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Author Topic:  C 6th - 1st string opinion
Detlef Webert

 

From:
Europe - DE
Post  Posted 8 Oct 2020 10:50 am    
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Dear all,
as I can see here in the forum there are two different flavors of tuning the 1st string on the C 6th - either to D or G.
Can you guys tell me the advantages/disadvantages using one or the other? It`s not really clear to me.

Many thanks,
Detlef
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Ricky Davis


From:
Bertram, Texas USA
Post  Posted 8 Oct 2020 10:59 am    
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I asked the Great Tom Morrell that question probably 20 years ago and he said: "Ricky if you have the G note on top; you can do all the stuff you come up with; but will miss all the stuff of the D note. But If you have the D note on top; you can do all the stuff you come up with; but now you will miss all of the G note stuff".." You Choose"...

That right out of the mouth of probably the best multi-tuning Steel player to have ever lived. RIP Tommy.
Ricky
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Detlef Webert

 

From:
Europe - DE
Post  Posted 8 Oct 2020 11:07 am    
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Great answer Ricky,- and that`s actually true.
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Ian Rae


From:
Redditch, England
Post  Posted 8 Oct 2020 1:12 pm    
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Also, you don't have to make a lifetime commitment.

If you tune to G, you can then tune down to D on a song-by-song basis. You'd think it would be way too slack, but as a melodic passing note it's fine.

Not sure it would work the other way round Laughing
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Asa Brosius

 

Post  Posted 8 Oct 2020 2:08 pm    
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The high D is extremely useful for me, and used prominently by my heroes- Emmons, Franklin, etc. If you need that high G here's an easy workaround, with a few changes-

Strum your open strings. Raise string 3 a half-tone, combined with a standard string 5 half-tone lower pedal (5 usually), bar at fret 3. Strum and compare- minus the lowest strings, you have the exact same consecutive intervals -same C6 chord- across the strings as with a high G string, plus a pretty 4th on top.
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Ken Pippus


From:
Langford, BC, Canada
Post  Posted 8 Oct 2020 2:22 pm    
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Except, according to the Big E, up three frets with the C# sounds way better because you don't have the exceptionally skinny G string.
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scott murray


From:
Asheville, NC
Post  Posted 8 Oct 2020 3:04 pm    
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the D on top is like the F# on top of E9. it's great for single string lines and like Ian said, more of a passing note between strings 2 and 3. of course it can be used in chords as well.

I play with a G on top because it's always been more useful to me and the things I like to play. most of the well-known players seem to have followed Buddy's lead and use the D exclusively. Doug Jernigan is one who tunes his high G down to D for certain songs.
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Ian Rae


From:
Redditch, England
Post  Posted 8 Oct 2020 3:48 pm    
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These choices all depend on what music you play.

Buddy's philosophy as I understand it was to have that passing D and the improved voicing up 3 frets with the C# lever, a double advantage.

But what if you love that skinny G? Smile
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Douglas Schuch


From:
Valencia, Philippines
Post  Posted 8 Oct 2020 4:32 pm    
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Herby Wallace is one who stuck with the high G after most went to D. G makes more sense if you play 6th tunings on non-pedal steel - it will be closer to what they usually have for a tuning, and more licks will be the same. But I've always played using the D note, for the same reason Asa Brosius does - Buddy, Paul, and others who inspire me the most use it. And, in truth, I find many more uses for the D than times I wish I had the G. YMMV
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Greg Cutshaw


From:
Corry, PA, USA
Post  Posted 8 Oct 2020 6:11 pm    
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If you go the the D on top snd recover the high G by raising the high C to C#, you can also add the D to D# change to pedal 8. This has a ton of uses!
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Tony Prior


From:
Charlotte NC
Post  Posted 9 Oct 2020 12:51 am    
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I moved to "D" and stayed. I just assumed it was the logical thing to do if this is what "E" did .
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Jack Stoner


From:
Kansas City, MO
Post  Posted 9 Oct 2020 2:16 am    
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I'm old school. I've tried the D several times but go back to the G. My style more suits the G.

I started on lap steel and some of my playing still shows it and probably another reason I like the G better.

Another reason, at 82 "I ain't changing".
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Ron Hogan

 

From:
Nashville, TN, usa
Post  Posted 9 Oct 2020 5:23 am    
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Check out this topic on that subject here on the forum.


CLICK HERE

Ron
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Earnest Bovine


From:
Los Angeles CA USA
Post  Posted 9 Oct 2020 6:37 am    
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Ricky Davis wrote:
.. if you have the G note on top; you can do all the stuff you come up with; but will miss all the stuff of the D note. But If you have the D note on top; you can do all the stuff you come up with; but now you will miss all of the G note stuff ..


Sounds like you guys don't have enough strings.
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Ron Hogan

 

From:
Nashville, TN, usa
Post  Posted 9 Oct 2020 11:21 am    
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D string example

Audio example

😁
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Ricky Davis


From:
Bertram, Texas USA
Post  Posted 9 Oct 2020 3:07 pm    
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Quote:
Sounds like you guys don't have enough strings.

Oh I know; my dream tuning for regular C6 if I still wanted to play it would be:
1. G
2. E
3. D
4. C
5. A
6. G
7. E
8. C
9. A
10.F
11.C
YEEEESSSS a 11 string so 'one more string"..ah..ha.
Ricky
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Ian Rae


From:
Redditch, England
Post  Posted 9 Oct 2020 3:44 pm    
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So often I sketch out a tuning and it comes to 11 strings - but that's such a strange number that I could never actually play a guitar like that.

Logical maybe - but weird!

Of course on my uni I have the luxury of both G and D (or rather their equivalents, F# and C#)
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Mike Vallandigham

 

From:
Martinez, CA
Post  Posted 10 Oct 2020 3:41 pm    
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I like both for whatever song I"m playing.

I don't know who said it (Must have been Herby Wallace) use the thinner string of the G and tune it down to a D when you need it.

That's what I like on a 10 string.

My E9/C6 Excels have both since they have the extra two strings in C6 mode.
You just have to remember where the string you want is.
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Ricky Davis


From:
Bertram, Texas USA
Post  Posted 10 Oct 2020 5:15 pm    
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Yeah Mike that's what I did back when I played C6...I would put a .012p for the high G and tune that string down to D when I wanted it...and it's easy to pull the 1st string with finger behind the bar to raise it a 1/2 tone; either note.
Ricky
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Mike Vallandigham

 

From:
Martinez, CA
Post  Posted 11 Oct 2020 1:08 pm    
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Maybe it was you that I heard it from, Ricky!
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John McClung


From:
Olympia WA, USA
Post  Posted 11 Oct 2020 1:21 pm    
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On my D12 Mullen, My C6 has both G and D, and I love having both available.
I used to have an F as string 1, made a nice C-D-E-F-G diatonic run, but it got in the way of an easy grab of the D as highest string, so took it off. I blame Rick Schmidt for that idea!

1-D
2-G
3-E
4-C
5-A
6-G
7-E
8-C
9-A
10-F
11-C
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Rick Schmidt


From:
Prescott AZ, USA
Post  Posted 11 Oct 2020 8:09 pm    
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John McClung wrote:
On my D12 Mullen, My C6 has both G and D, and I love having both available.
I used to have an F as string 1, made a nice C-D-E-F-G diatonic run, but it got in the way of an easy grab of the D as highest string, so took it off. I blame Rick Schmidt for that idea!


John... I tried the F when I first got my D12 Dekley quite awhile ago, but when one of the the tuning gears broke, I dumped the F and played as an 11 string with both the D and G...Fast forward to 4 years ago when I got my Infinity D12... Frank wouldn't hear of making a D12-11, so I decided to use a B as the 2nd string... D,B,G,E (1-4)
Never looked back.... I blame Maurice Smile
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Detlef Webert

 

From:
Europe - DE
Post  Posted 16 Oct 2020 10:53 am    
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Alright Gents,
the majority of you guys are using the D as a default. That's the default string in a set - I'm using these already for more than 35 years.
The question just came up when I've ordered last year a NYXL set where both D/G strings were included.

Thanks for all your replies - and always happy steelin'
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