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Author Topic:  Unique Hungarian lap steel
Andy Volk


From:
Boston, MA
Post  Posted 23 Oct 2019 2:10 am    
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Eastern European builders definitely have their own sensibility and decorative traditions. It's almost like they shot all the parts out of a cannon and this how they landed.


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Steve Knight

 

From:
NC
Post  Posted 23 Oct 2019 2:13 am    
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There are a lot of unusual features; but, the inlays at the 2nd and 14th frets jump out at me. I've never seen them placed there before.
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Glenn Wilde

 

From:
California, USA
Post  Posted 23 Oct 2019 2:35 am    
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It's kinda cool, did you get it? How's it sound?
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Andy Volk


From:
Boston, MA
Post  Posted 23 Oct 2019 3:05 am    
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The back is even wackier than the front! And no, I do not own it - just a pic from the web.


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Jim Graham


From:
Ontario, Canada
Post  Posted 23 Oct 2019 4:05 am    
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Steve Knight wrote:
There are a lot of unusual features; but, the inlays at the 2nd and 14th frets jump out at me. I've never seen them placed there before.


I noticed that as well, I think it may be laid out for a particular scale related to the local culture. (?)
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Andy Volk


From:
Boston, MA
Post  Posted 23 Oct 2019 4:12 am    
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I would vote for it just being a design feature - an add-on to the traditional markers.
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Erv Niehaus


From:
Litchfield, MN, USA
Post  Posted 23 Oct 2019 7:27 am    
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I wonder what function those items on the back side serve?
Erv
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Keith Glendinning


From:
United Kingdom
Post  Posted 23 Oct 2019 7:33 am    
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Hungarian Minor scale ?
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Jack Hanson


From:
San Luis Valley, USA
Post  Posted 23 Oct 2019 7:37 am    
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Hungarian goulash.
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Keith Glendinning


From:
United Kingdom
Post  Posted 23 Oct 2019 7:44 am    
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Just found this on Wiki
A Hungarian Gypsy:
A B C D♯ E F G♯

C Hungarian Gypsy:
C D E♭ F♯ G A♭ B

E Hungarian Gypsy:
E F♯ G A♯ B C D♯

The structure of this scale is (w = whole-step, h = half-step, + = augmented

2 1 3 1 1 3 1

I also remembered it from “The Guitar Handbook” by Ralph Denyer. ( I bought a copy in Kuwait in 1983) A great book covering a multitude of guitar subjects.
Keith.

Keith.
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Keith Glendinning


From:
United Kingdom
Post  Posted 23 Oct 2019 7:56 am    
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I’ve found this in the book, which may explain it better.
Keith.

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Michael Maddex


From:
Northern New Mexico, USA
Post  Posted 23 Oct 2019 8:39 am     Re: Unique Hungarian lap steel
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It is either strung backwards (to our way of playing) or else it is the left-handed model.

Andy Volk wrote:
... It's almost like they shot all the parts out of a cannon and this how they landed.

Careful Andy, you may be giving away Trade Secrets. Cool
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Erv Niehaus


From:
Litchfield, MN, USA
Post  Posted 23 Oct 2019 8:47 am    
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The Hungarians were SO successful with this guitar they went on to invert goulash! Whoa!
Erv
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Steve Knight

 

From:
NC
Post  Posted 23 Oct 2019 9:09 am    
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It's probably coincidence, but the inlays work out to be the same intervals as a major pentatonic scale, starting from the second note of the 5-note scale. So, if a D pentatonic major scale is

D E F# A B;

and, I make a huge assumption that one of the strings on the instrument is an E, then the inlays line up with those notes of the scale. A pentatonic major scale would start over again at the 10th fret and go up from there. This would sort of a be a "mode" of a pentatonic major scale. The intervals are the same.

We do use the pentatonic major and minor scales, both of which use the same notes in the relative minor key, starting at a different point in the scale.

I like Andy's theory that it's just a design feature.
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Chris Walke

 

From:
St Charles, IL
Post  Posted 24 Oct 2019 7:00 am    
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Erv Niehaus wrote:
I wonder what function those items on the back side serve?
Erv


Perhaps ornate non-slip surface?
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Erv Niehaus


From:
Litchfield, MN, USA
Post  Posted 24 Oct 2019 7:21 am    
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It looks like there is some metal involved.
Erv
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Bill Groner


From:
QUAKERTOWN, PA
Post  Posted 24 Oct 2019 7:41 am    
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It might be two rubber pads held in place by the metal plate? The bottom design looks to me like the black portion is for some gription on the lap?
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