| Author |
Topic: Sacred Steel on E9 |
Brooks Montgomery
From:
Idaho, USA
|
Posted 13 Sep 2018 9:16 am |
|
I was searching the archive for any info on playing Sacred steel type riffs and chops on E9 10-string PS tuning. Most recent was I think 2009. I probably missed some on my hasty search. I realize E7 is a better way to go, but was looking for E9 specifically.
You guys have any new examples, lessons, ideas, artist vids, or thoughts on this?
Thanks,
Brooks
_________________
A banjo, like a pet monkey, seems like a good idea at first. |
|
|
 |
Ken Metcalf
From:
San Antonio Texas USA
|
Posted 14 Sep 2018 4:09 am
|
|
Sacred steel types normally tune the 7th string F# back to E.
_________________
MSA 12 String E9th/B6th Universal.
Little Walter PF-89.
Bunch of stomp boxes |
|
|
|
Paul Redmond
From:
Illinois, USA
|
Posted 11 Oct 2018 6:00 pm
|
|
I use a 10-string version of E9/B6 Uni....minus the two bass strings....just the upper 10. My 9th string is a B which I pull to D on a KL just like a Uni. I also have a lock lever on the raise finger of #7....I tune the string to E, then use the lock to pull it up to F# for "normal" playing. When I release the lock, it goes to E. I have another rod that also pulls it back to F# when I lower my E's. When I raise the E's to F, #7 also goes to F. This gives me all major "wide" chords all the way up to the 3rd string. When I go pedals-down, it's still all major. When I use the F change with pedal 1, it's still all major. With open strings, I can pull #9 B to D and since I tune my 2nd string to D rather than D#, I wind up with a dom. 7th chord all the way up to string 2. If I pull the lock back on, the tuning reverts to E9th "short Uni". When I go pedals-down, the tuning becomes an A6th and I proceed to get all my "6th stuff" using standard E9 KL's for the changes. I can literally get everything but the BooWah on a 10-string E9th neck. I gave up playing double-neck guitars because I don't need them. BTW the Sacred Steel lock allows you to just lay in nice, full, wide chords behind the band in a subtle yet rich way. I use those chords behind a singer a lot.
PRR |
|
|
|
Brooks Montgomery
From:
Idaho, USA
|
Posted 11 Oct 2018 6:44 pm
|
|
Thanks Paul. I don't think I can do that on my guitar, but very detailed info--thanks.
_________________
A banjo, like a pet monkey, seems like a good idea at first. |
|
|
|
