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Topic: Emmons Push Pulls as an investment? |
George Seymour
From: Notown, Vermont, USA
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Posted 5 Feb 2019 6:47 am
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Ok...here is a fire starter...it has to do with GAS, (guitar acquisition syndrome)
What would be the opinion on buying Emmons PP's as an investment? Being investment would possibly pertain to getting more for it in the future than at purchase price. I know for certain that this is nearly impossible to predict..so much in the music world that affects the taste of the buying public, but just posing the question.
True, they are currently not being made.
True, have a steeper learning curve for maintenance.
Me: I absolutely love the tone and stage presence these old Emmons have..
I've recently acquired another..my opinion is I buy them for the joy they give me and am not primarily concerned with resale value, although when my playing days are over I'd like to think they would be worth something.. hard to have a operating crystal ball.. ( although if I did I probably would be driving a much nicer car or maybe something worse..) Thoughts? _________________ Old Emmons D-10's & Wrap Resound 65, Standel amps!
Old Gibson Mastertones |
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Bobby Nelson
From: North Carolina, USA
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Posted 5 Feb 2019 7:07 am
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I don't know anybody who foresaw old Stratocasters going for $30,000 - $60,000 + back in the 80s when we were buying them in pawn shops for 3-5oo $$ - and Les Pauls for a hundred plus? Never in a million years, even though they sold for slightly more back then.
You have to wager on what you think the non-musician (for the most part) collectors are going to do, and how much expendable income they might have laying around in the future. That being said, all it takes is one Robert Randolph to become nationally renowned in a big way, or one of those said collectors who's eager to hit the ground floor of the next craze to start striking at them. Having been there for the guitar craze, this is my best guess at this question. |
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Donny Hinson
From: Glen Burnie, Md. U.S.A.
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Posted 5 Feb 2019 7:45 am
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Investments are tricky, and it's hard sometimes to out-think the market. The only steels that have proven to be a good investment are the Franklin and Bigsby. All others have pretty much stayed the same when you consider present value vs. inflation. Demand has to be considered too, and I can't help but think that demand may drop when some of the older "hoarders" start to dump their collections. I've been collecting and dealing in the art-deco world for many years, and the younger people don't seem to care as much about age or cachet like the previous generations did. While it's true that most pedal steels have gone up in value over the last 5 years, I don't expect to see that trend to continue. Sooner or later, the market resets itself, and things stabilize for decade or so. At least, that's the way it's been for the last 50 years. |
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David Ball
From: North Carolina High Country
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Posted 5 Feb 2019 8:45 am
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The market for nineteenth century banjos grew during the 80s too--prices went through the roof and it was a handful of guys about my age--in their 60s and 70s now, who hoarded these things and led to the escalating prices.
For years, they were a good investment, but guys who had counted on selling them for big bucks as retirement income have discovered that the market is still pretty much limited to aging boomers--many of whom are also trying to thin their herds. The millennials as a group seem to have neither the interest nor the money to buy these things.
I think steel guitars are like banjos in that they both appeal to a very narrow market, and would be much riskier investments than Strats or Martins which have a much broader market. (go ahead and flame me for the banjo comparison...)
Dave |
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Tony Prior
From: Charlotte NC
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Posted 5 Feb 2019 9:13 am
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it will take way more than one P Pull player on a national stage to drive the market UP. Strats had Hendrix, Stevie Ray and every other guitar player known to mankind as a ref or influence. Oh and that other English guy, Eric something or other...
P Pulls are excellent and maybe the older ones have specific value to certain players but overall not to the majority.
Buy a Push Pull because it's a fine Instrument that you will more than likely NOT lose money on. Is that considered an investment ? Sure, but not one for early retirement. _________________ Emmons L-II , Fender Telecasters, B-Benders , Eastman Mandolin ,
Pro Tools 12 on WIN 7 !
jobless- but not homeless- now retired 9 years
CURRENT MUSIC TRACKS AT > https://tprior2241.wixsite.com/website |
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Bill McCloskey
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Posted 5 Feb 2019 9:40 am
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Ask the people who invested in Scheerhorn dobros as a hedge against inflation.
Investing in instruments as a serious investment strategy is foolish. |
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George Seymour
From: Notown, Vermont, USA
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Posted 5 Feb 2019 10:32 am
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David Ball wrote: |
The market for nineteenth century banjos grew during the 80s too--prices went through the roof and it was a handful of guys about my age--in their 60s and 70s now, who hoarded these things and led to the escalating prices.
For years, they were a good investment, but guys who had counted on selling them for big bucks as retirement income have discovered that the market is still pretty much limited to aging boomers--many of whom are also trying to thin their herds. The millennials as a group seem to have neither the interest nor the money to buy these things.
I think steel guitars are like banjos in that they both appeal to a very narrow market, and would be much riskier investments than Strats or Martins which have a much broader market. (go ahead and flame me for the banjo comparison...)
Dave |
David,
Entirely true. You think a Bigsby is bringing big dollars.. about eight weeks ago I played the 2016 IBMA banjo player of the year 1936 Granada original pot flathead that he gave $75K for.. the first note I struck on it my head exploded...and I've got some real good prewar Gibson's as well. Kinda the same way I felt when striking a pick for the first time to the 1966 Bolt on. Just some present food for thought...they made less than 200 original 5 string flatheads between 1929 and 1941..many more tenor flatheads that are regularly selling from 40 to 50 thousand.. gotta be real serious to spend that money . But like the pro said "you gotta be real serious"... I don't think old Emmons will ever reach that status, but who knows, certain wrap arounds.
Thanks for the opinions so far, been milling it around since buying my latest. _________________ Old Emmons D-10's & Wrap Resound 65, Standel amps!
Old Gibson Mastertones |
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Lee Baucum
From: McAllen, Texas (Extreme South) The Final Frontier
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Posted 5 Feb 2019 10:35 am
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Here is an old discussion--->Click Here |
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George Seymour
From: Notown, Vermont, USA
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Posted 5 Feb 2019 10:41 am
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Lee Baucum wrote: |
Here is an old discussion--->Click Here |
all good points.. time frame never stays the same.. will always be next to impossible to ever predict, just interesting to me the take at these moments. _________________ Old Emmons D-10's & Wrap Resound 65, Standel amps!
Old Gibson Mastertones |
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Jamie Kitlarchuk
From: Alberta, Canada
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Posted 5 Feb 2019 11:22 am
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As with anything, it's only worth what someone is willing to pay for it. I also play mandolin and notice that there are a lot of old timers who pride themselves in their collections. Over the next number of years, as some of these are put back into the market, I wonder how many younger folks will be willing to pay the amount that the seller might expect based on historical sale values.
A prime example is the Gibson F5 Loar era mandolin. Leading up to the 2007 recession, these were selling for more than a house in some areas ($200k plus). Some people were able to cash in on grandpa's old mandolin. Some people may have bought them thinking that the value will only keep going up because 'they aren't making any more of them'. Now you see them listed in the low to mid $100k range at some of the most reputable vintage dealers around... and they take a long time to sell (if they sell at all). The price seems to be going down every year for the past few years. Still a lot of money for a mandolin, but you can by a near exact copy from today's most reputable builders for a fraction of the cost, and you don't have to worry about locking it up every time you leave the house.
Obviously, I'm talking completely different instruments and values here, but my thought is that the pedal steel market is so small / niche, that collector value will be limited on most instruments. |
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George Seymour
From: Notown, Vermont, USA
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Posted 5 Feb 2019 11:32 am
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Jamie Kitlarchuk wrote: |
As with anything, it's only worth what someone is willing to pay for it. I also play mandolin and notice that there are a lot of old timers who pride themselves in their collections. Over the next number of years, as some of these are put back into the market, I wonder how many younger folks will be willing to pay the amount that the seller might expect based on historical sale values.
A prime example is the Gibson F5 Loar era mandolin. Leading up to the 2007 recession, these were selling for more than a house in some areas ($200k plus). Some people were able to cash in on grandpa's old mandolin. Some people may have bought them thinking that the value will only keep going up because 'they aren't making any more of them'. Now you see them listed in the low to mid $100k range at some of the most reputable vintage dealers around... and they take a long time to sell (if they sell at all). The price seems to be going down every year for the past few years. Still a lot of money for a mandolin, but you can by a near exact copy from today's most reputable builders for a fraction of the cost, and you don't have to worry about locking it up every time you leave the house.
Obviously, I'm talking completely different instruments and values here, but my thought is that the pedal steel market is so small / niche, that collector value will be limited on most instruments. |
Another great point.. and we are in a period of time that have some tremendous acoustic instruments being made at much less than the Loar's. They will be the "next" prewars that after the aging process will have the sound. And 99% of the listening public can't tell the difference..but when you play one you can _________________ Old Emmons D-10's & Wrap Resound 65, Standel amps!
Old Gibson Mastertones |
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Bob Carlucci
From: Candor, New York, USA
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Posted 5 Feb 2019 11:56 am
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meh... When we start to die off... well, actually, we have already started that phase, do you REALLY think that young guys are going to pay a hyper premium for an "outdated" design steel, when they can have the latest and greatest technology that stays in tune, plays soft and easy and looks great??... Its been going that way for YEARS now with 6 string guitars.
1960's instruments that were selling like hot cakes for $3000-4000 years ago are being dumped on the market today at $2000-3000 without a buyer in sight... Check vintage electrics on ebay.
Starting in the late 90's and for a solid 10 years afterward, Japanese buyers brought hundreds of thousands of USA built guitars back to japan in speculation of a vintage instrument market that was to about to explode worldwide- the sky was the limit.
I personally knew a guy that was invested deep in that market, and sold truckloads of high end vintage stuff to Japan. Pallet loads.
Now those same buyers are on ebay trying to off load those guitars back here at a loss, and are failing.. Us, the generation that got STUPID over old guitars, are just not buying them, and the young guys that play guitar don't have much interest, and really, why should they??.. None of their "heroes" played a 1953 Fender Broadcaster.
I had a collection of stuff that was the envy of many who saw it,, Money wise, I lost on some , gained on a few, broke even on most.... wasn't worth the effort for the most part, and I doubt it will be on emmons PP pedal steels either.. Unless you can find a LOT of them selling under wholesale.. good luck with that... bob _________________ I'm over the hill and hittin'rocks on the way down!
no gear list for me.. you don't have the time...... |
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George Seymour
From: Notown, Vermont, USA
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Posted 5 Feb 2019 12:44 pm
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Ah come on Bob you saying this don’t look good😜😜
But can’t argue about anything you said, seems kinda bleak for the near future of steel guitar... like to hear all of this just kind of out things in perspective
Nothing ever stay the same of that I can be sure _________________ Old Emmons D-10's & Wrap Resound 65, Standel amps!
Old Gibson Mastertones |
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David Ball
From: North Carolina High Country
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Posted 5 Feb 2019 2:26 pm
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Ah for the old days...Back in the late 70's, Knoxville was getting ready to host a Worlds Fair. Part of the preparation included running a lot of long-time downtown businesses out via high rents. One of these businesses was a pawn shop that had been around for at least 50 years.
I was working construction at the time, and our company had a little warehouse right next to a warehouse where that pawn shop stored all of the stuff that was too outdated and out of demand to take up space in their store. They had a big warehouse sale to liquidate.
Oh if I had any disposable income back then--old tube amps (Valcos, Dearmonds, Gretsch, Epiphone, etc. No Fenders) were $5 apiece. There were literally hundreds of steel guitars--mostly lap, but a few pedal steels too. Also $5.
Now to the point of this rant--My boss bought a dumptruck load of steel guitars for $100 as an investment. Our dumptruck was a pretty good sized one too! I'd guess there were more than a hundred old guitars in there. Given that Knoxville was pretty heavy steel guitar country back in those days, there were some awfully good guitars in that dumptruck.
Don't know what ever became of the guitars or whether the investment paid off. Probably didn't make the boss's wife very happy. I know for sure there were some Rick Fry Pans and Bakelites, Some National New Yorkers and some Sho Buds in there. What else? Who knows. Of course if I had been better off financially at the time, my current downsizing effort would have been much more difficult.
Dave |
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Bobby Nelson
From: North Carolina, USA
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Posted 5 Feb 2019 2:33 pm
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AllI can think is this: If you have the jack to buy now at very reasonable prices (say 2-4 thou? I'm not sure what you can get them for right now), and you stock pile some number of them, and they do go to over 10 thou a piece, you'll be in the good - or, you'll wind up with a garage full of cool pedal steels haha. |
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Bob Carlucci
From: Candor, New York, USA
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Posted 5 Feb 2019 2:37 pm
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George Seymour wrote: |
Ah come on Bob you saying this don’t look good😜😜
But can’t argue about anything you said, seems kinda bleak for the near future of steel guitar... like to hear all of this just kind of out things in perspective
Nothing ever stay t
he same of that I can be sure |
George,, it looks GREAT!,, to me, you, and our forum mates... However, in 25 years when most of us are star dust, will some young player want to spend say 20 grand on it because its "vintage", when he can get a similar looking brand new pedal steel for I dunno, let say 5 grand? Thats the question... It could become a highly valuable "classic" like a 1958 strat is, but honestly I have my doubts... Right now there are guys with multiple Emmons Pp guitars.. Some day they will be back on the market, and it remains to be seen what happens.. I am judging by what i saw happen when a lot of "vintage" electrics started showing up by guys that were trying to cash them out.. a LOT of them were worth less than they were when purchased during the "vintage guitar hysteria" days... bob _________________ I'm over the hill and hittin'rocks on the way down!
no gear list for me.. you don't have the time...... |
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Drew Pierce
From: Arkansas, USA
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Posted 5 Feb 2019 4:15 pm
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This question, in some form or another, applies to so many things -- cars, motorcycles, etc. But with respect to musical instruments, it always seemed a shame that collector/speculators (hoarders?) often price the great vintage instruments out of the reach of people who would actually play them. _________________ Drew Pierce
Emmons D10 Fatback, S10 bolt-on, Zum D10, Evans RE500, Hilton volume and delay pedals. |
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Tiny Olson
From: Mohawk River Valley, Upstate NY
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Posted 5 Feb 2019 4:49 pm
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George:
If that latest Emmons you mention acquiring is the one I think it is, you made a good investment there. If your collection brings you joy, then you've made good investments toward your quality of life.
I'd like to acquire a '66 Bolt-on D-10 in addition to my '69 Rosewood and LeGrande D-10s. But I keep buying more fishing gear and new gadgets and electronics for my bass-boat. That's my investment toward my happiness and quality of life. I carry enough rods & lures in my 21' bass-boat to stock a tackle store. I don't really need all that (did I say that..??) but it makes me happy and I'm not in debt at all. So, for me, the investments I make toward my bass-fishing passion are well worth the cost.
Financially speaking, your investments, overall, are probably somewhat better than mine, regarding Emmons guitars and Bass-boats in retaining value.
Let me know how you like that "new" horn. All the best and ENJOY..!!!
Chris "Tiny" O. |
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Bud Angelotti
From: Larryville, NJ, USA
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Posted 5 Feb 2019 6:18 pm
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Ukes have come back as you probably already know. Because of their popularity, alot of cheap ones are being made. Also the vintage high end ones have become real pricey. If ukes can do it then why not steel? Of course you don't need amps of all kinds of gadgets which is partly why the Ukes have become popular in recent years. 23 skidoo! _________________ Just 'cause I look stupid, don't mean I'm not. |
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Lee Baucum
From: McAllen, Texas (Extreme South) The Final Frontier
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Posted 5 Feb 2019 8:15 pm
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It's been equity mutual funds for me, since the 1980s. |
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George Seymour
From: Notown, Vermont, USA
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Posted 6 Feb 2019 6:03 am
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George,, it looks GREAT!,, to me, you, and our forum mates... However, in 25 years when most of us are star dust, will some young player want to spend say 20 grand ... bob[/quote]
Yup...star dust..in the real inner sense of music and passion for it, we never really own anything. I've got several Pre War Gibson banjos that have long outlived their original owners..my job essentially is to care for, play, and pass on to the next generation.. we are just stewards..(my prediction is in the next ten years there will be large number of steel guitars that families and or widows have to deal with.. the circle of life)
Appreciate the current comments..live in the present and slow down the monment..seems to go by ever more rapidly.
These old Emmons push pulls have gut and character that I enjoy immneseley..I thinks the same will be true as our craft moves onward to the future. _________________ Old Emmons D-10's & Wrap Resound 65, Standel amps!
Old Gibson Mastertones |
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George Seymour
From: Notown, Vermont, USA
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Posted 6 Feb 2019 6:04 am
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Tiny Olson wrote: |
George:
If that latest Emmons you mention acquiring is the one I think it is, you made a good investment there. If your collection brings you joy, then you've made good investments toward your quality of life.
I'd like to acquire a '66 Bolt-on D-10 in addition to my '69 Rosewood and LeGrande D-10s. But I keep buying more fishing gear and new gadgets and electronics for my bass-boat. That's my investment toward my happiness and quality of life. I carry enough rods & lures in my 21' bass-boat to stock a tackle store. I don't really need all that (did I say that..??) but it makes me happy and I'm not in debt at all. So, for me, the investments I make toward my bass-fishing passion are well worth the cost.
Financially speaking, your investments, overall, are probably somewhat better than mine, regarding Emmons guitars and Bass-boats in retaining value.
Let me know how you like that "new" horn. All the best and ENJOY..!!!
Chris "Tiny" O. |
![Very Happy](images/smiles/icon_biggrin.gif) _________________ Old Emmons D-10's & Wrap Resound 65, Standel amps!
Old Gibson Mastertones |
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Tiny Olson
From: Mohawk River Valley, Upstate NY
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Posted 6 Feb 2019 1:26 pm
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Cool George. I'm glad it went where it did..!! |
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Fred Treece
From: California, USA
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Jack Hanson
From: San Luis Valley, USA
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Posted 7 Feb 2019 9:18 am
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Buy a push/pull for the pleasure of playing and listening to a great-sounding classic design, not as an investment.
If you really wanna invest, look at Beanie Babies. The price has never been lower. |
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