| Visit Our Catalog at SteelGuitarShopper.com |

Post new topic Strings settling in
Goto page 1, 2  Next
Reply to topic
Author Topic:  Strings settling in
Ian Rae


From:
Redditch, England
Post  Posted 10 Mar 2020 10:54 am    
Reply with quote

I put new strings on my Excel uni 12 recently and talked about it in the context of high G# on a long scale guitar.

But this is about strings in general. I only play the Excel once a week and it's a week since I restrung it. When I got it out today all the plain strings had dropped several cents just sitting in the case.

Steel wire is a more complicated substance than I thought! I imagine this is normal but that doesn't mean I understand it Confused
_________________
Make sleeping dogs tell the truth!
Homebuilt keyless U12 7x5, Excel keyless U12 8x8, Williams keyless U12 7x8, Telonics rack and 15" cabs
View user's profile Send private message Send e-mail Visit poster's website
Donny Hinson

 

From:
Glen Burnie, Md. U.S.A.
Post  Posted 10 Mar 2020 12:13 pm    
Reply with quote

How long did you play it after you changed the strings? It could take 10-15 minutes before the strings settle in completely. Did you push down on the strings after you changed them?

"Several cents" need not be a cause for alarm. A change in room temperature or just the heat of your hands can cause similar effects on any guitar. Don't worry unless it's excessive. Tuning goes up and down, but you should only be concerned if it's easily audible and affects your playing. If the first thing you do every time you sit down at the guitar is turn on the tuner and look for a problem, you'll nearly always find one.

The moral of the story: Always play a little before you look at your tuner. Winking
View user's profile Send private message Send e-mail
Ian Rae


From:
Redditch, England
Post  Posted 10 Mar 2020 12:34 pm    
Reply with quote

What I didn't make clear was that after I changed the strings I went out to a jam session and played for three solid hours, at the end of which it appeared to be still in tune (although I didn't put a meter on it).

With hindsight I realise that it could actually have gone down a bit then, and not since.

I'll report back next week.
_________________
Make sleeping dogs tell the truth!
Homebuilt keyless U12 7x5, Excel keyless U12 8x8, Williams keyless U12 7x8, Telonics rack and 15" cabs
View user's profile Send private message Send e-mail Visit poster's website
Pete Burak

 

From:
Portland, OR USA
Post  Posted 10 Mar 2020 1:00 pm    
Reply with quote

Compared to other Keyless steels, I am not as big of a fan of the way the string wraps around the post and then is locked in place with a screw that doesn't touch the string itself, on my Excel Steel.
It definitely takes strings longer to settle-in than on my Sierra, for example, which locks the string down hard with just half of one wrap around the post.
View user's profile Send private message Send e-mail
Ian Rae


From:
Redditch, England
Post  Posted 10 Mar 2020 2:37 pm    
Reply with quote

What prompted me to start this was not considerations of guitar design or environment, but wondering whether a steel wire under constant tension might get bored and decide to sag a bit just to get attention.

Perhaps one of our metallurgists will chime in - I know you're out there.

Pete, this is the first time I've changed the strings and I agree that the anchoring mechanism is quaint, although it's easy once you get the hang of it, and it looks neat - maybe that's the object.
_________________
Make sleeping dogs tell the truth!
Homebuilt keyless U12 7x5, Excel keyless U12 8x8, Williams keyless U12 7x8, Telonics rack and 15" cabs
View user's profile Send private message Send e-mail Visit poster's website
Donny Hinson

 

From:
Glen Burnie, Md. U.S.A.
Post  Posted 10 Mar 2020 7:23 pm    
Reply with quote

Ian Rae wrote:
What prompted me to start this was not considerations of guitar design or environment, but wondering whether a steel wire under constant tension might get bored and decide to sag a bit just to get attention.


Not much, from my practical experience. Pianos keep the same strings for many decades, and many (including my own) go many years without being tuned. Still, they stay in remarkably good tune. And considering most of the strings are unison-tuned, it's even more remarkable. Of course, instruments based on wood platforms can have more issues than those based on heavy cast iron. Cool
View user's profile Send private message Send e-mail
Ian Rae


From:
Redditch, England
Post  Posted 11 Mar 2020 2:36 am    
Reply with quote

I was thinking about the early stages post-installation.

Apparently Twitter is proposing a self-erasing platform for fleeting thoughts - maybe I'd do better on there.

A cast iron pedal steel would hold its tuning very well, I imagine. I can't imagine why it's never caught on Smile
_________________
Make sleeping dogs tell the truth!
Homebuilt keyless U12 7x5, Excel keyless U12 8x8, Williams keyless U12 7x8, Telonics rack and 15" cabs
View user's profile Send private message Send e-mail Visit poster's website
Al Evans


From:
Austin, Texas, USA
Post  Posted 11 Mar 2020 5:06 am    
Reply with quote

Ian Rae wrote:
A cast iron pedal steel would hold its tuning very well, I imagine. I can't imagine why it's never caught on Smile


You mean that's NOT what they're made of?? Hmmm....

--Al Evans
_________________
2018 MSA Legend, 2018 ZumSteel Encore, 2015 Mullen G2, G&L S-500, G&L ASAT, G&L LB-100, Godin A4 Fretless, Kinscherff High Noon
View user's profile Send private message
Erv Niehaus


From:
Litchfield, MN, USA
Post  Posted 11 Mar 2020 7:17 am    
Reply with quote

Who changes strings? Whoa!
Erv
View user's profile Send private message Send e-mail
John Sluszny

 

From:
Brussels, Belgium
Post  Posted 11 Mar 2020 3:04 pm    
Reply with quote

Donny Hinson wrote:
Did you push down on the strings after you changed them?



Do NOT push them down, pull them up instead !
View user's profile Send private message Send e-mail
Ian Rae


From:
Redditch, England
Post  Posted 11 Mar 2020 4:15 pm    
Reply with quote

Interesting difference.
_________________
Make sleeping dogs tell the truth!
Homebuilt keyless U12 7x5, Excel keyless U12 8x8, Williams keyless U12 7x8, Telonics rack and 15" cabs
View user's profile Send private message Send e-mail Visit poster's website
Mike Schwartzman

 

From:
Maryland, USA
Post  Posted 11 Mar 2020 4:45 pm    
Reply with quote

Remember a bass manufacturer that put metal necks on electric bass models? I think it was Kramer. Nice instruments, but lots of people remarked about how sensitive they were to temperature changes.
Donny talked about temperature changes above, and I think that is a major factor. A steel string connected to a metal keyhead on one end a metal changer on the other end with the metal mechanics underneath, all expanding and contracting with various room and outdoor traveling temperatures make for changes + or -. If I take a PSG downstairs to the basement where the room temp is 10- 15 degrees cooler the strings will go slightly sharp. Never fails. I'm definitely not a metallurgist, but like you, I like to play in tune.
_________________
Emmons Push Pull, BMI, Session 400, Home of the Slimcaster Tele.
View user's profile Send private message Send e-mail
Bobby D. Jones

 

From:
West Virginia, USA
Post  Posted 11 Mar 2020 10:37 pm    
Reply with quote

A cast iron pedal steel would hold its tuning very well, I imagine. I can't imagine why it's never caught on Smile[/quote]

I have posted about a steel guitar made with a Cast Iron frame, Here on the forum, On posts about cabinet drop. How it would be sitting on stage by the piano.
Cast Iron weighs 491 lb./ 222.714 Kg. per cubic foot. 4.551 OZ, per cubic inch. A cabinet the size of a D10 steel 1" inch thick cast iron would weigh in at about 235 lb./ 106.4 Kg.
At my age Harmonicas here I come.
View user's profile Send private message Send e-mail
Steve Sycamore

 

From:
Sweden
Post  Posted 12 Mar 2020 4:02 am    
Reply with quote

I think steel varies quite a bit in content and processing between different manufacturers and different lines by a single manufacturer.

But I unfailingly notice after changing strings that no matter how much you play them and re-tune them it takes several days to a week for the pitch to become stable. There is a certain elasticity to new strings that gradually gets reduced.
View user's profile Send private message Send e-mail
Erv Niehaus


From:
Litchfield, MN, USA
Post  Posted 12 Mar 2020 7:15 am    
Reply with quote

John,
I'm with you.
I always give new strings a tug while I'm getting them in tune. Very Happy
Erv
View user's profile Send private message Send e-mail
Jerry Horch


From:
Alva, Florida, USA
Post  Posted 12 Mar 2020 3:27 pm     Strings
Reply with quote

I believe after a new set has settled in temperature change is it.I pull em 'up'get em to pitch,play a little...repeat,until I dont notice any pitch change on my tuner... cause I'm tuning deaf...Put her to bed ,check and tune in a hour or two or the next day....and it stays...my Franklin stays in amazing tune...in consistant temperature..and honey...rings like a bell...have never had to turn a tuning nut more than a fraction of a turn for pulls...Thanks Mr.Paul Sr. !!!
_________________
Franklin D10 /Walker Sterio Steel JBL's /DigiTech Quad4/ Korg Toneworks/ Dobro DM 1000 / Santa Cruz Guitar VA
View user's profile Send private message Send e-mail
Ian Rae


From:
Redditch, England
Post  Posted 12 Mar 2020 4:54 pm    
Reply with quote

Steve Sycamore wrote:
There is a certain elasticity to new strings that gradually gets reduced.

That's the kind of feeling I was trying to express, as if there is a time element during which things stabilise.
If the string has slackened while unattended (temperature being constant) then some of its potential energy must have been dissipated in the crystal structure of the alloy. Might this be a form of work-hardening?
_________________
Make sleeping dogs tell the truth!
Homebuilt keyless U12 7x5, Excel keyless U12 8x8, Williams keyless U12 7x8, Telonics rack and 15" cabs
View user's profile Send private message Send e-mail Visit poster's website
Jerry Horch


From:
Alva, Florida, USA
Post  Posted 13 Mar 2020 11:18 am    
Reply with quote

Uuhh,yeah I guess...
_________________
Franklin D10 /Walker Sterio Steel JBL's /DigiTech Quad4/ Korg Toneworks/ Dobro DM 1000 / Santa Cruz Guitar VA
View user's profile Send private message Send e-mail
b0b


From:
Cloverdale, CA, USA
Post  Posted 13 Mar 2020 11:22 am    
Reply with quote

Temperature change seems to be the only thing that affects my tuning after I've played an hour or two on a new set.
_________________
-𝕓𝕆𝕓- (admin) - Robert P. Lee - Recordings - Breathe - D6th - Video
View user's profile Send private message Visit poster's website
Dave Mudgett


From:
Central Pennsylvania and Gallatin, Tennessee
Post  Posted 13 Mar 2020 12:18 pm    
Reply with quote

My experience is that if a guitar (either steel or standard) is properly set up and free of friction that hangs up the strings at the bridge or nut, then if I carefully stretch the strings sufficiently, it stays in tune pretty well without waiting for it to "settle in".

I think it's fairly common to underestimate how many times each string needs to be stretched before getting essentially all the slack out of them. I generally pull up on the strings initially. Note that it is very easy to break strings like this, especially the 3rd string G# on E9 pedal steel or the high G string on a 12-string Spanish guitar. So I try to replace a small number of extreme pulls with repeatedly pulling up moderately, and do this until pitch doesn't change at all, then give it a few more light tugs. Once things seem pretty well in place, I push down at both the bridge and nut ends to help seat the string at each end. Then I play the guitar for several minutes, hitting each pedal and lever a severak times.

At each step of this stretch/play exercise, I check the tuning and re-tune. For a standard guitar, this just takes a few minutes; for pedal steel, it takes quite a bit longer - I assume this is not only because of the extra strings, but because of the more complex mechanism and the need to stretch/check/tune all the pedals and levers also.

I'm not willing to wait days or weeks to let "nature take its course" to pull the slack out of strings. If I have an important gig, I change strings as close as possible before the gig so I'm confident that they sound good and have the lowest probability of breaking possible.

Quote:
When I got it out today all the plain strings had dropped several cents just sitting in the case.

If your Excel is keyless, are you sure you're clamping the plain strings tight enough? They would be the ones that would tend to slip more - I've had this happen on Floyd Rose equipped guitars. On the other hand, with a keyed guitar, I notice that when it's just the plain strings that drop pitch, it almost always means I haven't pulled all the slack out of the strings. I believe that, relative to the wound strings, the plains tend to slip more on the tuning post and the knot at the ball end also tends to slip more.

BTW, I don't use any knots at the tuning post of a keyed guitar. I use as many winds as I can without overlapping windings on top of other windings, while still giving a straight-as-possible string pull to the nut slot. More windings => more friction holding the string to the post and less long-haul string slippage. But that also means more time to pull the slack out of more windings.

As b0b states, temperature (and in my experience, humidity) changes can cause changes in tuning. For me, that might mean going sharp or flat, depending on the guitar and what's going on with the environment.
View user's profile Send private message Send e-mail
Ian Rae


From:
Redditch, England
Post  Posted 13 Mar 2020 12:32 pm    
Reply with quote

I may have been less patient than Dave with ironing out the slack. Also, the locking screws that anchor the tuning posts weren't as tight as they might have been. I'm wary of over-tightening things generally, but I guess these need to be rock-solid.

I no longer believe that I have discovered an obscure property of ferrous metals. It seems to be more about what happens at the posts and the ball end wraps.

My Williams is next up for a restring, so I shall follow all advice. Thank you!
_________________
Make sleeping dogs tell the truth!
Homebuilt keyless U12 7x5, Excel keyless U12 8x8, Williams keyless U12 7x8, Telonics rack and 15" cabs
View user's profile Send private message Send e-mail Visit poster's website
Bobby D. Jones

 

From:
West Virginia, USA
Post  Posted 14 Mar 2020 8:26 pm    
Reply with quote

A steel guitar is an instrument all its own. The wood and metal can affect tuning with temperature.
The strings with no raise or lower usually settle in quick. The strings that raise takes a little more time and movement. And the 4th and 8th strings act different because they raise and lower.
I change strings on Monday and playing at home settles the strings for gigging Friday and Saturday night.
View user's profile Send private message Send e-mail
Ian Rae


From:
Redditch, England
Post  Posted 16 Mar 2020 2:50 am    
Reply with quote

So as promised I restrung my Williams too. The string clamping is much simpler than the Excel, and I gave everything a good mashing before I left it overnight.

The next day everything had dropped very slightly, but not audibly - except for the 3rd string which was audible.

On playing some more I found that it was the changes that required attention. This may be because on the Williams the tuning nuts don't act directly on the fingers but have quite long spacers. Maybe destringing unsettled these.

I'm now definitely more inclined to do as Bobby D. and leave a few days in between rather than changing right before the gig like Dave.
_________________
Make sleeping dogs tell the truth!
Homebuilt keyless U12 7x5, Excel keyless U12 8x8, Williams keyless U12 7x8, Telonics rack and 15" cabs
View user's profile Send private message Send e-mail Visit poster's website
Bill Duncan


From:
Lenoir, North Carolina, USA
Post  Posted 16 Mar 2020 6:00 am    
Reply with quote

I despise changing PSG strings. They are aggravating to change. Temperamental about tuning for a while, and I think they sound "jingly" until they have been played for few hours.
_________________
You can observe a lot just by looking
View user's profile Send private message Send e-mail
Ian Rae


From:
Redditch, England
Post  Posted 16 Mar 2020 9:35 am    
Reply with quote

I have yet to find a way of making a string change enjoyable, and I don't do the kind of work that demands new strings for every gig.

But the fact is that they don't last for ever and the busiest and least robust ones (3,4,5) get tired eventually. They either start to sound tinny, or sound out of tune whichever way you turn the key.

On the guitar I play once a week they've lasted two years. The one I practice on should therefore last a sixth as long, say four months - although I shall stretch it to six if it remains symptom-free.
_________________
Make sleeping dogs tell the truth!
Homebuilt keyless U12 7x5, Excel keyless U12 8x8, Williams keyless U12 7x8, Telonics rack and 15" cabs
View user's profile Send private message Send e-mail Visit poster's website

All times are GMT - 8 Hours
Jump to:  
Please review our Forum Rules and Policies
Our Online Catalog
Strings, CDs, instruction, and steel guitar accessories
www.SteelGuitarShopper.com

The Steel Guitar Forum
148 S. Cloverdale Blvd.
Cloverdale, CA 95425 USA

Click Here to Send a Donation

Email SteelGuitarForum@gmail.com for technical support.


BIAB Styles
Ray Price Shuffles for Band-in-a-Box
by Jim Baron