide guitar) . Playing for 54 years and still counting.
View user's profile Send private message Send e-mail
Fred Treece


From:
California, USA
Post  Posted 7 Nov 2021 11:52 am    
Reply with quote

Thanks for getting us back on track, Richard. Strings 4 and 8 are only the root of an E major after pedals and levers are released from the chord in question when it is played as a B9.

Any 3 of the 4 notes C#-D#-F#-A also form the same chords and chord partials I mentioned in my previous post, including the notes in the string 6-5-4 grip. I just thought the additional information might benefit the OP since he is looking to jazz-up his sound.
View user's profile Send private message Send e-mail
Andrew Frost


From:
Toronto, Ontario
Post  Posted 7 Nov 2021 8:54 pm    
Reply with quote

Quote:
Any 3 of the 4 notes C#-D#-F#-A also form the same chords and chord partials I mentioned in my previous post, including the notes in the string 6-5-4 grip. I just thought the additional information might benefit the OP since he is looking to jazz-up his sound.


Yes indeed. AB w/ Es lowered is one of those "swiss army knife" grips on E9 for chord subs. One cool trick for minor 2 5 1's is to use it for all 3 chords in the turnaround. For example, on strings 5678, play Bm7b5 at 8th fret, E7(alt) at 11 and Am6 at 3 or 15.
View user's profile Send private message Send e-mail
Steve Mueller

 

From:
Cincinnati, Ohio, USA
Post  Posted 8 Nov 2021 7:39 am    
Reply with quote

Some great ideas everyone. Thanks! One of my favorites is the diminished available using strings 8 - 4(which I believe someone already mentioned) using the half pedal, or half step change from B-C if you've got it. You can get lost down a rabbit hole once you start looking at the possibilities!
_________________
2016 Williams D12 8 x 8, 2015 Williams D12 8 x 8, 2023 Williams S12 4 x 5, Milkman Amps, 1974 Gibson Byrdland
View user's profile Send private message Send e-mail
Steve Mueller

 

From:
Cincinnati, Ohio, USA
Post  Posted 8 Nov 2021 7:45 am    
Reply with quote

Once you start using ideas like this for the more harmonically rich chords, you begin appreciate the depth and versaltility of the C6th tuning. To me, these ideas are so much more accessable and logical on the C6. Now if I could just figure out a way to combine these tunings.....HA!
_________________
2016 Williams D12 8 x 8, 2015 Williams D12 8 x 8, 2023 Williams S12 4 x 5, Milkman Amps, 1974 Gibson Byrdland
View user's profile Send private message Send e-mail
Dale Rottacker


From:
Walla Walla Washington, USA
Post  Posted 8 Nov 2021 7:51 am    
Reply with quote

Steve Mueller wrote:
Once you start using ideas like this for the more harmonically rich chords, you begin appreciate the depth and versaltility of the C6th tuning. To me, these ideas are so much more accessable and logical on the C6. Now if I could just figure out a way to combine these tunings.....HA!

After a lifetime, I've finally started exploring C6th and getting a kick out of it. And what you say here about depth and versatility and logic, gotta say I'm not there yet. The C6th stuff I find relatively easy on E9th, I'm having to do a LOT of hunting for on C6th. E9th has always been more intuitive to me than C6th, even though a lot of people have told me for what I play on E9th, I should rightly be on C6th.
_________________
Dale Rottacker, Steelinatune™
https://www.youtube.com/@steelinatune
*2021 MSA Legend, "Jolly Rancher" D10 10x9
*2021 Rittenberry, "The Concord" D10 9x9
*1977 Blue Sho-Bud Pro 3 Custom 8x6
https://msapedalsteels.com
http://rittenberrysteelguitars.com
https://www.telonics.com/index.php
https://www.p2pamps.com
https://www.quilterlabs.com
View user's profile Send private message Send e-mail Visit poster's website

All times are GMT - 8 Hours
Jump to:  
Please review our Forum Rules and Policies
Our Online Catalog
Strings, CDs, instruction, and steel guitar accessories
www.SteelGuitarShopper.com

The Steel Guitar Forum
148 S. Cloverdale Blvd.
Cloverdale, CA 95425 USA

Click Here to Send a Donation

Email SteelGuitarForum@gmail.com for technical support.


BIAB Styles
Ray Price Shuffles for Band-in-a-Box
by Jim Baron