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Topic: Really interesting & complete analysis of Girl from Ipanema |
Andy Volk
From: Boston, MA
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Rick Barnhart
From: Arizona, USA
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Posted 17 Jul 2020 6:11 pm
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I enjoyed that, Andy. Thanks for posting. Our band used to call that one “The Girl with Emphysema.” _________________ Clinesmith consoles D-8/6 5 pedal, D-8 3 pedal & A25 Frypan, Pettingill Teardrop, & P8 Deluxe. |
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Lee Baucum
From: McAllen, Texas (Extreme South) The Final Frontier
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Posted 17 Jul 2020 8:12 pm
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Wow! That was great.
I just thought I knew the chord progression to the song. |
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Russ Wever
From: Kansas City
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Posted 17 Jul 2020 9:12 pm
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Inserting the 'Night Life" (as we refer to them)
turnaround changes (tritones) between 'A' sections.
~> click
~Rw _________________ www.russface
www.russguru |
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Charlie McDonald
From: out of the blue
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Posted 18 Jul 2020 1:32 am
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I had no idea how inauthentic the song is in F. "The second most recorded song in human history." [!]
(I thought I recognized some American musical imperialism.)
Very elucidating, Andy. Yes, it's "the ambiguity that makes bossa nova so special." _________________ Those that say don't know; those that know don't say.--Buddy Emmons |
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Andy Volk
From: Boston, MA
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Posted 18 Jul 2020 2:46 am
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Me either. The harmonies married to that relaxed, lilting beat is a lifelong thrill for me. Probably my all-time favorite music. _________________ Steel Guitar Books! Website: www.volkmediabooks.com |
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Aaron Johnson
From: Lemoore, CA
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Posted 18 Jul 2020 3:23 am
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Very interesting! Thank you for posting it Andy! |
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Joachim Kettner
From: Germany
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Ian Rae
From: Redditch, England
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Posted 18 Jul 2020 8:39 am
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Charlie McDonald wrote: |
I had no idea how inauthentic the song is in F. |
Don't be taken in, Charlie. Jobim wrote it, performed it and published it in F.
A Brazilian video in Db doesn't make Db "authentic".
More likely to do with the singer or the harmonica preferring it. Stan Getz's famous recording is in Db, but that's a good saxophone key. Laurindo Almeida recorded it in Ab, which you would not automatically think is a good guitar key.
_________________ Make sleeping dogs tell the truth!
Homebuilt keyless U12 7x5, Excel keyless U12 8x8, Williams keyless U12 7x8, Telonics rack and 15" cabs |
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Jerry Overstreet
From: Louisville Ky
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Posted 18 Jul 2020 10:13 am
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I'm totally confused about this song now. So...which version is the one we used to hear on the radio back in the 60's?
I didn't really play then, so I have no idea what the key would have been on it.
It was only in later years that I wanted to do this song and so I used the Jobim transcription in Fmaj7, or rather just key of F, I guess, which is still where I play it on C6 tuning. 😷 |
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Ian Rae
From: Redditch, England
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Posted 18 Jul 2020 12:15 pm
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Jerry, F is a nice key for pedal steel and the composer wrote it that way, so you can't go wrong! _________________ Make sleeping dogs tell the truth!
Homebuilt keyless U12 7x5, Excel keyless U12 8x8, Williams keyless U12 7x8, Telonics rack and 15" cabs |
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scott murray
From: Asheville, NC
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Posted 18 Jul 2020 12:51 pm
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quite an analysis.
I can't find any proof or claim that it's the 2nd most recorded song in history, but it's gotta be up there. _________________ 1965 Emmons S-10, 3x5 • Emmons LLIII D-10, 10x12 • JCH D-10, 10x12 • Beard MA-8 • Oahu Tonemaster |
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Ian Rae
From: Redditch, England
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Posted 18 Jul 2020 3:30 pm
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I think it's a gentle spoof to make you ask "So what's the most recorded?" _________________ Make sleeping dogs tell the truth!
Homebuilt keyless U12 7x5, Excel keyless U12 8x8, Williams keyless U12 7x8, Telonics rack and 15" cabs |
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Douglas Schuch
From: Valencia, Philippines
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Posted 18 Jul 2020 5:34 pm
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I found it quite interesting, but was a bit shocked when, as he thoroughly analyzes the history and theory behind one song, he wrongly attributes another song - "Duke Ellington's" take the A-Train - which, of course, was actually written by Billy Strayhorn. _________________ Bringing steel guitar to the bukid of Negros Oriental! |
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Clyde Mattocks
From: Kinston, North Carolina, USA
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Posted 18 Jul 2020 8:28 pm
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How many of us worked out the progression till we thought we had it right, it sounded right, we were smug about it and this blows us out of the water. There's still a place in his second line that I'm missing some tension. _________________ LeGrande II, Nash. 112, Fender Twin Tone Master, Session 400, Harlow Dobro, R.Q.Jones Dobro |
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Dan Kelly
From: Boston, MA
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Posted 18 Jul 2020 10:47 pm
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Wow! That was a fast 30 minutes! Great information about the counter melody. _________________ blah, blah, blah.
Hey You Kids! Get Off My Lawn!
blah, blah, blah. |
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Ian Rae
From: Redditch, England
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Posted 19 Jul 2020 12:14 am
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The countermelody is in the published sheet music, which is my source for everything. Real books are fine for kicking off a jazz improvisation, but not for creating a cover performance. _________________ Make sleeping dogs tell the truth!
Homebuilt keyless U12 7x5, Excel keyless U12 8x8, Williams keyless U12 7x8, Telonics rack and 15" cabs |
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Rick Barnhart
From: Arizona, USA
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Paul Strojan
From: California, USA
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Posted 19 Jul 2020 5:25 pm
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Is there any real significance of the song being in Eb vs F? Or is it just a matter of moving the bar up two frets? |
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Ken Pippus
From: Langford, BC, Canada
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Posted 19 Jul 2020 6:32 pm
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Db. Nothing so pedestrian as Eb. |
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Charlie McDonald
From: out of the blue
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Posted 21 Jul 2020 12:08 pm
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Jerry Overstreet wrote: |
I'm totally confused about this song now. So...which version is the one we used to hear on the radio back in the 60's? |
That would've been Getz Gilberto. Which makes me wonder where I learned it in F, altho the reason for a green guitarist it would have to be in F
to get beyond the first chord--in F, you had a chance. It had me looking for all the other major 7ths. I knew that all of my music, guitar or piano,
could be dominated by this chord, and so for that reason, it couldn't be allowed to if I ever hoped to make money.
Bossa nova always provides a way out of that chord into another. It's a chord dance. Chords glide over each other like Portugese vowels and sweaty bodies.
I wondered that too, Ian.
So, what is the most recorded song of all time? _________________ Those that say don't know; those that know don't say.--Buddy Emmons |
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Jerry Overstreet
From: Louisville Ky
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Posted 21 Jul 2020 12:18 pm
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Thank you Charlie. I thought I remembered the girl singing that tune, but it's been a long time....so that version was the pop hit... |
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Andy Volk
From: Boston, MA
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Posted 21 Jul 2020 12:24 pm
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Quote: |
So, what is the most recorded song of all time? |
I don't know but I hope it's not "Louie Louie."
Ok. I Googled it on the Guiness Book of World Records website:
Quote: |
There are thousands of different versions of The Beatles' (UK) 1965 hit "Yesterday" and John Newton's (UK, 1725–1807) 1779 hymn "Amazing Grace" on record, but George Gershwin's (USA) jazz standard "Summertime" is considered to be the most recorded song, with a staggering 67,591 recorded versions in existence as of 1 June 2017. |
_________________ Steel Guitar Books! Website: www.volkmediabooks.com |
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Ken Pippus
From: Langford, BC, Canada
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Posted 21 Jul 2020 1:05 pm
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Very pleased to see "Summertime" rank ahead of "Tie a Yellow Ribbon." |
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Ian Rae
From: Redditch, England
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Posted 21 Jul 2020 3:37 pm
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So according to Andy, it can only be the 4th most recorded, and if you include Yellow Ribbon (thanks a bunch for reminding us, Ken!) the 5th
Still a fascinating song. Jobim was a real composer. I use One Note Samba as a warm-up. _________________ Make sleeping dogs tell the truth!
Homebuilt keyless U12 7x5, Excel keyless U12 8x8, Williams keyless U12 7x8, Telonics rack and 15" cabs |
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